Printer Friendly
The Free Library
14,735,279 articles and books
Member login
User name  
Password 
 
Join us Forgot password?

Humanism and Education in Medieval and Renaissance Italy: Tradition and Innovation in Latin Schools from the Twelfth to the Fifteenth Century. (Reviews).


Robert Black Robert Black may refer to:
  • Robert Black (Auditor General) , Auditor General for Scotland
  • Robert Black (rugby player), All Black in 1914.
  • Professor Robert Black , Professor Emeritus of Scots Law at the University of Edinburgh
, Humanism and Education in Medieval and Renaissance Italy: Tradition and Innovation in Latin Schools from the Twelfth to the Fifteenth Century

Cambridge: Cambridge University Press Cambridge University Press (known colloquially as CUP) is a publisher given a Royal Charter by Henry VIII in 1534, and one of the two privileged presses (the other being Oxford University Press). , 2001. xv + 489 pp. $80. ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
: 0-521-40192-5.

This argumentative Controversial; subject to argument.

Pleading in which a point relied upon is not set out, but merely implied, is often labeled argumentative. Pleading that contains arguments that should be saved for trial, in addition to allegations establishing a Cause of Action or
 and contradictory book defends the thesis that Italian Latin pre-university education did not change in substance between 1200 and 1500, and it dismisses the claims of the humanists and modern scholars that it did. But the author also presents evidence that the humanists did effect a "major change" in the fifteenth-century curriculum. The two thrusts produce a good deal of backing and filling. In sum, this book offers much valuable information about late medieval Italian Latin education (1200-1400) while leaving the received picture of Renaissance Latin Renaissance Latin is a name given to the distinctive form of Latin style developed during the European Renaissance of the fourteenth to sixteenth centuries, particularly by the humanist movement.  education, especially in the second half of the fifteenth century, changed only in that some medieval texts had a longer afterlife than previously noticed.

The work begins with an historiographical chapter in which Black reviews negatively most previous scholars in the field beginning with Giuseppe Manacorda and Remigio Sabbadini, seen as representatives of the positivist pos·i·tiv·ism  
n.
1. Philosophy
a. A doctrine contending that sense perceptions are the only admissible basis of human knowledge and precise thought.

b.
 tradition, followed by Eugenio Garin (who receives considerable criticism as part of the Idealist tradition and as a follower of Giovanni Gentile Giovanni Gentile (IPA:[dʒovɑnˌni dʒentiˌle]) (May 30, 1875 - April 15, 1944) was an Italian neo-Hegelian Idealist philosopher, a peer of Benedetto Croce.  and Benedetto Croce Benedetto Croce (February 25, 1866 - November 20, 1952) was an Italian critic, idealist philosopher, and politician. He wrote on numerous topics, including philosophy of history and aesthetics, and was a prominent liberal, although he opposed laissez-faire free trade. ), Paul Grendler (criticized for being a follower of Garin -- might surprise Garin -- and for seeing a "curriculum revolution" occurring in Latin education in the Renaissance), Anthony Grafton Anthony Grafton (sometimes Anthony T. Grafton) (born 21 May 1950) is a Jewish American historian and the current Henry Putnam University Professor at Princeton University.  and Lisa Jardine Lisa Jardine (born Lisa Anne Bronowski, April 12 1944) is a British historian of the early modern period. She is professor of Renaissance Studies at Queen Mary, University of London.

Jardine was educated at Cheltenham Ladies' College and Newnham College, Cambridge.
 (less criticized because of their anti-humanist arguments), and Paul Gehl, who earlier studied some of the same manuscript material, but whose work has "technical and interpretative problems" (3, n. 3) according to according to
prep.
1. As stated or indicated by; on the authority of: according to historians.

2. In keeping with: according to instructions.

3.
 Black. Other scholars take their lumps in footnotes.

The basis of Black's research is examination in collaboration with Gabriella Pomaro, an obviously very skilled paleographer pa·le·og·ra·phy  
n.
1. The study and scholarly interpretation of earlier, especially ancient, writing and forms of writing.

