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Janet Collins.


Janet Collins, dancer, choreographer, and the first African American African American Multiculture A person having origins in any of the black racial groups of Africa. See Race.  artist to break the color bar at the Metropolitan Opera died on May 28, 2003, in Fort Worth, Texas Fort Worth is the fifth-largest city in the state of Texas, 18th-largest city in the United States[1], and voted one of "America’s Most Livable Communities. . She was 86 and had been in poor health for some time.

Born in New Orleans to mixed-race parents, she grew up in Los Angeles, where she studied with Carmelita Maracci. Ballet was her first love, but when she auditioned for the Ballet Russe, choreographer Leonide Massine turned her down. "I'd have to start you in the corps and paint you white," he told her, "and you wouldn't want that."

In the 1940s, Collins performed with Katherine Dunham, appearing in the film Stormy Weather; formed a nightclub act with Talley Beatty; worked with Lester Horton, Jack Cole, and experimental filmmaker Maya Deren; and received a Julius Rosenwald Fellowship. She gave her first independent concert in 1957 in Los Angeles.

A triumphant New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
 debut at the 92nd Street Y followed two years later. In The New York Times John Martin lauded her "rich talent" and "striking theatricality." DANCE MAGAZINE, citing her "quicksilver quicksilver: see mercury.


(1) (QuickSilver Technology, Inc., San Jose, CA, www.qstech.com) A mobile communications company that specializes in a reconfigurable logic chip for cellphones and PDAs. See adaptive computing.
" dancing, "alive with animal vigor, intelligence, compassion, and wit," named her the season's "outstanding debutante." In 1950 Hanya Holm brought her to Broadway, casting her as Night in the Cole Porter musical Out of This World.

The following year she joined the Metropolitan Opera Ballet as a premiere danseuse. Hired at the request of choreographer Zachary Solov, she was the first African American member of the Met company. She remained there until 1954, dancing leads in Aida, Carmen Carmen

throws over lover for another. [Fr. Lit.: Carmen; Fr. Opera: Bizet, Carmen, Westerman, 189–190]

See : Faithlessness


Carmen

the cards repeatedly spell her death. [Fr.
, Samson and Delilah Samson and Delilah are a Biblical couple.

Samson and Delilah may also refer to:
  • Samson and Delilah (painting), by Peter Paul Rubens
  • Samson and Delilah (opera), by Camille Saint-Saëns
, and La Gioconda. Her partner, Loren Hightower, recalled her "strange, hypnotic" power as a dancer as "absolutely compelling." Because of segregation, Collins was replaced by white dancers when the company toured the South.

She left the stage in the mid-1950s, and began to teach. In 1974, she returned to the limelight in Canticle can·ti·cle  
n.
1. A song or chant, especially a nonmetrical hymn with words taken from a biblical text other than from the Book of Psalms.

2. Canticles Bible The Song of Songs.
 of the Elements rot Alvin Ailey, and in 1995 she was the keynote speaker at the Eighth International Conference of Blacks in Dance.

Married briefly, she had no children. She is survived by a brother, Ernest Patrick Collins, of Fort Worth, Texas, and a sister, Betty Wilkerson, of Pasadena, California.
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Title Annotation:Transition
Author:Garafola, Lynn
Publication:Dance Magazine
Article Type:Obituary
Geographic Code:1USA
Date:Oct 1, 2003
Words:364
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