Eddie Van Halen and Fender, Together at Last.Fender Custom Shop The Fender Custom Shop is a division of Fender Musical Instruments, and housed within their headquarters complex in Corona, Riverside County, California. The Fender Custom Shop primarily exists to compete with smaller companies and independent luthiers that, in turn, build products to Create 300 Limited-Edition Replicas of Iconic Eddie Van Halen "Frankenstein[TM]" Guitar SCOTTSDALE, Ariz. -- Hold on to your whammy wham·my n. pl. wham·mies Slang 1. A supernatural spell for subduing an adversary; a hex: put the whammy on someone. 2. bars: In one of the most anticipated events in electric guitar history, Eddie Van Halen and the master builders of the Fender Custom Shop in Corona, Calif., have teamed up to introduce EVH EVH Edward Van Halen EVH Endoscopic Vein Harvesting [R] brand guitars, amps and musical products, beginning with a painstaking recreation of one of the most recognized guitars in the world: the red-black-and-white striped "Frankenstein[TM]" guitar played by Eddie throughout his remarkable career. Strikingly accurate down to the very last detail--and incorporating an astounding a·stound tr.v. a·stound·ed, a·stound·ing, a·stounds To astonish and bewilder. See Synonyms at surprise. [From Middle English astoned, past participle of astonen, aging process to duplicate the effects of the explosive years Eddie Van Halen spent on the original--the Eddie Van Halen Frankenstein[TM] replica guitar will be limited to only 300 instruments. No effort has been spared to mirror every last scratch, ding and cigarette burn Noun 1. cigarette burn - a burn mark left by a smoldering cigarette; "a cigarette burn on the edge of the table" burn mark, burn - a place or area that has been burned (especially on a person's body) ; Fender designers even scoured scour 1 v. scoured, scour·ing, scours v.tr. 1. a. To clean, polish, or wash by scrubbing vigorously: scour a dirty oven. b. the land for 1971 quarters (that's the right year), just like the original he at one time stuck under the original tremolo tremolo (trem´ n an irregular and exaggerated speech pattern that may be the symptom of an emotional disturbance or of various bridge. While Eddie no longer uses the quarter for that purpose, it's still one of the guitar's most recognizable appointments, and still adorns Ed's baby, as well as each and every Frankenstein[TM] replica guitar. It was an effort well worth undertaking, for a legendary man and instrument well worth celebrating. The History Seldom in the history of guitar playing can monumental change be attributed to a single guitarist; a musician whose contributions amount to nothing short of a re-imagining of the instrument's possibilities, and whose playing abilities and innovations are so utterly dazzling as to be considered truly revolutionary. Such is the case with Edward Van Halen. Eddie Van Halen exploded onto the music scene in the late '70s and, seemingly overnight, rewrote the book on rock guitar as few had done before. How did he play like that? How did he get those sounds? And what was that weird guitar he was playing? This was something new; a wild, ambitiously swaggering swag·ger v. swag·gered, swag·ger·ing, swag·gers v.intr. 1. To walk or conduct oneself with an insolent or arrogant air; strut. 2. To brag; boast. v.tr. rock band from Los Angeles Los Angeles (lôs ăn`jələs, lŏs, ăn`jəlēz'), city (1990 pop. 3,485,398), seat of Los Angeles co., S Calif.; inc. 1850. that boasted a skinny, smiling 20-something kid who was so utterly musically ferocious that you were left with no choice. On Feb. 10, 1978, when Van Halen's debut album was released, nobody had ever seen or heard anything like Eddie Van Halen. Nobody had ever seen or heard the strange guitar he worked his magic with. With this striking black-and-white striped guitar, he dazzlingly swooped, dived and blazed his innovative way through one of the most original and most famous debut albums in history. No overdubs. No huge pedal boards. No fancy and expensive custom gear. A lucky few knew what was coming because they'd seen Van Halen in the band's early days, with Eddie routinely reducing Sunset Strip The Sunset Strip is the name given to the mile and a half stretch of Sunset Boulevard that passes through West Hollywood, California. It extends from West Hollywood's east border with Hollywood at Marmont Lane to its west border with Beverly Hills at Phyllis street. nightclubs to smoldering smol·der also smoul·der intr.v. smol·dered, smol·der·ing, smol·ders 1. To burn with little smoke and no flame. 2. piles of rubble. Some established guitar heroes laughed at his duct-taped-home-made stage setup, but they weren't laughing when the show was over and Eddie had left audience's jaws somewhere around their ankles. But Eddie was no mere acrobat; whatever he did with his guitar was always for the song. "Jamie's Cryin'." "You Really Got Me." "Dance the Night Away." "Beautiful Girls." "Cradle Will Rock." "(Oh) Pretty Woman." "Jump." "Hot For Teacher." "Panama." "Eruption." "Why Can't This Be Love?" "When It's Love." "Finish What Ya Started." "Right Now." The list goes on and on. A New Kind of Guitar The guitar pictured on Van Halen's debut record looked familiar, but it was different. What was it? Where did he buy it? He didn't. Twenty-two-year-old Eddie Van Halen, you see, had the mind of not only a great musician, but also of an inventor--a constant tinkerer who was always messing with his gear; always trying this and that--sometimes destroying this and that--and always after something different. No off-the-shelf guitar had the features Eddie really needed to let his playing take off, and he knew it. He'd tried a few staples in his formative years, but eventually found them all lacking in one way or another. So he took matters into his own capable hands. The guitar that appears on the cover of Van Halen was Eddie's first "super guitar." He bought a factory-second guitar body for $50 and a neck