Hip-O Select Launches ``The Complete Motown Singles'' Project; Volume One Debuts January 14, 2005.LOS ANGELES Los Angeles (lôs ăn`jələs, lŏs, ăn`jəlēz'), city (1990 pop. 3,485,398), seat of Los Angeles co., S Calif.; inc. 1850. -- Hip-O Select.com, a division of Universal Music Enterprises Universal Music Enterprises is the catalogue division of Universal Music Group. It includes Hip-O Records, Universal Chronicles and UM3 (which is the international label for UME). , will release the first volume of "The Complete Motown Singles" on January 14, 2005, and on the iTunes Music Store on January 18, 2005. This first volume, covering the years 1959 through 1961, showcases the early history of the classic label on a 6-CD, 154-track set. It will feature the A-side and B-side “B-Sides” redirects here. For the 2002 Marvel Comics limited series, see Craptacular B-Sides. In Lilac's theory, the terms A-side and B-side refer to the two sides of 7 inch vinyl records on which singles were released beginning in the 1950s. of every single released by Motown and its subsidiaries during its first three years of existence. This collection will not be available at traditional retail; it will be sold exclusively online at www.hip-oselect.com and available for download from the iTunes Music Store. The release is the first phase of a plan that extends through Motown's 50th Anniversary in 2009, with Hip-O Select issuing further volumes covering all of Motown's single releases during its tenure as a Detroit-based operation. The label moved to Los Angeles in 1972. "Motown is the jewel in the crown when it comes to soul and pop music," says Pat Lawrence, Senior Vice-President, UMe. "They defined a sound in a way that no label before or since ever has. The classic Motown roster reads like a music Who's Who Who’s Who biographical dictionary of notable living people. [Am. Hist.: Hart, 922] See : Fame . Smokey Robinson. Diana Ross. Stevie Wonder. Marvin Gaye Marvin Gaye (born Marvin Pentz Gay, Jr.) (April 2, 1939 – April 1, 1984) was an American singer-songwriter, musician and performer who gained international fame as an artist on the Motown label in the 1960s and 1970s. . The Supremes. The Temptations. The Funk Brothers. The depth of their artistry is unparalleled." The initial volume includes Motown's first major hits, like "Money (That's What I Want)" (Barrett Strong), "Shop Around" (The Miracles) and "Please Mr. Postman" (The Marvelettes), plus the raw Motown debuts of The Supremes, The Temptations, Marvin Gaye, Mary Wells For the advertising executive, see . Mary Esther Wells (May 13, 1943 – July 26, 1992) was an American soul, R&B, and pop singer. Most famous for her 1964 hit "My Guy", she was one of the signature voices of Motown and their first big star. , et al. The packaging for the set resembles a scaled-down 78-rpm-era "album," with cardboard sleeves to hold each of the discs, and more than 100 pages of rare photos and notes. Each box will feature an actual reproduction 45 rpm single from its respective era. In the booklet is a personal written introduction by Motown founder Berry Gordy Berry Gordy, Jr. (b. November 28 1929, Detroit, Michigan) is an American record producer, and the founder of the Motown record label and its many subsidiaries. Biography Early years Berry Gordy, Jr. , who co-wrote and produced nearly every track on Volume 1; a personal chronicle from Mable John Mable John (born November 3, 1930) is an American blues vocalist who was the first female signed by Berry Gordy to Motown's Tamla label. Biography John was born in Bastrop, Louisiana, and moved from the south to Detroit to find employment. , Gordy's first signed female artist; and a historical overview by author Craig Werner. Also included are detailed track-by-track annotations by the Grammy-nominated author Bill Dahl, with assistance by associate producer and noted Motown discographer Keith Hughes. UMe A&R VP Harry Weinger has overseen the project. "It's an awesome undertaking," says Weinger, "for an awesome and worthy body of work. This is a window to the beginnings of a musical institution, where you can hear the one-offs and experiments next to the big hits, and where you just might hear the revolution to come." |
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