IT'S HARD TO MAKE A CASE FOR UNENGAGING `CIVIL ACTION'.Byline: Bob Strauss Daily News Film Critic ``A Civil Action,'' taken from Jonathan Harr's absorbing, nonfiction book about a precedent-setting pollution trial, is a far cry from the silly melodramatics mel·o·dra·mat·ics n. 1. (used with a sing. verb) Melodramatic theatrical performance. 2. (used with a pl. verb) Exaggeratedly emotional behavior; histrionics. we're accustomed to in John Grisham “Grisham” redirects here. For other uses, see Grisham (disambiguation). John Ray Grisham (born February 8, 1955) is a former politician, retired attorney, American novelist and author best known for his works of modern legal drama. courtroom movies. The film is an admirably serious and intelligent look at the legal system. Unfortunately, it's a very complicated, very tedious legal system. The problem here isn't that adapter-director Steven Zaillian loses us in the details of what was a drawn-out, highly technical case against two large corporations. The legal issues, and even the eye-glazing scientific evidence, is presented clearly enough. What's wrong is that Zaillian, who wrote the screenplay for ``Schindler's List'' and made his directing debut with the well-regarded ``Searching for Bobby Fischer Noun 1. Bobby Fischer - United States chess master; world champion from 1972 to 1975 (born in 1943) Robert James Fischer, Fischer ,'' fails to engage us with the material. The book may be harder to digest than the movie, but it is correspondingly more interesting as well. In his desire to be accessible, Zaillian oversimplifies the story, resulting in a film that rarely delves below the surface. John Travolta's lead performance is like the movie itself: deceptively rich until you realize that it really isn't. He plays personal injury attorney Jan Schlichtmann Jan Richard Schlichtmann (16 March 1951—) is an American attorney specializing in personal injury law and toxic torts. He was educated at the University of Massachusetts Amherst, B.A., and Cornell University, J.D., and was admitted to the bar in 1977. , a well-dressed, oily-haired, Porsche-speeding operator who revels in his disreputable dis·rep·u·ta·ble adj. Lacking respectability, as in character, behavior, or appearance. dis·rep , avaricious av·a·ri·cious adj. Immoderately desirous of wealth or gain; greedy. av a·ri professionalism. He gleefully glee·ful adj. Full of jubilant delight; joyful. glee ful·ly adv.glee defends his ambulance-chasing ways on local radio talk shows, and claims to enjoy his status as one of Boston's most eligible bachelors. We'll have to take his word on that last one, though, since one of the film's big failings is that it never reveals anything about Schlichtmann's personal life. Anyway, he's initially reluctant to take on the case of eight grieving, working-class families in Woburn, Mass., who believe polluted drinking water drinking water supply of water available to animals for drinking supplied via nipples, in troughs, dams, ponds and larger natural water sources; an insufficient supply leads to dehydration; it can be the source of infection, e.g. leptospirosis, salmonellosis, or of poisoning, e.g. was responsible for the high rate of leukemia among their children. The parties most likely responsible - if, indeed, their responsibility can be proved - are small manufacturing concerns. Schlichtmann's own little firm needs big pockets to go after, since they're the type of lawyers who work on contingency and, in fact, would have to invest loads of their own money to work up the kind of evidence the case would require. But then Schlichtmann discovers that the offending businesses are subsidiaries of giant conglomerates W.R. Grace & Co. and Beatrice Foods. Fueled by greed and arrogance, he commits his firm to taking on the big boys. And he could just beat them - except, at the most inopportune in·op·por·tune adj. Inappropriate or ill-timed; not opportune. in·op por·tune moment, the killer litigator lit·i·gate v. lit·i·gat·ed, lit·i·gat·ing, lit·i·gates v.tr. To contest in legal proceedings. v.intr. To engage in legal proceedings. grows a heart. This is doubly bad news, since Schlichtmann's main opponent is an eccentric but ruthless old legal crocodile played by a serenely sinister Robert Duvall, who steals every scene as effortlessly as his character steals every advantage. The movie's other great performance comes from the always-reliable William H. Macy, who plays the Schlichtmann firm's resourceful but increasingly frazzled financial officer. Zaillian is at his best when detailing how the good little lawyers lose everything in their increasingly lopsided confrontation with the big guns. He's less successful at delineating why Schlichtmann changes from a shrewd strategist into an obsessive crusader. Indeed, some of his moves in the movie, though clearly designed to evoke Schlichtmann's ethical redemption, just make him look stupid. That may be the only thing ``A Civil Action'' has in common with a Grisham film. But it's not a good thing to have in common with them. The facts The film: ``A Civil Action'' (PG-13; language). The stars: John Travolta, Robert Duvall, William H. Macy, Tony Shalhoub, John Lithgow John Arthur Lithgow (IPA: [ˈʤɔn ˈlɪθɡaʊ]) (born October 19, 1945) is an American actor perhaps best-known for his starring role as Dick Solomon in the NBC sitcom 3rd Rock from the Sun. , Kathleen Quinlan. Behind the scenes: Directed by Steven Zaillian. Written by Zaillian, based on Jonathan Harr's book. Produced by Scott Rudin, Robert Redford and Rachel Pfeffer. Released by Touchstone Pictures. Running time: One hour, 58 minutes. Playing: Century 14, Century City. Our rating: two and one half stars |
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