Kulturtransfer in der fruhen Neuzeit: die Vorwarte der Lyaner Drucke des 16. Jahrhunderts.Sabine Vogel. Kulturtransfer in der fruhen Neuzeit: die Vorwarte der Lyaner Drucke des 16. Jahrhunderts. Tubingen: Mohr Siebeck, 1999. x + 318 pp. DM 168. ISBN ISBN abbr. International Standard Book Number ISBN International Standard Book Number ISBN n abbr (= International Standard Book Number) → ISBN m : 3-16-147109-1. This carefully researched book makes at least two important contributions to scholarship. First, it presents a subject that deserves more attention in Renaissance studies: the fortunes (and perhaps misfortunes) of the transmission of the literary culture of classical antiquity This article is about the ancient classical era, epoch, or (time) period. For the classical period in music (second half of the 18th century), see classical music era. Classical antiquity (also the classical era or classical period . Vogel delineates a significant shift in the appropriation of that culture in the sixteenth century: from humanist scholars who embraced antiquity in its entirety as the foundation for the trinity of their ideals -- doctrina, virtus, eloquentia -- to an increasingly vernacular audience that was quite content to have antiquity served up piecemeal and that, while not entirely rejecting the three humanist ideals, read more for the sake of pleasure than for the cause of erudition er·u·di·tion n. Deep, extensive learning. See Synonyms at knowledge. Erudition of editors—Hare. Noun 1. . The author describes this development as a transition from the learned reader (der gelehrte Leser) to the educated reader (der gebildete Leser), from the humanist to the ban esprit. Second, Vogel's study calls our attention to an important literary genre Noun 1. literary genre - a style of expressing yourself in writing writing style, genre drama - the literary genre of works intended for the theater prose - ordinary writing as distinguished from verse that sch olars have often overlooked. Prefaces to sixteenth-century imprints serve as her principal source for examining the transmission of antique culture via editors and printers to readers. Vogel confines her research to books published in Lyon between 1519 and 1580, specifically in 1519/20, 1539/40, 1559/60, and 1579/80, and still extant in the Bibliotheque municipale de Lyon. Books published in the designated years of her sample account for roughly one-third of the total book production in Lyon. The chosen sequence covers the rise of production to its heyday in 1560 and then to its precipitous decline largely caused by the disruption of confessional warfare in France. The terminus ad quem TERMINUS AD QUEM. The point of termination of a private way is so called. allows one to determine the nature of the effect of the Council of Trent Noun 1. Council of Trent - a council of the Roman Catholic Church convened in Trento in three sessions between 1545 and 1563 to examine and condemn the teachings of Martin Luther and other Protestant reformers; redefined the Roman Catholic doctrine and abolished on the book trade, a subject to which Vogel devotes only a few pages (150-55). Lyon is an ideal focus for study. After Paris it was the largest center of book production in France, and it led Europe in the publication of legal books. Vogel pursues her theme relentlessly. She documents the dilution, or at least the transformation, of the humanist values of doctrina, virtus, and eloquentia in a wide variety of literary genres. Impressive and imaginative are her sections on "die Antike als Baukasten"(94-127, 184-207). Here she demonstrates the fragmentation of classical culture into compilations and florilegia. The collections of extracts from ancient history and philosophy and of classical proverbs Proverbs, book of the Bible. It is a collection of sayings, many of them moral maxims, in no special order. The teaching is of a practical nature; it does not dwell on the salvation-historical traditions of Israel, but is individual and universal based on the addressed themselves, as is clear in their prefaces, to an audience that was not interested in antiquity for its own sake but for its practical application. Inasmuch as in·as·much as conj. 1. Because of the fact that; since. 2. To the extent that; insofar as. inasmuch as conj 1. since; because 2. a familiarity with parts of the classical heritage helped one up the social ladder of French officialdom, erudition, virtue, and eloquence Eloquence Ambrose, St. bees, prophetic of fluency, landed in his mouth. [Christian Hagiog: Brewster, 177] Antony, Mark gives famous speech against Caesar’s assassins. [Br. Lit. were subordinated to the pursuit of power. Two of the book's shortcomings A shortcoming is a character flaw. Shortcomings may also be:
adj. Of or relating to the fathers of the early Christian church or their writings. pa·tris scholarship. For their part, the bons esprits remain rather elusive readers. To be sure, the authors of prefaces mentioned them, and we can infer from the prefaces what their cultural tastes were. But who specifically are these bons esprits, this newly emerging social group, as Vogel refers to them (269)? The book ends before we can receive a satisfactory answer. Yet it ends after having made the two contributions noted above, and one hopes it will stimulate further studies in a fascinating field of research. |
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