Excavating King Tut's tomb.For several years I have been teaching a six-week unit on the history of art to my sixth graders. We begin with prehistoric art The idea to recreate some of the treasures from King Tut's tomb came from the Metropolitan Museum of Art's catalog of King Tut reproductions. Many of the objects seemed to be made of materials that I often use in my art classes. We began the project by viewing the film Of Time, Tombs, and Treasures: The Treasures of King Tutankhamen, available without cost from the National Gallery Extension Service, Washington, DC. Our second day was spent in the library, where the assignment was to write a paragraph on who King Tut was, and another on how his tomb was discovered. Before the project was over, students were also to fill out an index card that described their projects and how they were made. The next step was to divide the class into six groups. Students could choose between: (1) gold face mask Face mask The simplest way of delivering a high level of oxygen to patients with ARDS or other low-oxygen conditions. Mentioned in: Adult Respiratory Distress Syndrome ; (2) jewelry jewelry, personal adornments worn for ornament or utility, to show rank or wealth, or to follow superstitious custom or fashion. The most universal forms of jewelry are the necklace, bracelet, ring, pin, and earring. ; (3) a bas-relief craving craving Psychology A strong desire to consume a particular substance–eg of abuse, or food; craving is a major factor in relapse and/or continued use after withdrawal from a substance of abuse and is both imprecisely defined and difficult to measure. ; (4) tomb paintings; (5) gold repousse re·pous·sé adj. 1. Shaped or decorated with patterns in relief formed by hammering and pressing on the reverse side. Used especially of metal. 2. Raised in relief. n. 1. A design in relief. 2. ; and (6) clay. Students met in groups to decide whether to make individual projects or a single group effort. Below is a description of the different projects and the materials used. Gold Face Mask Materials: plaster, Vaseline, gold, black and turquoise turquoise, hydrous phosphate of aluminum and copper, Al2(OH)3PO4·H2O+Cu, used as a gem. It occurs rarely in crystal form, but is usually cryptocrystalline. paint, cardboard. The face mask of King Tut was made by making a plaster cast of one student's face. Cardboard was added for the wig and chin piece. The face was then painted gold and turquoise with black accents. Jewelery Materials: turquoise, Egyptian paste, gold-colored foil. Egyptian paste is a self-glazing clay commonly used in ancient Egyptian jewelry. It is available from ceramic suppliers and art supply catalogs. Students used it to make a variety of shaped beads. The beads were fired on a kiln-washed shelf and rough spots were sanded with sand-paper. The gold foil was used to make repousse pendants, bracelets and gold beads. Bas-Relief Carving Materials: plaster of Paris, Styrofoam meat trays (1" deep), compasses, scissors scissors Cutting instrument or tool consisting of a pair of opposed metal blades that meet and cut when the handles at their ends are brought together. Modern scissors are of two types: the more usual pivoted blades have a rivet or screw connection between the cutting ends , knives for carving. The plaster was mixed and poured into meat trays. Students drew an Egyptian figure, animal hieroglyph hieroglyph Character in any of several systems of writing that is pictorial in nature, though not necessarily in the way it is read. The term was originally used for the oldest system of writing Ancient Egyptian (see Egyptian language). , etc., on a corresponding size piece of paper. The drawing was transferred to plaster, and the outline was etched etch v. etched, etch·ing, etch·es v.tr. 1. a. To cut into the surface of (glass, for example) by the action of acid. b. into the surface using a compass point (1/4" deep). Carving tools were used to carve down the background to raise the figure. The figure itself was carved so it had several layers and rounded edges. The students finished the carving by painting it. Tomb Painting Materials: brown craft paper, colored pencils. Students worked together to make a mural of figures that were on the walls of King Tut's tomb. Individual figures were drawn on paper and colored in. Hieroglyphs were drawn in the background. Gold Repousse Materials: gold-colored foil, pencils. Students used reference materials to develop drawings of scenes from Egyptian life. Pieces of 8 x 8" (20 x 20 cm) foil were used. The edges of the foil were folded under first--for safety and for straight sides. The drawing was placed over the foil and traced. The lines were then redrawn with a pencil. Working from the back will give a raised line; from the front, a recessed line. A combination of both lines was used. The students worked on a soft surface (a magazine) and mounted the foil on mat board. Clay Materials: clay, glazes or paint. Clay was used to make a variety of objects from the tomb: chalices, statues of figures and animals, and the head of King Tut as a young boy. The pieces were fired, and then glazed glaze n. 1. A thin smooth shiny coating. 2. A thin glassy coating of ice. 3. a. A coating of colored, opaque, or transparent material applied to ceramics before firing. b. or painted with gold tempera tempera (tĕm`pərə), painting method in which finely ground pigment is mixed with a solidifying base such as albumen, fig sap, or thin glue. paint. When all the pieces were finished, the class designed a flyer that had background information on King Tutankhamen and the objects in the exhibition. The "excavated" objects were displayed at a P.T.A. meeting, then in a glass display case in the front hall. The students enjoyed this project and learned about art, ancient Egypt, archeology, preparing a museum exhibition, and mostly about working together! |
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