Designing your newsletter sales letter for maximum impact.Let's talk about the newsletter marketing sales letter. Rule #1. There has to be one. Every direct mail package needs one. A sample issue and an order card might have worked in 1957 but it won't in 2007. Rule #2. It should "look like a letter." This is where I run into difficulty because of Rule #3. Rule #3. It needs to have a selling headline. Do the letters you write have a headline? These sales letters should. You need to draw the reader into the letter. There aren't that many rules about writing a headline. Forget any you may have heard about "not more than seven words The Seven Words may refer to:
an animal used to sexually tease but not to impregnate the members of the opposite sex. Usually males and they may be surgically prepared to ensure that they cannot mate or are not fertile. , especially in business mail where the carrier may not reach the prospect. Salutation You need a salutation. I guess it is a "suspension of disbelief Suspension of disbelief is an aesthetic theory intended to characterize people's relationships to art. It was coined by the poet and aesthetic philosopher Samuel Taylor Coleridge in 1817 to refer to what he called "dramatic truth". " thing; even if it doesn't actually "look like a letter" it should "feel like a personal letter." Personalize per·son·al·ize tr.v. per·son·al·ized, per·son·al·iz·ing, per·son·al·iz·es 1. To take (a general remark or characterization) in a personal manner. 2. To attribute human or personal qualities to; personify. the salutation as much as possible, remembering Steve Sahlein's immortal greeting, "Dear South Central Florida
Central Florida is the central region of the United States state of Florida, on the East Coast. Franchise Motel Manager." Typeface The design of a set of printed characters, such as Courier, Helvetica and Times Roman. The terms "typeface" and "font" are used interchangeably, but the typeface is the primary design, while the font is the particular implementation and variation of the typeface, such as bold or italics and type size Experts used to counsel using "typewriter type" in order to reaffirm the "look like a letter" factor, but today, 20+ years after the introduction of the PC, I'm unsure a traditional typeset face like Times Roman isn't just as effective. Perhaps more so to some audiences where using Courier might seem "quaint." Whatever type style you pick, make sure it isn't sans serif Short horizontal lines added to the tops and bottoms of traditional typefaces, such as Times Roman. Contrast with sans-serif. Do use a readable type size. Newsletter prospects, both business-to-business and consumer, tend to be past the first flush It is well known in urban hydrology, that the constituents are normally more concentrated in the first part of runoff. This phenomenon was already described in the beginning of the 20th century (METCALF AND EDDY, 1916) as “first flush” or of youth. Never go smaller than 10 points; 11- or 12-point is probably better and more readable. Air, white space and variety As always, prefer short paragraphs, short sentences and short words. But use variety; an endless procession of six-line paragraphs marching across the page can be off-putting. Underlines, boldface See boldface font. and italics can be effective in very small doses. Format I've seen claims that two 8.5" x 11" pages will outpull (perhaps by 10 percent) the same four-page letter in an 11" x 17" format. Fund-raising appeals frequently use this format but, in my experience, newsletter marketers seldom do. If you use a second color, reflex blue is good. Subheads Always use subheads. While we might prefer the prospect to read straight through from "Dear" to "Yours Truly," they don't always. Well-written subheads can create additional entry points to intrigue the skip-and-skim reader into the text. I'd use not more than two points in type size larger than the font being used for body copy. The offer Some experts advise holding the offer (the price) until the last page after you've had the maximum opportunity to overwhelm the prospect with benefits. I like to get it on page one, usually with some "softening" copy about the "no-risk guarantee." Never assume the prospect will infer anything. Include a "Please continue" at the bottom of page one and break the copy off mid-sentence. I've also used "Please continue for details on your opportunity to ...." The inside pages On the inside pages you can open up the appearance of the letter with illustrations. If you are offering an Executive Report as a premium, show it. Small boxed inserts are also an excellent place to put reader testimonials. Get the invaluable third-person pat on the back without interrupting the flow of your selling copy. Some marketers use handwritten hand·write tr.v. hand·wrote , hand·writ·ten , hand·writ·ing, hand·writes To write by hand. [Back-formation from handwritten.] Adj. 1. call-outs in the margin, usually in a second color. I don't use them but tests have shown they can be effective in moderation. Lists and bulleted bul·let·ed adj. Printing Highlighted or set off with bullets: a bulleted list. benefit items are also effective. People like lists of things. They also help avoid the dismaying "greyness" of solid copy. The last page The last page is where you get in the furniture of direct mail. List the key reader benefits of the offer. Feature the premium. Re-state the guarantee. Again, never assume the reader will infer anything. Always use a P.S.--for the many prospects who scan the headline and turn the letter over to see "who is writing to me" and then read the P.S. * Condense con·dense v. con·densed, con·dens·ing, con·dens·es v.tr. 1. To reduce the volume or compass of. 2. To make more concise; abridge or shorten. 3. Physics a. the offer. * Feature the premium and the no-risk guarantee. * Direct the prospect to the order device. Some maintain there can only be one P.S. Others will use two. More than two would be getting a bit ridiculous. At the bottom of the last page you can put your masthead mast·head n. 1. Nautical The top of a mast. 2. The listing in a newspaper or periodical of information about its staff, operation, and circulation. 3. . |
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