George Washington in and as Culture.Edited by Kevin L. Cope with William W. Pederson and Frank Williams Sir Francis Owen Garbatt Williams CBE (b. April 16, 1942) is founder and manager of the WilliamsF1 Formula One racing team. Born in Jarrow, Tyne and Wear, England, to an RAF officer and a special education teacher and later headmistress, Williams was largely brought up by . AMS AMS - Andrew Message System Studies in the Eighteenth Century, No. 38. (New York New York, state, United States New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of : AMS Press, c. 2001. Pp. [xx], 324. $74.50, ISBN ISBN abbr. International Standard Book Number ISBN International Standard Book Number ISBN n abbr (= International Standard Book Number) → ISBN m 0-404-63538-5.) I review this volume, which was published to commemorate the bicentennial bi·cen·ten·ni·al adj. 1. Happening once every 200 years. 2. Lasting for 200 years. 3. Relating to a 200th anniversary. n. A 200th anniversary or its celebration. Also called bicentenary. of George Washington's death, not as a historian of the early American republic, but as a cultural historian. The introduction to the volume promises an exploration of Washington's cultural impact over two hundred years of American history using a variety of methodological approaches ranging from art-historical critiques to the New Historicism New Historicism is an approach to literary criticism and literary theory based on the premise that a literary work should be considered a product of the time, place, and circumstances of its composition rather than as an isolated creation. . Instead, most of the essays focus on challenging scholarly neglect of Washington by documenting purportedly overlooked but admirable facets of his life. With one exception, these essays examine "George Washington as culture" largely by pointing out how frequently his image has appeared in advertising and popular literature, a fact celebrated or deplored according to according to prep. 1. As stated or indicated by; on the authority of: according to historians. 2. In keeping with: according to instructions. 3. whether a given author finds such references apropos ap·ro·pos adj. Being at once opportune and to the point. See Synonyms at relevant. adv. 1. At an appropriate time; opportunely. 2. or inaccurate. Along the way, the essayists The following is an abbreviated list of essayists, arranged alphabetically by last name (years of birth and death, if applicable, and country of birth, are noted in parentheses). Note: An individual's country of birth is not always indicative of his or her nationality. fail to provide convincing accounts of the cultural and political dynamics impelling im·pel tr.v. im·pelled, im·pel·ling, im·pels 1. To urge to action through moral pressure; drive: I was impelled by events to take a stand. 2. To drive forward; propel. the appropriation of Washington's image or his memory in specific historical contexts. The neglect of the nineteenth century is particularly unfortunate. Popular culture took possession of George Washington's image and memory eagerly and early in the nation's history, as the success of Mason Locke Weems's biography of Washington suggests. Later in the century, Washington's image was emblazoned on articles of everyday use--spoons, handkerchiefs, serving dishes. As yet, no historian has studied these "apotheoses" (the term is a technical one used in the decorative arts), why they attained popularity at particular historical moments, and who bought them. Appropriating the Washington name and image asserted a connection with national ideals and identity. The gesture hints at cultural and political struggle, but of what nature? This volume, narrowly devoted to defending or revising Washington's legacy, does not examine such empirical and interpretive questions. The essays that explore facets of Washington's life deal with a wide variety of topics, but their utility for historians is severely limited by the almost total absence of references to relevant historical literature, especially recent scholarship. Even more troubling, the essayists seem unaware of the wider literature bearing on the activities in which Washington was involved, which leads to some uninformed judgments about Washington's legacy. In an article on Washington and slavery, Arthur K. Steinberg argues that, in removing Washington's name from a Louisiana public school in 1997 because he was a slaveholder, expedient politicians failed to grasp that slavery was integral to colonial Virginia culture. Yet Steinberg makes no reference to the agonized ag·o·nize v. ag·o·nized, ag·o·niz·ing, ag·o·niz·es v.intr. 1. To suffer extreme pain or great anguish. 2. To make a great effort; struggle. v.tr. debate among Jefferson scholars in the wake of the apparent confirmation of his relationship with Sally Hemings. Are these scholars, like the politicians, guilty of "moral bankruptcy" (p. 164) for questioning Jefferson's legacy? The authors in this volume too often launch their arguments into a scholarly vacuum. The best article in the collection, by Ron Briley (I cannot tell you his institutional affiliation, as the volume lacks such information), explores Washington's legacy in the late twentieth century through a systematic study of representations of Washington in popular history periodicals, film and television, and high school and college textbooks. Those representations, he argues, reflected the culture wars of the late 1980s and 1990s. The "conservative heroic image" of Washington as model citizen (p. 220) competed with the "humanized" Washington preferred by those deploying visual media (p. 226), and also with the historical revisionists' Washington, the slave owner who shared the class and gender biases of his time. Briley demonstrates that Washington's image acts as a screen on which contending views of American identity are projected and debated. In doing so, he fulfills the promise of this volume. KATHERINE A. CHAVIGNY Sweet Briar College |
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