Kiss It Up To God. (poetry reviews).Kiss It Up To Good by Nadine Mozon Fly By Night Press, 2001, $13.00, ISBN ISBN abbr. International Standard Book Number ISBN International Standard Book Number ISBN n abbr (= International Standard Book Number) → ISBN m 1-930-08301-7 Nadine Mozon's collection of poetry is marked by its wide-ranging subject matter. Kiss It Up To God makes room for: tributes to literary luminaries; a match between Venus and Serena; New York New York, state, United States New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of subway scenes; family portraits; and such vital issues as colorism and interracial in·ter·ra·cial adj. Relating to, involving, or representing different races: interracial fellowship; an interracial neighborhood. love. While I admire the reach of Mozon's interests, many of her poems seem flattened flat·ten v. flat·tened, flat·ten·ing, flat·tens v.tr. 1. To make flat or flatter. 2. To knock down; lay low: The boxer was flattened with one punch. by subject matter rather than animated by it. For example, "SAY WHEN!" reveals a speaker who has reached her threshold in our all too-violent country. Now we gotta say when to those who pull triggers instead/ who get annoyed just enough to blow off a few heads/ just for fun or perhaps just a way of exposing the hole/ in their soul While the poem's message elicits full assent An intentional approval of known facts that are offered by another for acceptance; agreement; consent. Express assent is manifest confirmation of a position for approval. from its reader, the poem itself leaves one uninvolved un·in·volved adj. Feeling or showing no interest or involvement; unconcerned: an uninvolved bystander. Adj. 1. in any significant participation or inquiry. Mozon hits her stride when she creates vivid scenes for the reader to enter. She accomplishes this in several poems about young people and childhood. It is there that her voice is fresh and playful, her images penetrating and often humorous. Mozon also takes leaps in "Asleep & Awake/Cycles & Rituals," the final section of her collection. In "Follow Me: A Cycling Dream," the speaker recounts a dream of riding a bicycle with Jesus. So there I am callin/ Be easy, Lord Jeezy/ Just can't bear the thought of your robe getting caught/ in the chain! Through its wit and command of detail, this poem creates an inevitable surprise of an ending. Audrey Petty is a writer who lives and teaches in Champaign-Urbana, Illinois. |
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