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KERRY JAMES MARSHALL.


KERRY JAMES MARSHALL Kerry James Marshall (October 17, 1955- ) is an artist born in Birmingham, Alabama. He grew up in South Central Los Angeles and now lives in Chicago and teaches at the School of Art and Design at the University of Illinois at Chicago.  Kerry James Marshall, Terrie Sultan, Arthur Jafa Abrams Publishing, November 2000, $29.95, ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
 0-810-93527-9

When you stand before a Kerry James Marshall painting, with or without previous knowledge of the history of painting in Europe or the United States United States, officially United States of America, republic (2005 est. pop. 295,734,000), 3,539,227 sq mi (9,166,598 sq km), North America. The United States is the world's third largest country in population and the fourth largest country in area. , you come away confident that you have experienced a masterpiece. Each painting is an epic containing the essential elements that make any work of art (a novel, poem, movie or musical composition) beautiful and grand. Marshall builds his paintings around sublime concepts like passion, heroicism, life and death. Coupled with his rigorous study of the techniques and workmanship of Michaelangelo, Raphael, Rembrant and Charles White, Marshall has created irresistibly beautiful paintings that explore the social and cultural issues that shape the lives of African Americans.

What motivates Marshall to work in a medium (painting) that many have long declared to be dead, and in a genre (representation) that is often marginalized? "I always wanted to do pictures with black people in them ... where you recognized who the figures were, and then quickly went beyond that to much larger issues that implicated im·pli·cate  
tr.v. im·pli·cat·ed, im·pli·cat·ing, im·pli·cates
1. To involve or connect intimately or incriminatingly: evidence that implicates others in the plot.

2.
 more than just the people presented," But just how does he do this? His explanations of his own artistic process are invaluable to artists and art lovers alike. "It's the way color is handled with subtly and sophistication so·phis·ti·cate  
v. so·phis·ti·cat·ed, so·phis·ti·cat·ing, so·phis·ti·cates

v.tr.
1. To cause to become less natural, especially to make less naive and more worldly.

2.
; it's the way surface is handled with facility, the deftness of the structure; it's the way balance is achieved a dynamic equilibrium dy·nam·ic equilibrium
n.
See equilibrium.
 between tension and chaos. It's a choreography," says Marshall.

This vibrantly illustrated monograph of over 100 drawings, paintings, collages and text by the artist on his development takes the reader into the studio with Kerry James Marshall as he creates poignant and monumental works that skillfully integrate politics, culture and history.
COPYRIGHT 2001 Cox, Matthews & Associates
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review
Author:Woods, Regina L.
Publication:Black Issues Book Review
Article Type:Book Review
Date:Jan 1, 2001
Words:295
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