Doce cuentos peregrinos.
In his introduction to Doce cuentos peregrinos Garcia Marquez Gar·cí·a Már·quez , Gabriel Born 1928.
Colombian-born writer known especially for his novel One Hundred Years of Solitude (1967). He won the 1982 Nobel Prize for literature. explains why there are exactly twelve stories and in what sense they are "wandering": He once had a dream that he was attending his own raucous funeral. At the end everyone got to go home except him. "It was only then," he writes, "that I realized that dying means having to leave your friends forever." The dream provoked a new awareness of his identity as a Latin American living abroad. He began to take notes for stories about Latin Americans This is a list of notable Latin American people. In alphabetical order within categories. Actors
Some have political overtones, such as "Buen viaje, senor presidente" ("Have a Good Trip, Mr. President Mr. President can refer to:
1. A person from one's own country.
2. A colleague.
[French compatriote, from Late Latin compatri politician who is in Geneva Geneva, canton and city, Switzerland
Geneva (jənē`və), Fr. Genève, canton (1990 pop. 373,019), 109 sq mi (282 sq km), SW Switzerland, surrounding the southwest tip of the Lake of Geneva. for medical treatments. Although the husband succumbs to the corrupt deposed president's charisma and finesse, the practical, tough-minded wife remains skeptical. In the end, the couple winds up nursing him through his illness, even dipping into their meager mea·ger also mea·gre
1. Deficient in quantity, fullness, or extent; scanty.
2. Deficient in richness, fertility, or vigor; feeble: the meager soil of an eroded plain.
3. savings to provide for his needs. Eventually, when hope seems lost, they make arrangements for him to make one final trip home, unaware that instead of going back to his country to die, the rejuvenated re·ju·ve·nate
tr.v. re·ju·ve·nat·ed, re·ju·ve·nat·ing, re·ju·ve·nates
1. To restore to youthful vigor or appearance; make young again.
2. politician will soon be back to his old tricks. As in many of his early stories, the author focuses here on the innate goodness of the poor and the undying ambition of Latin America's ruling elite.
In "El rastro de tu sangre en la nieve," Billy Sanchez, the spoiled son of a rich Colombian, is honeymooning with his bride, Nena Daconte Nena Daconte Is a Spanish pop group. Its members include the singer from Madrid, Mai Meneses, and the musician from Barcelona, Kim Fanlo.
Mai Meneses first found fame in 2002 when she entered the second series of the Spanish reality TV show Operación Triunfo. , in Europe, when the girl accidently pricks herself with a thorn and bleeds to death. When Nena first hurts herself, Billy is too self-absorbed to pay much attention, but finally realizes that something is seriously wrong and deposits her in a hospital in Paris. Far from his own world, in which the irrational and extraordinary are commonplace and in which he feels perfectly in control, Billy is now thrust into the absurdities of the highly rational. (For example, the Parisians park on the side of the street with even-numbered houses on even numbered days of the week, and on the other side on odd-numbered days; hospital visits are permitted only on Tuesdays.) Billy becomes so confused and disoriented dis·o·ri·ent
tr.v. dis·o·ri·ent·ed, dis·o·ri·ent·ing, dis·o·ri·ents
To cause (a person, for example) to experience disorientation.
Adj. 1. that when Nena dies, he is wandering through Paris in a daze while doctors, ambassadors, authorities and relatives try to locate him. Billy's search for a sense of direction is the first step in his maturation. But Billy is more than an individual; he is an archetype archetype (är`kĭtīp') [Gr. arch=first, typos=mold], term whose earlier meaning, "original model," or "prototype," has been enlarged by C. G. Jung and by several contemporary literary critics. of the wealthy, upper-class Latin American. Billy missed out on the only significant event of his life because he was "out of touch," just as the class he represents is missing out on the changes in society because it is out of touch with the common people and with those things that really matter.
Not all of these tales have such obvious political or sociological overtones. In "El verano feliz de la senora Forbes," ("Mrs. Forbes' Happy Summer") two young boys learn unexpectedly that their austere German nanny has been carrying on a torrid love affair. In "La luz es como el agua," ("Light is like Water") two Colombian youngsters living in Madrid discover that they can row and skindive just like in their native Cartagena by filling up their apartment with electric light and floating on it because "light is like water."
Quite a few of these twelve wandering stories flop at the end; they depict interesting characters and weave intricate plots, only to lead up to "so-what?" conclusions. But the best more than make up for the worst, and the collection proves that Garcia Marquez is still a consummate story-teller.