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KEEPING IT REAL.



Byline: - Bob Strauss

To create the world of Howard Hughes in 1920s, '30s and '40s Los Angeles Los Angeles (lôs ăn`jələs, lŏs, ăn`jəlēz'), city (1990 pop. 3,485,398), seat of Los Angeles co., S Calif.; inc. 1850. , Martin Scorsese Noun 1. Martin Scorsese - United States filmmaker (born in 1942)
Scorsese
 often had to rely on filmmaking tools that, unlike contemporaries such as Steven Spielberg, he has eschewed in the past: computer generated images and extensive model work.

The New York-based director notes quite accurately that his most acclaimed films _ ``Mean Streets,'' ``Taxi Driver,'' ``Raging Bull,'' ``GoodFellas'' _ were gritty, street-location productions. And even Scorsese's elaborate period pieces ``The Age of Innocence'' and ``Gangs of New York'' were practical productions. The latter, famously, built blocks of 19th-century New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
 on an Italian studio's backlot backlot
Noun

an area outside a film or television studio used for outdoor filming
.

When it came to the dazzling aeriel shots and restagings of famous movie moments, the master auteur auteur (ōtör`), in film criticism, a director who so dominates the film-making process that it is appropriate to call the director the auteur, or author, of the motion picture.  found that working with green screens and post-production visuals took a little adjusting.

``I would say things like, 'Oh, that's going to be a problem' to his on-set effects supervisors, Scorsese recalls. ``And they said, 'Oh no, we'll take care of that. We'll wipe that out. We'll clean that out.' Fine. So I'd get confident and say, 'OK, take that out.' And they'd say, 'That we can't do.'

``It was like Abbott and Costello Abbott and Costello (kŏstĕl`ō), American comedy team of William Alexander "Bud" Abbott, 1895–1974, b. Asbury Park, N.J., and Lou Costello, 1906–59, b. Paterson, N.J., as Louis Francis Cristillo. ,'' the chatty chat·ty  
adj. chat·ti·er, chat·ti·est
1. Inclined to chat; friendly and talkative.

2. Full of or in the style of light informal talk: a chatty letter.
 New Yorker adds, guffawing. ``It was so frustrating, but gradually I realized what could and couldn't be done. And I began to understand what part of the frame I should be concentrating on.''

Like Hughes, Scorsese bent the latest technology to the service of his desires. That is nowhere more evident than in the crash of the experimental XF-11 spy plane, which Hughes tried to land on a Beverly Hills golf course when one of its engines gave out.

Every trick imaginable went into the sequence, which viscerally evokes Scorsese's own fear of flying. He describes just one element of it, when a wheel from the plane rips through an unsuspecting woman's kitchen.

``We used Rob Legato's radio-controlled models for the exteriors, and the interior shot was half a set where, in fact, the wall was broken,'' Scorsese explains. ``It was quite extraordinary. I was doing a green screen of Leo Leo, in astronomy
Leo [Lat.,=the lion], northern constellation lying S of Ursa Major and on the ecliptic (apparent path of the sun through the heavens) between Cancer and Virgo; it is one of the constellations of the zodiac.
 in a cockpit, and then I was called over to the other stage to watch the wheel go through the ceiling.

``Rob said, 'I want you to understand, this is the first take. Just be aware that for a second take, it will take another eight hours.' That was their way of telling me that we'd better get it right. And boy, it was quite something. One take.''

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Martin Scorsese and Leonardo DiCaprio
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Publication:Daily News (Los Angeles, CA)
Date:Dec 12, 2004
Words:422
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