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How to Write Modern Poetry.


How to Write Modern Poetry

Geoff Tims

Cool Publications

www.coolpublications.com

ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
 1844811018 4.99 Brit. pounds 100 pages, PDF (Portable Document Format) The de facto standard for document publishing from Adobe. On the Web, there are countless brochures, data sheets, white papers and technical manuals in the PDF format.  Format

ISBN 1844811026 11.99 Brit. pounds, CD format

An expert guide on how to get beneath the skin of poetry

Modern poetry is a literary minefield. Its seeming disregard for all the obvious rules of more traditional poetry forms has often made it an easy target for critics who found it hard to understand and a difficult arena for budding poets who struggled to adequately find the form needed to bring their thoughts to life.

As a journalist I'm wary of How-to books because they tend to marginalise Verb 1. marginalise - relegate to a lower or outer edge, as of specific groups of people; "We must not marginalize the poor in our society"
marginalize

interact - act together or towards others or with others; "He should interact more with his colleagues"
 the true effort required to create anything that's remotely adequate, let alone good. Their prescriptive approach tends to favour a "now we do this and next we'll do that-" formula that rarely works.

All of which makes Geoff Tims' How to Write Modern Poetry the exception that proves the rule "The exception that proves the rule" is a frequently misused English idiom. Meaning
Incorrect meaning
The expression "The exception that proves the rule" is often used incorrectly to dismiss counterexamples to an overly broad assertion (for example, "Bob is
. A working poet who never stops seeking ways to improve his craft Tims' book has forsaken for·sake  
tr.v. for·sook , for·sak·en , for·sak·ing, for·sakes
1. To give up (something formerly held dear); renounce: forsook liquor.

2.
 the formulaic approach on How-to do anything for a compressed masterclass on the writing of modern poetry.

Opening with 'What is Modern Poetry' Tims analyses not just the genre but the form itself. He makes the point that good poetry is good poetry irrespective of irrespective of
prep.
Without consideration of; regardless of.

irrespective of
preposition despite 
 style and draws real parallels between the different art forms, asking the reader to first look inside themselves before they think of putting pen to paper.

As you'd expect in a How-to book there is the inevitable step-by-step approach that, in this case, feels entirely natural, chatty chat·ty  
adj. chat·ti·er, chat·ti·est
1. Inclined to chat; friendly and talkative.

2. Full of or in the style of light informal talk: a chatty letter.
 and unforced. The exercises at the end of each chapter have a specific aim: to bring out the poet inside the reader. To sensitise Verb 1. sensitise - cause to sense; make sensitive; "She sensitized me with respect to gender differences in this traditional male-dominated society"; "My tongue became sensitized to good wine"
sensitize
 us to the world around us, to make us aware of the potent power of words and to teach us the secrets of the craft of modern poetry that successful poets find out about the hard way.

Taking the unusual, and very brave, tact of developing a poem alongside the reader Geoff Tims explores what exactly makes a poem great and then goes on to give examples, create crisis points the budding poet must resolve and offer advice.

Watching the poem develop is akin to taking an apprenticeship beside a master craftsman. The digital format of the book makes it perfect for skipping around through all its bookmarks and, for once, I was able to read three chapters on the train and do the exercises without having to suffer the supercilious su·per·cil·i·ous  
adj.
Feeling or showing haughty disdain. See Synonyms at proud.



[Latin supercili
 glances of fellow travellers prepared to make judgement about anyone trying to be a poet.

Geoff Tims' book is thoroughly exhaustive of its subject as only a How-to book can be and passionately personal in its arguments as you'd expect from a poet who's very much at the centre of his art. It is also tremendously helpful, full of insight, occasionally witty and always gentle in its guidance. If all How-to books were like this the genre itself would see a revival beyond anyone's expectations and ... there would be fewer badly-attempted poems about.-
COPYRIGHT 2004 Midwest Book Review
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Copyright 2004, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Dell, Hugo
Publication:Reviewer's Bookwatch
Article Type:Book Review
Date:Dec 1, 2004
Words:516
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