2.
a. The documents whose writing is so studied.

b.
 based in Italy, of 324 manuscript schoolbooks (selected from a pool of over 1,305 manuscripts examined), datable between 1200 and 1500, and found in Florentine libraries, plus selected manuscripts from elsewhere in Italy and Europe. Black argues that these manuscripts offer a good representation of what might be found elsewhere in Europe and, of course, many of these manuscripts are not Florentine or Tuscan. Still, one wonders if the results would have been different had he concentrated on manuscripts in the libraries of the Veneto and Venice, where Vittorino da Feltre Vittorino da Feltre (vēt-tōrē`nō dä fĕl`trā), 1378–1446, Italian humanist and teacher, b. Feltre. His real name was Vittorino Ramboldini.  and Guarino Guarini Camillo-Guarino Guarini (Modena, 7 January 1624 - Milan, 6 March 1683) was an Italian architect of the Piedmontese Baroque, active not only in Turin but also in other European sites including Sicily, France, and Portugal.  were active. On the basis of the manuscript study Black constructs his argument.

The chapter on elementary Latin grammar makes the argument that considerable grammatical change occurred in Italy in the thirteenth century through French influence, but thereafter the grammatical tradition remained unchanged through the fifteenth century. He provides excellent fresh information about the works of medieval Italian grammarians such as Pietro da Isolella da Cremona, Francesco da Buti, and others. One of the most valuable contributions is the considerable new manuscript evidence that Black has discovered that delineates for the first time the history of Ianua, the medieval grammar of Italian origin which replaced the Ars minor of Donatus in most Italian classrooms. He repeatedly emphasizes the continuity of the medieval grammatical approach and material through the fifteenth century. He almost invariably in·var·i·a·ble  
adj.
Not changing or subject to change; constant.



in·vari·a·bil
 Finds the new grammars composed by fifteenth-century humanists to be medieval in nature. At the same rime, Black notes that a "glimmer of innovation in the Quattrocento quat·tro·cen·to  
n.
The 15th-century period of Italian art and literature.



[Italian, short for (mil) quattrocento, one thousand four hundred : quattro, four (from Latin
 classroom was the occasio nal use of ancient grammatical texts little used during the Italian middle ages" (170). He offers as an example the Ars de nomine et verbo by the ancient grammarian gram·mar·ian  
n.
A specialist in grammar.


grammarian
Noun

a person who studies or writes about grammar for a living

Noun 1.
 Phocas. However, despite the presence of 41 fifteenth-century manuscripts of the work, "almost all [of them] Italian" (ibid.), he does not find this significant. In the end, the new and useful material uncovered by Black and Pomaro strengthens the argument for continuity, previously advanced by several scholars, including Sabbadini and especially W. Keith Percival, in the teaching of elementary Latin grammar.

In the chapter on reading the Latin classics, Black argues that thirteenth-century Italian schools paid little attention to the classics, but that the fourteenth century embraced them. While denying significant change in the fifteenth-century curriculum, he points out that Persius, Juvenal, Terence, Sallust, and especially Vergil were much more prominent in the classroom in the fifteenth century than the fourteenth. And "New works, such as Ovid's Heroic/es and Horace's Carmina, previously little read in the classroom, achieved a sudden popularity" in the fifteenth century (274). Nevertheless, the conclusion is that "the fifteenth-century renaissance of school authors is perhaps better described as a major change of educational fashion rather than as a 'revolution in the schoolroom'" (274). What is the difference between "major change" and "revolution?" And if the new appearance of Cicero's letters and orations, and possibly Caesar, as schoolroom texts in the fifteenth century, all three of which Black ignores in this section of the book, are added to the greater use of Terence, Persius, Juvenal, Terence, Ovid's Heroides, Horace's Carmina, and Vergil, the "major change" looks very large indeed. In 1989 this reviewer wrote "By about 1450 schools in a majority of northern and north-central Italian towns taught the studia humanitatis" (Schooling in Renaissance Italy: Literacy and Learning, 1300-1600 (Baltimore and London, 1989], 404). The extensive new evidence that Black has produced seems more likely to support this conclusion than to disprove disprove,
v to refute or to prove false by affirmative evidence to the contrary.
 it.

