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Garden Party.


During the summer, I teach painting and drawing to multi-age groups of children from our community and neighboring neigh·bor  
n.
1. One who lives near or next to another.

2. A person, place, or thing adjacent to or located near another.

3. A fellow human.

4. Used as a form of familiar address.

v.
 communities at a camp sponsored by our local school district. The children bring with them various levels of exposure to art and art instruction. A lesson in warm and cool color families, mixed media, and a surprise "visitor" resulted in wonderful garden paintings created by my class of 6-10 year old students.

Looking closely at a few samples of vines and flowers, we noted the leaves growing upward and outward from stems and branches. We felt their veins and textured surfaces. Since gardens are a familiar subject, the children were able to recall and visualize a variety of plant forms. With these images fresh in their minds, I gave them 18 x 24" (46 x 61) black construction paper and white chalk. They began filling their papers with simple contour contour or contour line, line on a topographic map connecting points of equal elevation above or below mean sea level. It is thus a kind of isopleth, or line of equal quantity.  drawings of bold plant and floral shapes. The broad chalk lines chalk´ line`   

n. 1. a string impregnated with powdered chalk, used in construction to mark a straight line on a surface, such as a wall.
 encouraged large, roomy areas to paint later on.

Warming up with Chalk

I demonstrated how to use the whole arm to draw on a large surface, rather than just using the fingers and wrist. After practicing this technique the children's drawings began to loosen up. Perhaps working on black paper proved less intimidating in·tim·i·date  
tr.v. in·tim·i·dat·ed, in·tim·i·dat·ing, in·tim·i·dates
1. To make timid; fill with fear.

2. To coerce or inhibit by or as if by threats.
 than working on blank white paper. Their drawings expressed confidence and freedom of movement. The children enjoyed working with chalk and erasing with tissues.

Next we explored the use of color not of the white race; - commonly meaning, esp. in the United States, of negro blood, pure or mixed.

See also: Color
 in our project. Flowers and plants come in a variety of colors, but ours would meet the criteria for either warm or cool color families. Thinking of the sun, the students listed the warm colors of reds, oranges, and yellows. Thinking of water, they came up with the cool colors of blues, purples, and greens. We decided they would use both color families in their paintings, choosing one for their plants and the other for their background.

Mixing Floral Colors

I demonstrated how to set up their palettes, starting with a dollop of white tempera tempera (tĕm`pərə), painting method in which finely ground pigment is mixed with a solidifying base such as albumen, fig sap, or thin glue.  in the center of a paper plate. Smaller dollops of two colors, either warm or cool, were placed outside of the puddle of white. The students loved watching new colors emerge as the colors were mixed with a brush. They observed how to mix light tints beginning with the white, and deeper tints beginning with a color. Each student was given a plate to mix their selected colors.

I encouraged them to repeat every color at least twice to help balance their composition. A large (3/4") and small (1/2-1/4") flat brush helped control the flow of paint in large and small areas.

Creating A Background

When their paintings were dry, the students thought about the background. It had to be of the opposite color family, and only one color mixed with white. I reminded them to use more white for light tints and less for stronger color. As they painted, they began to see the plants moving into the foreground, and the background receding. They were intrigued with the effect of the black paper shading See Phong shading, Gouraud shading, flat shading and programmable shading.  the colors, particularly noticeable in the background. They liked the challenge of matching a color if their supply ran out or if they returned the next day to finish an area.

Garden Guests

When the paintings were completed and dry, the students chose colored chalk using the warm or cool colors of their plants. They outlined all of the shapes and added the texture of veins. Now their gardens sprang to life! I held up one at a time while each artist stood back and looked. A smile bloomed on each face. But we were not finished with these charming gardens. It was time for the guests to arrive: Bugs!

I gave the students 9 x 6" (23 x 15 cm) 80 lb. white drawing paper and pencils. They looked at illustrations of insects, and drew one using most of the space on their paper. The bugs needed to be big enough to first color and then cut out. They used black permanent markers A permanent marker is a type of marker pen that is used to create permanent writing on an object. Generally the liquid is water resistant, contains the toxic chemical xylene or toluene, and is capable of writing on a variety of surfaces from paper to metal to stone.  to go over their pencil lines, and then colored them with an array of gemstone gemstone

Any of various minerals prized for beauty, durability, and rarity. A few noncrystalline materials of organic origin (e.g., pearl, red coral, and amber) also are classified as gemstones.
 and metallic crayons which added a gleam to their bodies and wings. The students made a pop-up support for their bugs by folding a narrow strip of paper accordion accordion, musical instrument consisting of a rectangular bellows expanded and contracted between the hands. Buttons or keys operated by the player open valves, allowing air to enter or to escape. The air sets in motion free reeds, frequently made of metal.  style.

Deciding where to place the insect was important. Moving it around to various positions changed the focal point focal point
n.
See focus.
 of the composition. For a finishing touch, we added glitter.

We created a gallery of gardens in the hallways. Viewers joined our "garden party" and admired the beauty of their surroundings. The insects shimmered ever so slightly as they hovered over the gardens. Everyone was delighted they had come!

NATIONAL STANDARD

Students use art materials Techniques and materials related to art:

Traditional techniques:
  • Acrylic paint
  • Charcoal
  • Clay
  • Collage
  • Drawing
  • Fresco
  • Glass
  • Gouache
  • Gum arabic
  • Lithography
  • Oil painting
  • Oil pastel
  • Paint
  • Painting
  • Pen and ink
 and tools in a safe and responsible manner.

Barbara Silverstein is an elementary art teacher at Morris School District Community School in Morristown, New Jersey Morristown is a town in Morris County, New Jersey, United States. As of the United States 2000 Census, the town population was 18,544. Its estimated population in 2004 was 18,842. It is the county seat of Morris CountyGR6. .
COPYRIGHT 1999 Davis Publications, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1999, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:painting gardens
Author:Silverstein, Barbara
Publication:School Arts
Article Type:Brief Article
Geographic Code:1USA
Date:Sep 1, 1999
Words:823
Previous Article:Viewpoint/Abstraction.(teaching composition)
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