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Jodie Gates.


A former dancer with the Joffrey Ballet, Pennsylvania Ballet, and Ballett Frankfurt, Jodie Gates will dance her final performances in New York City New York City: see New York, city.
New York City

City (pop., 2000: 8,008,278), southeastern New York, at the mouth of the Hudson River. The largest city in the U.S.
 with Complexions at the Joyce, May 3-8.

Though certain facets of Gates' career are just taking off--she is choreographing, teaching, staging William Forsythe's work internationally, and organizing the first annual California Dance Festival, which opens in Laguna Beach this October--these final performances with Complexions are a milestone. "It seems so strange to just slip away," said Gates during a recent phone interview from Frankfurt.

Gates first made her mark at the Joffrey dancing roles like Ashton's Five Brahms Waltzes in the Manner of Isadora Duncan, Juliet in Cranko's Romeo and Juliet Romeo and Juliet

star-crossed lovers die as teenagers. [Br. Lit.: Romeo and Juliet]

See : Death, Premature


Romeo and Juliet

archetypal star-crossed lovers. [Br. Lit.
, the Chosen

One in the revival of Nijinsky's Sacre du Printemps, many of Gerald Arpino's ballets, and Forsythe's Love Songs. Then in 1995 she joined Pennsylvania Ballet as a principal. There she danced classics including Giselle, Don Quixote, Coppelia, Sleeping Beauty Sleeping Beauty

sleeps for 100 years. [Fr. Fairy Tale, The Sleeping Beauty]

See : Enchantment


Sleeping Beauty

enchanted heroine awakened from century of slumber by prince’s kiss.
, and Balanchine ballets, including two of her favorites, Tschaikovsky Pas de Deux pas de deux

(French; “step for two”)

Dance for two performers. A characteristic part of classical ballet, it includes an adagio, or slow dance, by the ballerina and her partner; solo variations by the male dancer and then the ballerina; and a coda, or
 and Serenade serenade [Ital. sera=evening], term used to designate several types of musical composition. Opera and song literature yield numerous examples of the serenade sung or played by a lover at night beneath his beloved's window; outstanding is . From 2000 to 2004 she worked with William Forsythe at Ballett Frankfurt. "It was completely revolutionary for me--seeing dance in the eyes of William Forsythe and discovering that I had my own opinion of dance and my own voice," says Gates. "Now I want to share what I know with the American dance scene and help it evolve."
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Title Annotation:RETIREMENT
Author:Lydon, Kate
Publication:Dance Magazine
Article Type:Brief Article
Geographic Code:1USA
Date:May 1, 2005
Words:227
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