INTERNATIONAL SHORTS PREVIEW.

INTERNATIONAL FINANCE

Money makes the art world go round (to coin a phrase), and a semi-ironic clinking-clanking will surely issue from the Salzburger Kunstverein's galleries this summer. "Import Export" (July 23-Sept. 10) takes a critical look at art's role as national product (gross, that is--no pun intended) alongside broader concerns such as the importation of national or regional styles and nonart subject matter. Artists include Rainer Ganahl, Suchan Kinoshita, and Jun Yan. Scandinavians will be exporting themselves to Vienna's Kunsthalle in "North: Contemporary Art from Northern Europe" (May 26-Sept. 17), which spans the years 1960-2000, with a focus on the '90s. Venice prizewinner Eija-Liisa Ahtila will show, as will Miriam Backstrom Knut Asdam, Superflex, Esko Mannikko, and many other increasingly well known northerners. Meanwhile, Scandinavia is preparing to import Middle Eastern products--albeit with provisos about the notion of authenticity. Tentatively titled "An Exhibition on Modern Middle Eastern Art" (Nicolaj Contem porary Art Center, Copenhagen, Aug. 19-Sept. 30), the show includes work by Ghada Amer, Fariba Hajamadi, and Elahe Massumi--skilled estimators, perforce, of cultural-identity exchange rates between East and West. Farther south this spring, Rome will be invaded by the British. "Video Vibe: Art, Music, and Video in the UK" (The British School, Rome, May 11-June 6) features video compilations charting UK artists' involvement with music production and promotion. Starry collaborations (Damien Hirst and Blur, John Currin and Pulp) will be on view alongside videos by Georgina Starr and Mark Dean and work by cult favorites such as Throbbing Gristle and Leigh Bowery. Legions of Romans will come, see...

ATHLETE'S FOOT

British English is rich in colorful local phrases for stating that one is footsore: "Me dogs are barking" (Yorkshire) or "Me feet are puttin' like a tuppenny fadge" (Newcastle). Visual art, likewise, abounds in images of trudging, strolling, and stalking. In "A Century of Striding: Figures on the March--From Rodin to Giacometti," the Musee Picasso, Antibes, will investigate the motif's symbolic potential--from triumphant progress to uncertain quest to covert operation. Part I (June 30-Oct. 15) spans work by artists from Rodin to Bacon, while Part 2 (Nov. 3, 2000-Jan. 14, 2001) covers the contemporary angle: Featured artists include Joseph Beuys, Bruce Nauman, Sylvie Fleury, Fabrice Hybert, and Francis Alys. Two legs may be good, but two wheels are better: At the Stroom Center for Visual Arts at The Hague, "BikeCity," a series of projects designed to get more people up and pedaling, will be launched on June 15. Bicycle surveillance stations--some equipped with restrooms, repair depots, and cafes--designed by t he likes of Dan Graham, the Acconci Studio, Joep van Lieshout, and FAT (Fashion Architecture Taste) will spring up all over The Hague, and artists' design models will be shown at Stroom. Soon there will be cyclists strooming every which way. Bicycles are not much use in the desert, though, unless they're atop a camel. That noted, Paris's Fondation Cartier show "Le Desert" (June 21-Nov. 5) will offer a chance to travel the desert via the mind's eye. Historical photos of deserts and their inhabitants, taken by great nineteenth-century Orientalist travelers--Maxime du Camp, Francis Frith, and others--will be subject to critique via juxtaposition with contemporary works, including Lee Friedlander's commissioned study of the Sonora Desert, Lara Baladi's de-exoticizing views of an "everyday" desert used for strolling and relaxation, and pieces by Bill Viola and Balthasar Burckhardt. What? Not keen on exercise? Shame on you: Visit MAK, the Austrian Museum of Applied Arts, Vienna, to see what human bodies are (at lea st theoretically) equipped to handle. "Stress" (May 17-Aug. 27), a multimedia installation by Andre Lepecki and Bruce Mau based on an idea conceived by Hortensia Voelckers, sets out to describe the flexibility of the human body and mind and how they have been profoundly affected by contemporary lifestyles.

PLAY THINGS

From June 8 to September 30, CAPC Musee d'Art Contemporain, Bordeaux, takes a serious look at play. "Presumed Innocent: Contemporary Art and Childhood" will span the '70s to the '90s, presenting work by some sixty artists (from Carl Andre and Louise Bourgeois to Vanessa Beecroft and Mat Collishaw) to explore the links between historical notions of childhood and creative practice. At the Witte de With, Rotterdam, "Play-use" (July 8-Sept. 2.4), featuring works by leading multimedia designers, will investigate the fine art-design merger, querying traditional distinctions between the beautiful and the functional. At the Neuer Aachener Kunstverein, Aachen, "Modell, Modell" (May 4--June 18) will compare and contrast technical and artistic modes of operation. Involving, among others, the self-appointed CEO of the fictional UKIYO Camera Systems Corporation, Georg Winter, and satiric feminist "anthropologist" Anne-Mie Van Kerckhoven, "Modell, Modell" promises some pointed playfulness. And of course, the artist affectionately enthroned as the art world's "village idiot" is still up to his old tricks. From June 17 to August 13, the Migros Museum fur Gegenwartskunst, Zurich, will stage a retrospective of Maurizio Cattelan's work; new madness has been promised.

EIGHT'S ENOUGH

Sometimes (as Batman once reminded Robin), you just have to go it alone. This summer's solo performers include Elaine Reichek, exponent of the sharp embroiderer's needle and the spiked epigram. New stitchery probing the metaphoric connotations of black and white will be included in her Palais des Beaux-Arts, Brussels, show, "At home & in the world" (June 30-Sept. 3). The Irish Museum of Modern Art, Dublin, will survey Dennis Oppenheim's pivotal 1968-78 work: pioneering experiments in land art and body art, reconstructed for the museum in collaboration with the artist (July 21, 2000-Jan. 2001). The vibrant, hard-edged soft sculptures of Yinka Shonibare, including his 1997 Johannesburg Biennale piece Victorian Philanthropist's Parlour as well as new work, take up residence at the Camden Arts Centre, London, between June i6 and August 20. The Museo Nacional Centro de Arte Reina Sofia, Madrid, is showcasing a brand-new, specially devised installation by David Hammons (June 1-Aug. 27), while Brazilian "parallel an thropophagic" Adriana Varejao is to have her first major European show at the BildMuseet, Umea, Sweden, from June 12 to September 10. The show features ten works that incorporate painting and installation as well as one room-sized project. At Turin's Galleria Civica d'Arte Moderna e Contemporanea from June 30 tO August 27, funky Minimalist Gerwald Rockenschaub will regale visitors with new inflatable installations and machine-made paintings and (on opening night) his own musical inventions. Kay Hassan, winner of the Daimler-Chrysler Award for South African Contemporary Art, presents work for the first time in Germany, at Stuttgart's Wurttembergischer Kunstverein (May 20-June II); and at Schaffhausen's Hallen fur Neue Kunst, senior Conceptual artist Hanne Darboven's major 1985 work, Menschen und Landschaften (People and landscapes), is being shown for the first time, from May 28 until December. Recycling more than a thousand postcards from the turn of the century, the show promises to add to the understanding of Darboven's grafting of conceptual, historical, and political themes.