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FILMS - THE BROKEN HEARTS CLUB (15).


AS Harry and Sally discovered to their cost, if there's one thing that ruins a perfectly good friendship it's sex.

The circle of gay friends who orbit Greg Berlanti's effervescent ef·fer·vesce  
intr.v. ef·fer·vesced, ef·fer·vesc·ing, ef·fer·vesc·es
1. To emit small bubbles of gas, as a carbonated or fermenting liquid.

2. To escape from a liquid as bubbles; bubble up.

3.
 romantic comedy learn that same hard lesson.

Photographer Dennis (Timothy Olyphant) is sick and tired of searching for physical perfection. Actor Cole (Superman's Dean Cain) plies plies 1  
v.
Third person singular present tense of ply1.

n.
Plural of ply1.
 his good looks to snag a succession of one-night stands.

Patrick (Ben Weber William Jennings Bryan "Ben" Weber (born July 23, 1916 in St. Louis - died June 16, 1979 in New York) was America's first twelve tone composer.

Weber, completely self-taught as a composer, was in the late 30s part of a Chicago musical group that included George Perle and
) is convinced he is too ugly to find a partner, best friend Howie (Matt McGrath
For the actor, see Matt McGrath (actor)


Matthew John “Matt” McGrath (December 18, 1878 – January 29, 1941) was an Irish-American police officer, thrower and Olympic gold medalist.
) doesn't realise he's in love until it's too late, and effete ef·fete  
adj.
1. Depleted of vitality, force, or effectiveness; exhausted: the final, effete period of the baroque style.

2.
 cook Taylor (Billy Porter) milks the group's sympathy over a recent break-up.

Group loyalties are tested when Dennis falls for one of Cole's recent conquests, the newly-out Kevin (Andrew Keegan Andrew Keegan (born January 29 1979) is an American actor.

Keegan was born Andrew Keegan Heying in Los Angeles, California to Lana (Ocampo), a hairdresser, and Larry Heying, a voice-over actor. [1] Keegan's mother is a native of Colombia.
). Heartache and recriminations soon follow.

The Broken Hearts Club is a lightweight and soapy affair with a sharp wit and a healthy appreciation of pop culture. The screenplay is so heavily weighted with one-liners in the first 30 minutes that you begin to believe you are watching a sit-com.

That's not to say that there aren't some killer lines in there, just that you yearn for fewer laughs and more emotion.

When the characters do finally speak from the heart, the picture has plenty to say about relationships and gay culture.

The Broken Hearts Club should play well to its target audience but, with its rather limited roll-call of archetypes, it's unlikely to cross over into the mainstream.
COPYRIGHT 2001 Birmingham Post & Mail Ltd
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001 Gale, Cengage Learning. All rights reserved.

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Title Annotation:LIVING
Publication:Sunday Mercury (Birmingham, England)
Date:May 13, 2001
Words:243
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