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Freedom's Women: Black Women and Families in Civil War Era Mississippi. (Book Reviews).


Freedom's Women: Black Women and Families in Civil War Era Mississippi. By Noralee Frankel. Blacks in the Diaspora. (Bloomington and Indianapolis: Indiana University Press Indiana University Press, also known as IU Press, is a publishing house at Indiana University that engages in academic publishing, specializing in the humanities and social sciences. It was founded in 1950. Its headquarters are located in Bloomington, Indiana. , c. 1999. Pp. xviii, 270. $35.00, ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
 0-253-33495-0.)

Noralee Frankel's account of the experiences of African American African American Multiculture A person having origins in any of the black racial groups of Africa. See Race.  women during the Civil War and the first five years of Reconstruction in Mississippi demonstrates yet again the value of gender as a category of historical analysis. Drawing from plantation records Plantation Records was a record label started by Shelby Singleton. The label is best-known for the Jeannie C. Riley 45 RPM single, "Harper Valley PTA". Singleton purchased Sun Records from Sam Phillips in 1969. , manuscript collections, Freedmen's Bureau Freedmen's Bureau, in U.S. history, a federal agency, formed to aid and protect the newly freed blacks in the South after the Civil War. Established by an act of Mar.  reports, and especially widows' petitions contained in the pension files of African American veterans, Frankel skillfully blends this material with the rich secondary literature on nineteenth-century Mississippi, thereby both complicating and enhancing a familiar story. By focusing on women in their myriad roles as workers, mothers, wives, lovers, friends, complainants, and petitioners and tracing their complex interactions with everyone from white landowners and Freedmen's Bureau officials to spouses, kin, and neighbors, she is able to offer new insights into such topics as the transition from enslaved Enslaved may refer to:
  • Slavery, the socio-economic condition of being owned and worked by and for someone else
  • Submissive (BDSM), people playing the 'slave' part in BDSM
  • Enslaved (band), a progressive black metal/Viking metal band from Haugesund, Norway
 to free labor the labor of freemen, as distinguished from that of slaves.

See also: Free
, freedpeople's attitudes toward marriage, and the structure of the black family.

Frankel finds both change and continuity in the lives she chronicles. Although she stresses black women's struggle for autonomy and privacy in work, child rearing, and intimate relations with men, she also recognizes the constraints imposed by race, poverty, and lack of political power. White men and women continued to exercise inordinate influence over the activities and choices of freedpeople. "Former slave owners This list includes notable individuals for which there is a consensus of evidence of slave ownership. A
  • Abraham
  • Anedjib (Egyptian Pharaoh)
B
  • Simon Bolivar, Latin American independence leader
C
  • Augustus Caesar
," Frankel notes, "were quite relentless in finding means, including the power of local and state law, to control aspects of African American family life" (p. 144).

Still, if few black women achieved the economic security they hoped for, most did manage to reduce the amount of time they worked for whites. Black women influenced the shift of their family's labor from slavery to sharecropping sharecropping, system of farm tenancy once common in some parts of the United States. In the United States the institution arose at the end of the Civil War out of the plantation system. Many planters had ample land but little money for wages. , and in so doing they developed independent views of legal and informal marriages. Moreover, Frankel argues persuasively that, with emancipation, the African American family emerged as a "male-headed" institution rather than a genuinely patriarchal one (p. xii).

The topical organization of Freedom's Women produces some repetition--Frankel defines "took-ups" (informal marriages) and "quitting" (non-legal divorce) several times--that robs the book of narrative drive. But Frankel does include incidents from individual women's lives to illustrate her broad themes; for example, she follows the story of Lucy Brown Lucy Brown (born February 13,1979) is an English actress. She is best know for her role as Claudia Brown, a home office official in the ITV1 science-fiction television series Primeval (2007–present) and the Sharpe story Sharpe's Challenge as Celia Burroughs.  from her days as a slave in Bolivar County through the wartime contraband camps to freedom, with special attention to her marriages, love affairs, children, and friends. Frankel thus reminds her readers of the real people who shaped and were shaped by the events of these years.

Freedom's Women closes on an appropriately muted note. The successes of African American women (and men) between 1862 and 1870 were, Frankel acknowledges, "incomplete" (p. 180). That certainly cannot be said of Frankel's book, however, for her close examination of the gains and losses of these black women and their families as they moved from slavery to freedom contributes to a fuller, more nuanced understanding of that crucial transition.
COPYRIGHT 2001 Southern Historical Association
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review
Author:Walker, Cam
Publication:Journal of Southern History
Article Type:Book Review
Date:Nov 1, 2001
Words:505
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