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Despite being one of the most celebrated ballerinas of all time, Margot Fonteyn felt limited in her artistry because of her lack of education in music and art.


Despite being one of the most celebrated ballerinas of all time, Margot Fonteyn
"Dame Margot" redirects here. For the medieval trouvère, see Dames Margot and Maroie.
Dame Margot Fonteyn de Arias, DBE, (18 May, 1919, Reigate, Surrey, England - 21 February, 1991, Panama City, Panama), the English assoluta, was considered the greatest
 felt limited in her artistry art·ist·ry  
n.
1. Artistic ability: a sculptor of great artistry.

2. Artistic quality or craft: the artistry of a poem.
 because of her lack of education in music and art. During the last 12 years of her life, she worked with close friend and colleague Ken Ludden to develop a blueprint for her ideal school. In October, Ludden opened it: the Margot Fonteyn Academy of Ballet.

"Margot saw ballet becoming too focused on the technique and the differences between ballet styles," explains Ludden. "She envisioned a pure approach to teaching the mechanics of movement so the dancer is truly a blank slate blank slate
n.
Something that has yet to be marked, determined, or developed: "Neurobiologists have been arguing for decades over whether embryonic neurons are blank slates or prefabricated units destined for a particular
 for choreographers This is a list of choreographers A
  • Paula Abdul
  • Alvin Ailey
  • Richard Alston
  • Robert Alton
  • Gerald Arpino
  • Frederick Ashton
  • Fred Astaire
  • Lea Anderson
B
  • Jean Babilée
  • George Balanchine
 to work with." The Academy is located outside of Manhattan in Peekskill, NY--close enough to reap the city's artistic benefits, but far enough away to avoid becoming distracted. Just as Fonteyn would have wanted.

In addition to academy classes for aspiring as·pire  
intr.v. as·pired, as·pir·ing, as·pires
1. To have a great ambition or ultimate goal; desire strongly: aspired to stardom.

2.
 dancers, Ludden also offers a company class that is free for professional dancers, either working or retired. "When I was dancing, there was this feeling of being in a tribe," says Ludden. "I could take class or use studio space wherever I wanted." He hopes to create a welcoming, family-like atmosphere for professionals. www.fonteynacademy.org.
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Article Details
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Author:Stahl, Jennifer
Publication:Dance Magazine
Article Type:Brief article
Geographic Code:1USA
Date:Mar 1, 2007
Words:199
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