for $80, made in 1975. This new guitar body came pre-routed for three single-coil pickups, so Van Halen took up a chisel chisel Cutting tool with a sharpened edge at the end of a metal blade, used (often by driving with a mallet or hammer) in dressing, shaping, or working a solid material such as wood, stone, or metal. and soldering iron to install a fat-sounding humbucking pickup from an older semi-hollow body guitar, rotating it slightly to accommodate the wider string spacing of the original Fender bridge. In an unintentional stroke of genius born out of necessity, Eddie conceived of the idea of dipping the humbucking pickup into an empty Yuban coffee can full of molten paraffin wax to reduce feedback once the wax cooled and solidified, a technique now known as "potting" a pickup. He also adjusted the vibrato vi·bra·to n. pl. vi·bra·tos A tremulous or pulsating effect produced in an instrumental or vocal tone by minute and rapid variations in pitch. bridge plate to lie flat against the body, preventing upward bends while increasing tuning stability. Also to his preference, the unfinished neck was wider and flatter; Eddie also replaced the original frets with larger fret wire. It was this guitar body that first received the distinctive and soon-to-be-iconic striped paint job; Van Halen sprayed it with black and white Schwinn[R] acrylic lacquer lacquer, solution of film-forming materials, natural or synthetic, usually applied as an ornamental or protective coating. Quick-drying synthetic lacquers are used to coat automobiles, furniture, textiles, paper, and metalware. bicycle paint. He cut out and mounted his own homemade black pickguard, covering the neck and middle pickup routings, and installed a single master volume knob (although the knob itself, famously, was a "Tone" knob), brass nut and an original Fender tremolo tailpiece tailpiece, n See aid, speech, prosthetic, velar section. . Although it didn't take long to build, and although the whole shebang Noun 1. whole shebang - everything available; usually preceded by `the'; "we saw the whole shebang"; "a hotdog with the works"; "we took on the whole caboodle"; "for $10 you get the full treatment" cost him less than $150, this was the guitar that would change the world. It became Van Halen's main instrument for the first several albums and tours, and he soon striped it one last time and added a top coat of red; with the addition of orange and red truck reflectors, Eddie was now complete in creating one of the most iconic guitars in rock 'n' roll rock 'n' roll: see rock music. history. During Van Halen's second world tour, he replaced the original tremolo with an odd device--a prototype locking tremolo system built by Seattle designer Floyd Rose Floyd Rose is the organization that licenses, distributes and manufactures the Floyd Rose Locking Tremolo invented by Floyd D. Rose. It also manufactures guitars using the system. . To fill the gap between the top surface of the guitar body and the bottom side of the tremolo plate, Eddie's modest-but-efficient solution was to permanently mount a quarter under the unit's top-back side. A succession of replacement necks all maintained the use of Schaller[R] tuners after Van Halen broke the original neck. Fans loved the guitar and what he did with it. They even gave it a nickname--"Frankenstein[TM]." But to Eddie, it was simply "My baby." Sharing the Legacy Like all true innovators, Eddie Van Halen has continuously evolved. His playing is as amazing now as ever, but his devotion to artistry, musicianship and songcraft has grown and matured all along the way. Now, at this point in his magical career, Eddie has decided to share his legacy of innovation with guitarists everywhere. Although Eddie has before developed various guitar models with various makers, there has never been a faithful, first-rate recreation of the iconic Frankenstein[TM] instrument so revered by his fans and so dear to him personally. And there was only one company who could do it right. Fender. The company that has brought the rock world signature models from its greatest guitarists now introduces a painstakingly accurate rendition of what is widely regarded as the world's most recognizable electric guitar: the EVH[R] Frankenstein[TM] replica. This red, black and white ash-body guitar has a bolt-on maple neck and has been aged to precisely match the original, complete with every scratch, ding and cigarette burn. The maple fingerboard has a 12" to 16" compound radius, with 21 Dunlop[R] 6100 jumbo frets. The guitar features a Seymour Duncan Seymour Duncan is a company that is most famous for manufacturing of guitar pickups, and currently has a line of effects pedals. The company was founded in late 1978 by guitarist and luthier Seymour W. Duncan in Goleta, California. [R] Custom Shop EVH[R] humbucking pickup, with a single master volume knob (that says "Tone") mounted on a single-ply partial black pickguard, identical to the original. Other features include Schaller[R] tuners, aged chrome hardware, and a limited edition, fully "relic-ed" EVH[R] road case. Leaving no stone unturned, the guitar is complete with a non-functional three-way switch Noun 1. three-way switch - an electric switch that has three terminals; used to control a circuit from two different locations three-point switch electric switch, electrical switch, switch - control consisting of a mechanical or electrical or electronic and single-coil pickup that occupy two of the three pickup routs. The EVH[R] Frankenstein[TM] replica guitar is a phenomenally crafted piece of rock history--of guitar history, period--and it could only come from Eddie Van Halen and the talented resources of Fender[R]. This guitar simply must be seen, heard and felt to be believed. Much like the first time you saw, heard and felt the incredible musical power of Eddie Van Halen. Now Eddie Van Halen's "baby" can be yours. More photos available upon request. |
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