La Scala Ballet.LA SCALA BALLET TEATRO DEGLI ARCIMBOLDI The Teatro degli Arcimboldi is a theatre and opera house in Milan which was built over a twenty-seven month period in anticipation of the closure and subsequent nearly three-year long renovation of Milan's La Scala opera house in December 2001. It is located 4. MILAN Milan, prince and king of Serbia Milan (Milan Obrenović) (mĭl`än ōbrĕ`nəvĭch), 1854–1901, prince (1868–82) and king (1882–89) of Serbia; grandnephew of Miloš Obrenović. , ITALY MAY 18-23, 2004 Generations of Italian ballet-goers have grown up with images of Maurice Bejart's epic theater-dance, so it's no surprise that the Italian ballet community is first in line to celebrate his golden jubilee. Italy's last thirty years have been marked by the French maestro's magnetic presence and creativity. For its all-Stravinsky program, La Scala Ballet obtained the exclusive European rights to perform Bejart's celebrated Le Sacre du Printemps (The Rite of Spring), which, since its creation in 1959, is considered in Europe to be the most thrilling dance translation of Stravinsky's telluric telluric /tel·lu·ric/ (te-lu´rik) 1. pertaining to tellurium. 2. pertaining to or originating from the earth. tel·lu·ric adj. 1. score and is still a hit at the box office. In Bejart's vision this primitive rite celebrates the human instinct to procreate pro·cre·ate v. 1. To beget and conceive offspring; to reproduce. 2. To produce or create; originate. pro as the natural basis for the evolution of society. Physical impulse is the choreographic leitmotiv leitmotiv In music, a melodic idea associated with a character or an important dramatic element. It is associated particularly with the operas of Richard Wagner, most of which rely on a dense web of associative leitmotifs. of the ballet, which in the first part describes the masculine pack's wildness and boldness with big jumps, runs, fighting embraces; in the second part it illustrates feminine acceptance of the rules of nature with trembling pelvic bursts and small, shy jumps. But this is a bullet for the ensemble more than for soloists, and the Milanese premiere revealed a group not yet strong and passionate enough for the orgiastic or·gi·as·tic adj. 1. Of, relating to, or characteristic of an orgy. 2. Arousing or causing unrestrained emotion; frenzied. fury Bejart imagined. Not so the soloists. Massimo Murru, as the male Chosen One, embodied the virile energy but also the astonishment and fear of his great mission. Sylvie Guillem, in her artistic maturity, was solemnly grave and lyrical, looking more like a holy priestess than one more sacrificial victim. Another mysterious feminine creature, the Novice, was portrayed as strong-minded by Sabrina Brazzo in the company's premiere of Jerome Robbins' The Cage. Powerful in dramatic conception, the ballet blends the archetypal second act of Giselle with the nervous impulses of modern dance to describe a cruel feminine society in which males are used and killed. Robbins' sharp choreography (staged by Jean-Pierre Frohlich) was danced with glittering attack by the corps de ballet corps de bal·let n. The dancers in a ballet troupe who perform as a group. [French : corps, corps + de, of + ballet, ballet. . On the contrary, "Rubies," from Balanchine's Jewels, was performed with an unbearable affected attitude that tried to hide the dancers' technical faults and revealed a stylistic misunderstanding of this glamorous work. FOR MORE INFORMATION http://lascala.milano.it |
|
||||||||||||||||||
Printer friendly
Cite/link
Email
Feedback
Reader Opinion