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Jacques Loussier Trio Plays Debussy (Telarc Jazz CD-83511).


Jacques Loussier Trio Plays Debussy (Telarc Jazz CD-83511)

The Jacques Loussier Trio (Loussier on piano, Benoit Dunoyer de Segonzac Benoit Dunoyer De Segonzac is a noted virtuoso bass player who performed with Jacques Loussier and Andre Arpino playing renditions by Johann Sebastian Bach / Eric Satie.  on bass, and Andre Arpino on drums), having recorded commendable jazz trio The term trio in jazz usually refers to a group comprising a pianist, a double bass player and a drummer. The pianist is usually considered the leader of these trios, and trios are usually named after their pianist.  interpretations of French composers Born 1300–1550
  • Guillaume de Machaut (1300–1377)
  • Guillaume Dufay (?1397–1474)
  • Loÿset Compère (c.1445–1518)
  • Josquin Desprez (c.1450–1521) born near Franco-Flemish border
  • Pierre de La Rue (c.
 Satie and Ravel, have now turned their attention inevitably to the music of Debussy. The end result is a fascinating hybrid of classical music and jazz; indeed, those who enjoy the music of Debussy, even if they do not usually listen to jazz, should find this recording fascinating. For the most part, the trio sticks close to Debussy's musical language, the end result sounding more like classical music than jazz. However, many jazz lovers will smile when they hear the Jacques Loussier Trio suddenly shift gears in the middle of their interpretation of "La Fille aux cheveux de lin" to produce music that sounds for all the world like Keith Jarrett's "Standards Trio" (Keith Jarrett on piano, Gary Peacock on bass, and Jack DeJohnette on drums). (Jarrett has played classical music on solo piano, but not with his trio; hearing Loussier mimic Jarrett's sound makes me long to hear Jarrett's trio try some classical music on for size, but I'm not going to hold my breath ...) The sound on this disc is typical of this series, with close-up, punchy punch·y  
adj. punch·i·er, punch·i·est
1. Characterized by vigor or drive: "He speaks in short, punchy sentences, using plain, populist words that excite" 
 sound that packs plenty of mid-bass wallop. My only quibble QUIBBLE. A slight difficulty raised without necessity or propriety; a cavil.
     2. No justly eminent member of the bar will resort to a quibble in his argument.
 with recording is with its length, just over 51 minutes. Still, these are 51 truly enjoyable minutes indeed, well worth a listen by Debussy fans and jazz fans alike. - KWN KWN Kid Witness News (video education program)
KWN Keep with Next (desktop publishing)
KWN Kiplinger Washington Newsletter
 
COPYRIGHT 2001 Sensible Sound
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review
Author:Nehring, Karl W.
Publication:Sensible Sound
Article Type:Sound Recording Review
Date:Jan 1, 2001
Words:254
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