GVFX: a homegrown FX success story.
In a converted warehouse in Toronto's east end, spaceships hang from the ceiling, movie posters adorn the wall, and a mess of expensive computers consume more electricity than a small Eastern European country. The office of multiple-Gemini and Emmy-nominated boutique GVFX (formerly Gajdecki Visual Effects) could be the childhood bedroom of its friendly and enthusiastic founder, John Gajdecki.
Born in Ottawa in 1962 with a severe stutter stut·ter
A phonatory or articulatory disorder characterized by difficult enunciation of words with frequent halting and repetition of the initial consonant or syllable.
To utter with spasmodic repetition or prolongation of sounds. that's since vanished, Gajdecki's insular childhood was spent building models with his brother Rick (who now runs the GVFX model shop) and taking pictures. Like many techies maturing in the mid-1970s, he was attracted to film FX by a little thing called Star Wars. "There was a drive-in near my house and I used to sneak in Verb 1. sneak in - enter surreptitiously; "He sneaked in under cover of darkness"; "In this essay, the author's personal feelings creep in"
creep in and watch from the back then go up front for the final battle sequence." Gajdecki worked summers at the National Archives National Archives, official depository for records of the U.S. federal government, established in 1934 by an act of Congress. Although displeasure concerning the method of keeping national records was voiced in Congress as early as 1810, the United States continued , then, up the street, on the popular animated series The Raccoons as a matcher. "I made sure that when Burt went behind a tree, he went precisely behind a tree." From 1982 to 1986 he attended Toronto's York University York University, at North York, Ont., Canada; nondenominational; coeducational; founded 1959 as an affiliate of the Univ. of Toronto, became independent 1965. where he studied filmmaking. His classmates Classmates can refer to either:
regarded as unlucky day. [Western Folklore: Misc.]
See : Luck, Bad : The Series and he soon was cosupervising the effects on another U.S. cable series, War of the Worlds. Working 16-hour days for three holiday-less years taught Gajdecki some lessons. "The effects industry has a massive level of fanaticism Fanaticism
See also Extremism.
various sects preaching a return to life before the fall. [Christian Hist.: Brewer Note-Book, 8]
Moslem murder teams used hashish as stimulus (11th and 12th centuries). and you can get people working huge hours. That's not good because as a facility owner you need people to sleep or they'll be useless. At GVFX, we `hot bunk' and each machine has two people on alternating shifts."
While with Paramount, Gajdecki saw changes were afoot in the industry. "I had a belief that special effects could be used for things other than sci-fi stories. Watching the movie Speed convinced me that the industry was going to be bigger than anybody thought." When Friday the 13th and War of the Worlds wrapped, Gajdecki bought back the gear he built--video and film rotoscope See rotoscoping. projectors allowing for speedy animation turnaround--and in the spring of 1991 Gajdecki Visual Effects was born. One of Canada's first effects boutiques, it offered visual effects without a postproduction lab. However, after securing a contract with YTV's Dracula a recession hit and for six lazy months Gajdecki and associates (including Tom Turnbull, Gemini-winner on The Arrow) designed a motion-control system while waiting for business to pick up. In 1993, deep in debt, Gajdecki was about ready to take a vacation and leave the business behind when Warner Bros BROS Brothers
BROS Benefits and Retirement Operations Section (King County, Washington)
BROS Barnes and Richmond Operatic Society (London, UK) . came calling with the series, Kung Fu. "Friday the 13th got us set up," he says," and Dracula gave us a place in the industry, but it was Kung Fu that really got us started. I haven't had that holiday for six years now." After the success of Kung Fu, GVFX picked up the contract for William Shatner's TekWar, a major computer-based FX project which led to international exposure. A second branch of the company opened in Vancouver in 1998.
Two-thirds of GVFX's work is done for television, and Gajdecki's clients now include Stargate SG-1, The Outer Limits, Total Recall: The Series and the CBS (Cell Broadcast Service) See cell broadcast. movie, Joan of Arc Joan of Arc, Fr. Jeanne D'Arc (zhän därk), 1412?–31, French saint and national heroine, called the Maid of Orléans; daughter of a farmer of Domrémy on the border of Champagne and Lorraine. . In the world of feature filmmaking, the project that has garnered the most attention for the company is Universal's 1998 horror hit, Bride of Chucky. Gajdecki's association with the Hong Kong-heavy Chucky crew (director Ronny Yu and cinematographer Peter Pau) began with Warriors of Virtue, an effects-heavy film that was overshadowed on its release by the megahit meg·a·hit
A product or event, such as a movie or concert, that is exceedingly successful.
Noun 1. megahit - an unusually successful hit with widespread popularity and huge sales (especially a movie or play or recording Twister. L.A. ringer Mike Muscal supervised Bride of Chucky, but GVFX was the lead effects house. Its work on the bathtub electrocution electrocution
Method of execution in which the condemned person is subjected to a heavy charge of electric current. The prisoner is shackled into a wired chair, and electrodes are fastened to the head and one leg so that the current will flow through the body. scene highlighted a company strength, arcing, an effect seen when figures are hit by electricity. "There is software that creates arcing," Gajdecki says, "but it's pretty lifeless. We worked very carefully, painting attractive light and colour and correcting the background to make sure the animation we added was part of the original scene." Chucky's success created an itch that Gajdecki is anxious to scratch. "It's fun to work on bigger movies where you can afford to do things just right."
When he isn't living everyone's dream of blowing up Mike Bullard's head on television, Gajdecki ensures that five to 10 per cent of GVFX is set aside for homegrown productions. Future Canadian projects include Shaftsbury Films' soon-to-released version of Mordecai Richler's Jacob Two Two Meets the Hooded Fang, starring Miranda Richardson and Gary Busey. And as part of Gajdecki's commitment to higher education, GVFX has also endowed a scholarship for a fourth-year York University student. As he bids on other high-profile projects, Gajdecki is working on the company's Web site (www.gvfx.com). This takes time, as he works to ensure that all employees have a say in their future. "Special effects are now a pivotal part of virtually every production. The industry is changing the way movies are being made." In Canada, so is John Gajdecki.