From the 'A-train' to fighting AIDS.

The grimy walls of the New York City underground subway system might seem an unlikely canvas for launching an art career. But from these bizarre beginnings, the unusual work of American pop artist Keith Haring soon came to light in major galleries and museums around the world. Born in a small Pennsylvania town in 1958, the young man created a distinctive, disturbing urban art with cross-cultural hieroglyphics encompassing social and political themes--from a Harlem billboard with the stark warning "Crack is Wack" to "Free South Africa" posters to a 300-foot mural on the Berlin Wall.

After beginning studies at Manhattan's School of Visual Arts, Mr. Haring quickly became immersed in the downtown arts scene of the early 1980s, developing his trademark white chalk, graffiti-style drawings--the spaceship, barking dog and "glowing baby" are examples--on the streets and walls of New York. His deep commitment to the fight against the disease that ultimately killed him is demonstrated in his powerful work on our June cover--"Fight AIDS Worldwide".

With its bold black strokes and bright orange border, the drawing depicts the growing burden that each of us carries as the AIDS crisis continues to escalate around the world. Created for a World Federation of UN Associations (WFUNA) first-day cover, the limited edition lithograph accompan the UN Postal Administration's stamp series on AIDS. Mr. Haring died on 16 February 1990 just a month before the stamps were officially issued. The first major retrospective of his work is currently on tour in Europe and will come to the United States in 1996.

To marshall resources against the global AIDS threat, the Executive Board of the World Health Organization has proposed a joint and co-sponsored United Nations Programme on HIV/AIDS to coordinate the work of the UN system in this area. The message is clear: Together we must all fight AIDS worldwide.