Printer Friendly
The Free Library
14,557,847 articles and books
Member login
User name  
Password 
 
Join us Forgot password?

Health and fitness: strong ... and lean.


Big, bulky muscles are a dancer's nightmare. You work hard in technique class to lengthen length·en  
tr. & intr.v. length·ened, length·en·ing, length·ens
To make or become longer.



lengthen·er n.
 your line, and the last tiring you want are exercises that counteract all your efforts. As some dancers are discovering, new twists on familiar training methods let you build strength but still maintain a long, lean look.

Working with kettlebells has become popular at companies like New York City Ballet New York City Ballet, one of the foremost American dance companies of the 20th cent. It was founded by Lincoln Kirstein and George Balanchine as the Ballet Society in 1946.  and Miami City Ballet Miami City Ballet was created in 1986 with former New York City Ballet principal dancer Edward Villella helming the company. The Miami City Ballet flourishes as one of America's most respected Balanchine-style based ballet companies. . First favored by Russian power lifters, the weighted balls with U-shaped handles have been around for decades. Dancers who work out with kettlebells perform spiraling, three-dimensional movement. "A kettlebell's center of mass is outside of your palm," says Michelle Khai-Cronin, a conditioning specialist who has a BS in exercise science and is Kettlebell Concepts' education director. Exercises with regular weights keep movement to a controlled minimum, but kettlebells encourage it, using momentum to move through space. "In dance we're always playing with momentum," says Khai-Cronin. "With kettlebells you're utilizing your whole body in free movement resistance training." This helps build coordination and timing without increasing muscle mass.

Hydraulic resistance has become more popular too. Exercises that involve stability balls, resistance bands, or medicine balls mimic the feel of working in water, and tend not to build bulk. "Do a grand battement in a pool and memorize mem·o·rize  
tr.v. mem·o·rized, mem·o·riz·ing, mem·o·riz·es
1. To commit to memory; learn by heart.

2. Computer Science To store in memory:
 how it feels," says Deanna McBrearty, a former New York City Ballet dancer and certified personal trainer personal trainer person n(persönlicher) Fitnesstrainer m, (persönliche) Fitnesstrainerin f . "After that, in the studio your leg will feel a lot lighter." This approach to strength training allows dancers to explore and make up movement, which many prefer. "I gravitate grav·i·tate  
intr.v. grav·i·tat·ed, grav·i·tat·ing, grav·i·tates
1. To move in response to the force of gravity.

2. To move downward.

3.
 towards exercises that use my own body's resistance, like push-ups, releves, leg raises, and mat work," says McBrearty.

Some dancers still believe in the weight-training-leads-to-bulk myth despite the urgings of company physical therapists who try to dispel it. "I've seen a 90-pound dancer lift 60 pounds on knee extension equipment to build quadriceps quadriceps /quad·ri·ceps/ (kwod´ri-seps) having four heads.

quad·ri·ceps
n.
The large four-part extensor muscle at the front of the thigh.

adj.
 strength after an injury and not 'bulk up,'" points out Shaw Bronner, director of physical therapy for Alvin Ailey American Dance Theater The Alvin Ailey American Dance Theater is a modern dance company based in New York, New York. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 30 dancers as well as artistic director Judith Jamison and associate artistic director Masazumi Chaya. .

"Women don't produce the level of testosterone testosterone (tĕstŏs`tərōn), principal androgen, or male sex hormone. One of the group of compounds known as anabolic steroids, testosterone is secreted by the testes (see testis) but is also synthesized in small quantities in the  necessary to develop very bulky muscles," says Johanna Leigh Heflin, an education consultant with New York's Harkness Center for Dance Injuries. "The strength training you do as a dancer is not the type you would do if you are a bodybuilder," she continues. "For a dancer, supplemental training three times a week is appropriate for strength gains and then once a week after that to maintain it."

The advantages to weight training extend to injury prevention as well as recovery. "Dancers should engage in resistance and supplemental training to correct muscular imbalances," says Heflin. She notes that the lower back is a common injury site. "A training technique like Pilates goes beyond the superficial muscles and works the deep core muscles, the transverses abdominis," she says. "It's actually strengthening the lower back."

Weight training can also build dancers' performance energy--both aerobically and anaerobically. Working with low resistance and high repetitions remains a classic formula that doesn't increase mass. "Powerlifters aren't looking for Looking for

In the context of general equities, this describing a buy interest in which a dealer is asked to offer stock, often involving a capital commitment. Antithesis of in touch with.
 endurance," points out Bronner. "They need one powerful burst to lift a heavy dumbbell Dumbbell

An investment strategy, used mainly for bonds, where holdings are heavily concentrated in both very short and long term maturities.

Notes:
This is also known as a barbell, charting on a timeline gives the appearance of a barbell or dumbbell.
 and then put it down. Think of yourself as a marathon runner versus a sprinter. A marathoner is lean while a sprinter has enormous thighs." Whether resistance is considered low or high depends on which muscle you're targeting. Doing a bicep curl with a 20-pound weight could be considered a heavy load, but the same weight probably won't be a challenge for your quadriceps. When in doubt, always seek out a trainer's advice.

Keep in mind that compared to fat, muscle is very dense. Increase your muscle mass and your metabolism gets an automatic boost. Muscle weighs more than fat so it's possible to build muscle mass and gain weight but appear smaller visually because you've decreased your overall fat percentage.

PTs and trainers who work with dancers urge them to stay focused on what they want to achieve, not on the mirror. According to according to
prep.
1. As stated or indicated by; on the authority of: according to historians.

2. In keeping with: according to instructions.

3.
 Heflin, it's easy to avoid bulking up. "Adding supplemental strength training will make you feel better because your body will be developed properly. And, muscle tone looks good onstage!"

Khara Hanlon is an assistant editor at Dance Magazine.
COPYRIGHT 2007 Dance Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2007, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

 Reader Opinion

Title:

Comment:



 

Article Details
Printer friendly Cite/link Email Feedback
Author:Hanlon, Khara
Publication:Dance Magazine
Date:Jun 1, 2007
Words:703
Previous Article:Even legends gotta go.(NEW YORK NOTEBOOK)
Next Article:Advice for dancers: former New York City Ballet dancer Linda Hamilton, PhD., is a psychologist, a wellness consultant for NYCB, and the author of...
Topics:



Related Articles
Exercise won't shed excess fat. Surprised?
Not all exercise created equal.
MAKING A PUSH FOR KIDS' FITNESS.(News)
The fountain of youth is found in exercise.(An Advertising Supplement to the San Fernando Valley Business Journal)
PULSE WORKOUT BOOKS CAN HELP YOU TURN OVER A NEW LEAF.(U)
Workouts for Women.(Workouts for Women: The 12-Minute Total Body Sculpting Workout)(Brief Article)(Book Review)
Burn fat, build muscle: a content analysis of Men's Health and Men's Fitness.
Victory over Fat.(Victory over Fat: 6 Steps to Permanent Fat Loss and Super Health )(Brief Article)(Book Review)
Total Core Fitness.(Brief article)(Book review)
Total Core Fitness.(Total Core Fitness: Stronger, Leaner, and Fitter to the Core Advocates)(Brief article)(Book review)

Terms of use | Copyright © 2009 Farlex, Inc. | Feedback | For webmasters | Submit articles