Another chapter analyzes the glosses in the school manuscripts, finding them overwhelmingly to be "simple philology phi·lol·o·gy  
n.
1. Literary study or classical scholarship.

2. See historical linguistics.



[Middle English philologie, from Latin philologia, love of learning
," defined as "paraphrase, grammar, figures, word-order, geography, history, mythology [and] elementary rhetorical analysis" (275). Black's secondary purpose here is to deny that teachers taught and students learned moral lessons from the classics. Certainly the glosses on the manuscripts were overwhelmingly philological phi·lol·o·gy  
n.
1. Literary study or classical scholarship.

2. See historical linguistics.



[Middle English philologie, from Latin philologia, love of learning
 (in the above broad meaning of the term) in nature, again something that other scholars have noted. But Black also claims that students did not learn moral lessons or anything else from the content of the texts that they glossed. He states that "such were the technical hurdles in the period before printing that one must assume that what the medieval reader took from a classic is what appears in the glosses, not in the original text" (25), and "It is clear that they [medieval and early Renaissance readers] were able to extract far less, not more, from these texts than was offered by the glossing and commentary tradition; the fact is that whatever their glosses reveal constitutes the limit, nor the minimum, of their comprehension and understanding" (ibid.). If one accepts this assumption about readers long ago, one can agree with Black that readers did not learn moral or any other content from the classics. An alternate assumption is that the glosses represent what the student had to learn in order to be able to understand the content of books, and that they did read and understand the moral and other content of the classical texts.

This book confines itself to the fifteenth century in its effort to deny curricular change, even though Black defines Renaissance and humanist as "1400-1600" (xv). It might be argued that the sixteenth century solidified and extended the curricular innovations of the fifteenth. The book concludes with valuable appendices about Ianua and the immense store of information harvested from the manuscripts. The bibliography has a handful of slips. More puzzling is the failure to specify the number of volumes in multi-volume works.

Black offers a great deal of interesting and useful information. The criticism of other scholars, the denials of the impact of humanism, followed by grudging acknowledgments that humanism did make a difference, succeeded by further qualifications designed to reduce the humanist impact, detract from the good matter in the book. Even if the reader finds some arguments unpersuasive, he can respect the immense amount of manuscript research that has gone into the book, and the author's passionate commitment to understanding a key moment in the history of education and humanism.
COPYRIGHT 2002 Renaissance Society of America
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2002, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

 Reader Opinion

Title:

Comment:



 

Article Details
Printer friendly Cite/link Email Feedback
Author:Grendler, Paul F.
Publication:Renaissance Quarterly
Article Type:Book Review
Date:Dec 22, 2002
Words:1299
Previous Article:Fabulous Vernacular: Boccaccio's Filocolo and the Art of Medieval Fiction. (Reviews).(Book Review)
Next Article:La controversia di Poggio Bracciolini e Guarino Veronese su Cesare e Scipione. (Reviews).(Book Review)



Related Articles
Humanistische Jurisprudenz, Studien zur europaischen Rechtswissenschaft unter dem Einfluss des Humanismus.(Brief Article)
Interpretations of the Renaissance in Spanish historical thought.
Interpretations of the Renaissance in Spanish historical thought: the last thirty years.
Medieval and Renaissance Letter Treatises and Form Letters: A Census of Manuscripts Found in Eastern Europe and the Former U.S.S.R..
Interpretations of humanism in recent Spanish Renaissance studies.
Toward the Genesis of the Kristeller Thesis of Renaissance Humanism. Four Bibliographical Notes.
Renaissance Civic Humanism: Reappraisals and Reflections. (Reviews).
El humanismo medico del siglo XVI en la Universidad de Salamanca & Humanistas medicos en el Renacimiento Vallisoletano. .(Book Review)
Rudolph Agricola. Letters.(Book Review)
Aristotle's Ethics in the Italian Renaissance (ca. 1300-1650): The Universities and the Problem of Moral Education.(Reviews)(Book Review)

Terms of use | Copyright © 2009 Farlex, Inc. | Feedback | For webmasters | Submit articles