Exhibit examines what separates real from fake.Byline: Bob Keefer The Register-Guard "Faux or for Real," which opens Saturday at the Jordan Schnitzer Museum of Art Jordan Schnitzer Museum of Art is an art museum located on the campus of the University of Oregon in Eugene, Oregon. The original building was designed by Ellis F. Lawrence as part of his "main university quadrangle," now known as the Memorial Quadrangle. on campus, originally was inspired by a collection of so-called Jackson Pollock paintings that landed in Eugene in the past year. The paintings, of doubtful origin, were offered to the museum for exhibit, leading Museum Director David Turner (person) David Turner - Professor David A Turner. One of the pioneers of functional languages. He designed several languages, including, SASL (1976), KRC (1981), and Miranda, many of which were implemented using combinators and the S-K reduction machine which he defined. to hatch the idea of a show that would examine issues of authenticity in art. The "Pollocks" have since been returned to their owner. The show that actually resulted includes paintings either by or once attributed to Francisco Goya and Gerhard ter Borch, original watercolors by Auguste Rodin as well as forgeries once attributed to him, photographs by Edward Weston, and a group of Asian sculpture and decorative arts decorative arts, term referring to a variety of applied visual arts, both two- and three-dimensional, including textiles, metalwork, ceramics, books, and woodwork, as well as to certain aspects of architecture (see ornament), public buildings, and private houses (see . Among the exhibit highlights are a pair of Goyas that were shown at the Metropolitan Museum of Art in 1995, when the museum conceded con·cede v. con·ced·ed, con·ced·ing, con·cedes v.tr. 1. To acknowledge, often reluctantly, as being true, just, or proper; admit. See Synonyms at acknowledge. 2. that only seven of its 17 prized Goyas were genuine. Two versions of "Majas on a Balcony Balcony (from Italian balcone, scaffold; cf. High German balcho, beam, balk; probably cognate with Persian term بالكانه bālkāneh or its older variant " (1808-1812) - one, from a private collection, indisputably genuine, and the Met's more problematic version of the painting - were exhibited side by side. You can see the same canvases at "Faux or for Real," along with a list of problems brought on by the Met's copy, from inadequate documentation to just plain clumsy painting. There's more. In the world of sculpture, bad knockoff knock·off n. Informal An unauthorized copy or imitation, as of designer clothing: "the place to go for quality knockoffs" Women's Wear Daily. Noun 1. versions of "The Bronco bronco: see mustang. Buster," a famous statue by Western artist Frederick Remington, run about $200 since the work's copyright expired in the 1960s. Earlier versions, cast under Remington's supervision, cost a good deal more than the copies. You can see casting No. 32, made by Remington's foundry in 1895, along with subsequent versions of the same well-known statue. Finally, if you're given to making even finer aesthetic distinctions, the exhibit offers a choice of photographs taken by Edward Weston. In one version, the print was made by Weston himself; in the other, it was printed by his son, Cole Weston Cole Weston (January 30, 1919 - April 20, 2003) was the youngest son of photographer Edward Weston and brother of photographer Brett Weston. He dedicated his life to photography and the theater. . A number of discussions and gallery talks will be offered in connection with "Faux or for Real": A panel discussion on `Art, Artifacts, and Authentications: The Conservator's Side of the Mystery' begins at 1 p.m. Oct. 7. Five art conservators from Oregon will give short talks on conservation and its role in relation to the problems of establishing the authenticity of works of art and artifacts. There is a $5 suggested donation. Elizabeth Parr, the museum's art studio coordinator, will talk on `Looking With the `Innocent Eye': The Value of Fakes and Forgeries' at 6 p.m. Oct. 11. Lawrence Fong, curator CURATOR, persons, contracts. One who has been legally appointed to take care of the interests of one who, on account of his youth, or defect of his understanding, or for some other cause, is unable to attend to them himself. 2. of American and regional art, will give a talk on `Identification and Authenticity in American Photography' at 2 p.m. Oct. 14; he will focus on photographs by Alfred Stieglitz and some prints attributed to Edward Weston. Museum director David Turner will give an illustrated lecture on `Searching for the Real in Art' at 6 p.m. Oct. 18. Andy Schulz, an associate professor of art history at the UO, will lecture on `Goya/Not Goya' at 6 p.m. Nov. 1. EXHIBIT PREVIEW Faux or for Real: The Art of Researching Art What: An exhibit on authenticity in the art world, showing art works of both clear and disputed authorship Where: Jordan Schnitzer Museum of Art, 1430 Johnson Lane, on the University of Oregon campus The University of Oregon campus in Eugene, Oregon has around 80 buildings and facilities, including athletics sites such as Hayward Field, which is the site for the 2008 Olympic Track and Field Trials, and McArthur Court, and off-campus sites such as nearby Autzen Stadium and the When: Saturday through Feb. 4 Hours: 11 a.m. to 8 p.m. Wednesday; 11 a.m. to 5 p.m. Thursday through Sunday Admission: $5 |
|
||||||||||||||||
Printer friendly
Cite/link
Email
Feedback
Reader Opinion