Gidon Kremer/Kremerata Baltica: Silencio (Nonesuch 79552-2).Gidon Kremer/Kremerata Baltica: Silencio (Nonesuch none·such also non·such n. 1. A person or thing without equal. 2. See black medic. none 79552-2) Violinist Gidon Kremer Gidon Kremer (Latvian: Gidons Krēmers) (born February 27, 1947) is a Latvian violinist and conductor. Biography Kremer was born in Riga to parents of German-Jewish origin, his father being a Holocaust survivor. and his namesake chamber orchestra Noun 1. chamber orchestra - small orchestra; usually plays classical music orchestra - a musical organization consisting of a group of instrumentalists including string players present works by three composers on this delightful Nonesuch recording. The CD opens with a version of Aarvo Part's Tabula Rasa tab·u·la ra·sa n. pl. tab·u·lae ra·sae 1. a. The mind before it receives the impressions gained from experience. b. The unformed, featureless mind in the philosophy of John Locke. 2. that comes across as a more expressive, less "mystical" arrangement and interpretation than previously encountered. Kremer and Tatjana Grindenko play the solo violin parts, Reinut Tepp plays the prepared piano A prepared piano is a piano that has had its sound altered by placing objects (preparations) between or on the strings or on the hammers or dampers. The idea of altering an instrument's timbre through the use of external objects has been applied to instruments other than , and conductor Eri Klas leads the chamber orchestra in this work, which was originally dedicated to and premiered by Kremer, Grindenko, and Klas in 1977. Even if you think you are familiar with this work, it will be worth your while to hear what these musicians have done with it this time around. The next composition is Company by Philip Glass Philip Glass (born January 31, 1937) is a three-times Academy Award-nominated American composer. He is considered one of the most influential composers of the late-20th century[1][2][3][4][5] . Fortunately, this is a brief piece in four movements, only one of them lasting more than two minutes. Following this brief bit of banality, Vladimir Martynov's Come In! for two violins (in this instance, Kremer and Tatjana Grindenko, to whom the piece is dedicated) and string orchestra comes as a welcome relief, showing that richly expressive music can be written for modest forces. This is a six-movement work of tender expression and heartfelt emotional honesty, sweet but not sugary, a piece that you will want to play over and over again. It is truly a work of great beauty. The CD closes with Part's Darf Ich, a brief piece (4:15) for, violin, bell, and strings. This is another richly expressive piece that belies Part's reputation as a minimalist. The recorded sound is excellent, with a sweet tone to the violins and a nice sense of space. Once again, Gidon Kremer has brought us music of great beauty that we might not ever have been able to hear without his dedicated advocacy. We owe him a debt of gratitude for his musical and spiritual gift (and yes, Nonesuch, we appreciate your role in making this production available). - KWN KWN Kid Witness News (video education program) KWN Keep with Next (desktop publishing) KWN Kiplinger Washington Newsletter |
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