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First, define your page's mission.


Interesting, informative, timely, challenging, balanced, provocative, well written and--most of all--compelling. That's a short list of what makes a strong op-ed page. Putting one together is another matter.

Once the syndicated columns are selected, the challenge is how best to use the remaining space to complete the mix of topics and writing styles that energizes the page and its readers.

How does an editor awash Awash (ä`wäsh), river, E Ethiopia, rising near Addis Ababa and flowing c.500 mi (800 km) to a swampy lake near the Djibouti border. The Awash Valley is important agriculturally and has hydroelectric plants.  in submissions--and often juggling other duties--decide which of the ballooning ballooning

Flying in a balloon in competition or for recreation. Sport ballooning began in the early 20th century and became popular in the 1960s. The balloons used are of lightweight synthetic materials (e.g.
 number of articles mailed, faxed, e-mailed, hand-delivered, or on the wire makes the cut?

What runs and what doesn't does·n't  

Contraction of does not.
?

First, it helps to define the purpose of the page. Is it primarily a community forum for local readers and writers to discuss local issues or perhaps share their views on broader topics? Should it reflect the paper's regional, state, or national role or flavor? Is it limited to hard news and government issues or are softer, lifestyle subjects included? Does it offer the best of what's available, no matter the topic or the source?

Having a page mission offers one basis for making decisions on what to run. It's it's  

1. Contraction of it is.

2. Contraction of it has. See Usage Note at its.


it's it is or it has
it's be ~have
 the first test of which articles get further consideration and which don't don't  

1. Contraction of do not.

2. Nonstandard Contraction of does not.

n.
A statement of what should not be done: a list of the dos and don'ts.
. Whatever the definition, though, it should be loose enough to allow for those occasional, must-read exceptions.

Next, ask this question: Does the writer bring specific knowledge, a fresh perspective, or a seldom-heard-from voice to a critical topic?

This is a practical standard that editors--especially those reluctant to automatically reject whole categories of submissions in advance--can use to respond to queries and assess articles from freelance writers, advocacy and industry groups, public relations public relations, activities and policies used to create public interest in a person, idea, product, institution, or business establishment. By its nature, public relations is devoted to serving particular interests by presenting them to the public in the most  agencies, and others. The weight given to any one of those criteria may vary with the subject or circumstances CIRCUMSTANCES, evidence. The particulars which accompany a fact.
     2. The facts proved are either possible or impossible, ordinary and probable, or extraordinary and improbable, recent or ancient; they may have happened near us, or afar off; they are public or
, such as the need to round out the range of views on a certain issue or an opportunity to offer a perspective different from the newspapers editorial position. But articles that don't meet any of the criteria--for example, those that merely adapt a group's well-known stand on an issue to a different set of circumstances--won't be considered.

When the page emphasizes local content, this standard is a particularly useful way to distinguish between letters that, with appropriate editing, should remain just that and more fully developed commentary. A letter shouldn't become an op-ed contender simply because it's too long for the letters column. This knowledge/perspective/voice guideline guideline Medtalk A series of recommendations by a body of experts in a particular discipline. See Cancer screening guidelines, Cardiac profile guidelines, Gatekeeper guidelines, Harvard guidelines, Transfusion guidelines.  also is helpful when considering whether to run a second, or third, or fourth article on a certain issue.

Finally, establish working criteria and, where appropriate, share them with writers, most easily in a policy box that appears on the page.

Here are suggestions of what to consider:

* Are there specific kinds of articles you won't run: promotional pieces, those that proselytize pros·e·ly·tize  
v. pros·e·ly·tized, pros·e·ly·tiz·ing, pros·e·ly·tiz·es

v.intr.
1. To induce someone to convert to one's own religious faith.

2.
 for religious or secular purposes, endorsements of political candidates, interviews, or poetry?

* Will you accept previously published material?

* Will you consider articles that are simultaneously submitted elsewhere?

* What is the word limit?

* How much time can you spend on revising pieces or working with writers? How will that affect what you decide to use?

* If an article is proposed or submitted by a public relations firm or other third party, will you have direct access to the writer?

Joanne Crupt is editor of the opinion pages at the Times Union in Albany, New York For other uses, see Albany.
Albany is the capital of the State of New York and the county seat of Albany County. Albany lies 136 miles (219 km) north of New York City, and slightly to the south of the juncture of the Mohawk and Hudson Rivers.
. E-mail jcrupi@timesunion.com
COPYRIGHT 2003 National Conference of Editorial Writers
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2003, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:designing effective op-ed standards
Author:Crupi, Joann
Publication:The Masthead
Geographic Code:1USA
Date:Mar 22, 2003
Words:555
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