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Gross, Philip. Turned to stone.


GROSS, Philip. Turned to stone. Penguin, Dial Books. 224p. c2005. 0-8037-3005-5. $16.99. JS

You see them in any big city, usually where crowds gather. They are the artists who cloak their humanity and have perfected the art of posing ... perfectly ... still. Sometimes it is almost impossible to distinguish them from the stone effigies ef·fi·gy  
n. pl. ef·fi·gies
1. A crude figure or dummy representing a hated person or group.

2. A likeness or image, especially of a person.
 or store mannequins they imitate im·i·tate  
tr.v. im·i·tat·ed, im·i·tat·ing, im·i·tates
1. To use or follow as a model.

2.
a.
. Nick stumbles upon a group of them the day he leaves home for good, deciding that living on the street is better than staying in a house with an angry stepfather step·fa·ther  
n.
The husband of one's mother and not one's natural father.


stepfather
Noun

a man who has married one's mother after the death or divorce of one's father

Noun 1.
 and a mother who won't come between them.

Needing to make a living, Nick thinks he has what it takes to be a still performer and puts together the persona persona /per·so·na/ (per-so´nah) [L.] in jungian psychology, the personality mask or facade presented by a person to the outside world, as opposed to the anima, the inner being.

per·so·na
n.
 of Mozart, falling in with the other buskers, including the beautiful Swan, who make a living as human statues. In their company he learns about the trade and about "The Watcher" who lurks in the shadows. Nick realizes he isn't the only one who thinks he has extraordinary talent when he is "selected" to join an elite group at a one-of-a-kind training academy. However, something sinister sinister /si·nis·ter/ (sin´is-ter) [L.] left; on the left side.

sin·is·ter
adj.
1. Presaging trouble; ominous.

2. On the left side; left.
 resides in the decaying old mansion where he, Swan, and the other "selected" performers are trained, watched and warned to have no ties whatsoever. When it becomes clear to Nick that Antonin, the master artist, has lost his mind, and that the next step in training means leaving everything behind, he decides that he and Swan must escape.

Gross has created an eerie ee·rie or ee·ry  
adj. ee·ri·er, ee·ri·est
1.
a. Inspiring inexplicable fear, dread, or uneasiness; strange and frightening.

b. Suggestive of the supernatural; mysterious. See Synonyms at weird.
 and Gothic-inspired atmosphere, perfectly suited to his unique subject, and readers will never look at human statues the same way again. Michele Winship, Asst. Prof., Capital Univ., Columbus, OH

J--Recommended for junior high school students. The contents are of particular interest to young adolescents and their teachers.

S--Recommended for senior high school students.
COPYRIGHT 2005 Kliatt
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Copyright 2005, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Winship, Michele
Publication:Kliatt
Article Type:Book Review
Date:May 1, 2005
Words:302
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