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Grazia Toderi.


GALLERIA FAC-SIMILE

"There was something of the fairy in her, and nothing is more unbearable, to judge from fairy tales This is a list of fairy tales, the dates of their earliest known printed version, the author and, if known, the collection of tales in which it was published. It should be noted, however, that not all stories listed below would be categorized as fairy tales by a strict definition , than living with a fairy." Grazia Toderi uses this phrase, taken from Marguerite Yourcenar Marguerite Yourcenar was the pseudonym of French novelist Marguerite Cleenewerck de Crayencour (June 8, 1903 - December 17, 1987). Her first novel Alexis was published in 1929. , as the title for two of her works. Toderi unearths the fairy tale, with all its touches of cruelty, and sets it within the framework of video and photography. A color video, Soap focused on the interdependence of objects, fairy tales, and art. The object was a washing machine; the story centered around the Ken doll and his absent girlfriend, Barbie; the art was Maria Callas' rendition of "Casta Diva" from Bellini's Norma. The Video screen was totally filled by the washing machine "window," wit Ken rolling around inside. The muffled muf·fle 1  
tr.v. muf·fled, muf·fling, muf·fles
1. To wrap up, as in a blanket or shawl, for warmth, protection, or secrecy.

2.
a.
, awkward sound of the appliance and the mechanical roar of the water were interspersed with the gushing gush  
v. gushed, gush·ing, gush·es

v.intr.
1. To flow forth suddenly in great volume: water gushing from a hydrant.

2.
, perfect cascad of Callas' notes. Though the piece foregrounded the dullness of housework, it was not sufficient to silence the light, affectionate, but caustic irony surrounding Barbie and her "soap opera." And the eruption of Callas' voice served as a reminder that art, while presented in esteemed locales, also flows through the anonymous abyss of human life.

Another video, also in color and approximately 30 minutes long, set up a dialogue with Soap. It was titled with the citation from Yourcenar and unexpectedly poetic. Two gleaming basil leaves in a glass struggled against a stream of water from an invisible tap. Though fragile, they resisted the current. The work metaphorically addressed the need to break through the cliche of women's art as fragile at the same time that it coded fragility as positive. That is, for Toderi fragility does not necessarily mean weakness, it is essential to life and growth.

Finally, in the extremely beautiful Cibachrome on aluminum Toderi explicated th passage of the fairy to whom she has dedicated her attention. A glass enclosed the slender petals of a "forget-me-not" covered in dewy dew·y  
adj. dew·i·er, dew·i·est
1. Moist with or as if with dew: dewy grass in early morning.

2. Accompanied by dew: a dewy morning.

3.
 mist. From beneath this enchanted en·chant  
tr.v. en·chant·ed, en·chant·ing, en·chants
1. To cast a spell over; bewitch.

2. To attract and delight; entrance. See Synonyms at charm.
 cloak of glass, the minute dimensions of the flower shone through, bu out of focus as if it had reemerged from childhood memories to nest within the surfaces of our adult lives. With resolute precision, Toderi punctured the surface of contemporary communications, exposing a fragility that is not the opposite of force, but, rather, a wellspring well·spring  
n.
1. The source of a stream or spring.

2. A source: a wellspring of ideas.


wellspring
Noun
 of creation.
COPYRIGHT 1994 Artforum International Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1994, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Galleria Fac-Simile, Milan, Italy
Author:Pasini, Francesca
Publication:Artforum International
Date:Sep 1, 1994
Words:389
Previous Article:Roberto Barni. (Museo Marino Marini, Florence, Italy)
Next Article:Ange Leccia/Jean-Luc Vilmouth. (Galerie de Paris, Paris, France)
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