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In Detail: Building Skins -- Concepts, Layers, Materials. (Reviews - Detailed Analysis).


Edited by Christian Schittich. Basel: Birkhauser, 2001, SFr 88, Euro 58

Those who love the way buildings are put together are familiar with the German magazine Detail. This book is from the same stable.

'Skin' is treated in a broad way. It is regarded as the non-structural covering to a framed structure framed structure
 or frame structure

Structure supported mainly by a skeleton, or frame, of wood, steel, or reinforced concrete rather than by load-bearing walls.
, but the authors have not restricted themselves to lightweight cladding The plastic or glass sheath that is fused to and surrounds the core of an optical fiber. The cladding's mirror-like coating keeps the light waves reflected inside the core. The cladding is covered with a protective outer jacket. See fiber optics glossary. . The frontispiece, for example, shows the stony gabions of Herzog & de Meuron's California winery win·er·y  
n. pl. win·er·ies
An establishment at which wine is made.

Noun 1. winery - distillery where wine is made
wine maker
.

The book starts with an introduction leading us through the history of the building skin, up to the thin glass curtain walling curtain wall

Nonbearing wall of glass, metal, or masonry attached to a building's exterior structural frame. After World War II, low energy costs gave impetus to the concept of the tall building as a glass prism, an idea originally put forth by Le Corbusier and Ludwig Mies
 of the '60s which is now presumed to be energy wasteful and often boring. Post-modernism is dismissed in a paragraph. The post-post-modern response is seen to be two-fold. The first response is the skin designed to be a heat and power generator, or at the very least put together with green issues very much in mind. The second response is to attach applied decoration, as Herzog & de Meuron's printed concrete at Eberswalde or Francis Soler's Renaissance images superimposed su·per·im·pose  
tr.v. su·per·im·posed, su·per·im·pos·ing, su·per·im·pos·es
1. To lay or place (something) on or over something else.

2.
 on a glass facade in Paris. Personally I don't get much pleasure from the second group, but the book covers both approaches fairly, with worldwide examples.

Beautifully produced, the book is well illustrated and, best of all for architects, it has details drawn to a recognized scale. If I have a complaint it is that it falls between being a picture book and a technical treatise. The minimalism minimalism, schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity. Minimalism in the Visual Arts
 that makes the book so delightful graphically gets in the way of providing fuller information; so it is not possible to comprehend much of the construction, or to know how well buildings perform in energy terms. But it is encouraging to see so many fine buildings not seen published before.
COPYRIGHT 2002 EMAP Architecture
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2002, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Winter, John
Publication:The Architectural Review
Article Type:Book Review
Date:Jan 1, 2002
Words:294
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