Devouring Buddha. (Short Takes).2002, 16 MINUTES DIRECTED BY KORBETT MATTHEWS Talented Ottawa filmmaker Korbett Matthews comes perilously close to over-aestheticizing his powerful subject matter in this visually and aurally stunning documentary about Cambodia. Close, but not quite. His film is an examination of the mass murder committed by Khmer Rouge Khmer Rouge (kəmĕr` r zh), name given to native Cambodian Communists. Khmer Rouge soldiers, aided by North Vietnamese and Viet Cong troops, began a large-scale insurgency against revolutionaries between 1975 and 1979. Returning to the now empty Tuol Sleung Prison, where thousands perished, Matthews' camera searches through its absences and evokes echoes of its past horrors. Skillfully skill·ful adj. 1. Possessing or exercising skill; expert. See Synonyms at proficient. 2. Characterized by, exhibiting, or requiring skill. interweaving vivid moving images with montages of the black and white photos taken by the Khmer Rouge of their victims, Matthews constructs an eerie, haunting tone poem tone poem: see symphonic poem. about an atrocious period and place. The film explains how the Khmer Rouge attempted to deny their victims an afterlife. The slaughtered were buried in mass graves near the "killing fields," and not cremated as is normal Buddhist practice; as a result, they were denied their faith's promise of reincarnation reincarnation (rē'ĭnkärnā`shən) [Lat.,=taking on flesh again], occupation by the soul of a new body after the death of the former body. . Beyond illuminating the obvious paradoxes represented by the Khmer Rouge's photographs, Matthews' film constitutes a sincere attempt to create a modest form of cinematic remembrance, perhaps even reincarnation. Finely balancing its reverence for the victims and its rage against the Rouge, Devouring de·vour tr.v. de·voured, de·vour·ing, de·vours 1. To eat up greedily. See Synonyms at eat. 2. To destroy, consume, or waste: Flames devoured the structure in minutes. Buddha is an affecting experimental documentary about the spaces between what remains and what is remembered. |
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