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In a rich riot of colour and ornament, Portuguese Azulejos animate buildings and the public realm.


Few things are as characteristic or expressive of Portuguese architecture as its painted ceramic tiles, or azulejos. The notion of covering walls, floors and even ceilings was originally introduced to the lberian peninsula by the Moors (azulejo azulejo

Spanish and Portuguese glazed, polychromed tile produced from the 14th century. Introduced into Spain by the Arabs during the Moorish occupation, azulejos were used in Islamic architecture for facing walls and paving floors.
 originating from the Arabic al-zuleycha). From the start of the sixteenth century, as manufacturing techniques improved, Portugal started making its own highly distinctive tiles, synthesizing Islamic geometry. Chinese exoticism ex·ot·i·cism  
n.
The quality or condition of being exotic.


exoticism
the condition of being foreign, striking, or unusual in color and design. — exoticist, n.
 and Dutch patternmaking patternmaking

In materials processing, the first step in casting and molding processes, the making of an accurate model of the part, somewhat oversize to allow for shrinkage of the cast material as it cools.
. The baroque era Noun 1. Baroque era - the historic period from about 1600 until 1750 when the baroque style of art, architecture, and music flourished in Europe
Baroque, Baroque period
 witnessed a flowering of the tilemaker's art, with vivid colours and wide-ranging subject matter - religious scenes, plants, animals, people and landscapes - but the riotous polychromy pol·y·chro·my  
n.
The use of many colors in decoration, especially in architecture and sculpture.


polychromy
the art of using many or various colors in painting, architecture, etc.
 of these was gradually overtaken by the more sober blue and white tiles that currently adorn so many Portuguese churches and public buildings.

For over five centuries tiles have been the focus of constant artistic and technical innovation. There is even a tile museum in Lisbon - the Museu Nacional Museu Nacional means National Museum in Portuguese. The following museums have this denomination:
  • Museu Nacional (Brazil)
 do Azulejo - housed in the cloisters of a Manueline convent, which contains some extraordinary examples of the art that has made such a poetic contribution to Portugal's buildings and cities. The photographs shown here, taken in the Baixa area of Lisbon, which was rebuilt to a grid plan The grid plan or gridiron plan is a type of city plan in which streets run at right angles to each other, forming a . Ancient grid plans
The grid plan dates from antiquity; some of the earliest planned cities were built using grids.
 after the 1755 earthquake, give some sense of the great diversity of colours and patterns. 'The azulejo is not a static heritage, but a living art', as Joao Castel-Branco Pereira, director of the Museu Nacional do Azulejo, observes.

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To this day, ceramic tiles are still used to cover and ornament the facades of buildings, as they are both durable and relatively cheap to produce. They have the curious effect of flattening out building surfaces, and you wonder slightly why contemporary architects, especially in Portugal and Spain, don't make more of the potential for adding colour or creating optical illusions. Those with a penchant for subverting materials could have fun; think what Herzog & de Meuron might get up to with a truckload of azulejos.

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Title Annotation:Delight
Author:Slessor, Catherine
Publication:The Architectural Review
Date:Jul 1, 2004
Words:329
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