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Decoding issues across the kitchen table.


Times foreign-policy editorials are written for more than a Washington audience.

Perhaps it's a grand illusion, but those of us who specialize in foreign policy issues at The New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
 Times editorial board believe our readers still care about international problems, despite the end of the Cold War. The volume of mail and the passion of many letters and calls support that belief.

But the absence of a great ideological and political rivalry affecting the life of every American clearly puts an increased premium on identifying compelling issues and writing about them in ways that will inform, provoke, and engage readers.

In writing and editing editorials, I look for ways to make foreign issues accessible and relevant to our readers. While we enjoy an audience of interested parties in Washington and foreign capitals, and often aim our editorials to influence the decisions and actions of government leaders, the Times' editorial page fails the general reader if it assumes everyone follows international developments with the same interest as the diplomatic corps.

Decoding de·code  
tr.v. de·cod·ed, de·cod·ing, de·codes
1. To convert from code into plain text.

2. To convert from a scrambled electronic signal into an interpretable one.

3.
 foreign issues is essential to producing clear, incisive incisive /in·ci·sive/ (-si´siv)
1. having the power or quality of cutting.

2. pertaining to the incisor teeth.


in·ci·sive
adj.
1. Having the power to cut.
 editorials. I try, not always successfully, to ban foreign policy jargon from our editorials - words like bilateral, multilateral mul·ti·lat·er·al  
adj.
1. Having many sides.

2. Involving more than two nations or parties: multilateral trade agreements.
, deployment, communique. These are stop signs for readers: As soon as they see them, they stop reading.

Writing in a conversational style also is helpful. I like to feel we're talking to Noun 1. talking to - a lengthy rebuke; "a good lecture was my father's idea of discipline"; "the teacher gave him a talking to"
lecture, speech

rebuke, reprehension, reprimand, reproof, reproval - an act or expression of criticism and censure; "he had to
 a reader across the kitchen table, not lecturing someone in an auditorium. For instance, if we're writing about Russia, which I covered as a Moscow correspondent from 1985 to 1988, I look for an anecdote anecdote (ăn`ĭkdōt'), brief narrative of a particular incident. An anecdote differs from a short story in that it is unified in time and space, is uncomplicated, and deals with a single episode.  or personality to start the piece. The point has to be sharply defined high in the editorial, but that doesn't preclude pre·clude  
tr.v. pre·clud·ed, pre·clud·ing, pre·cludes
1. To make impossible, as by action taken in advance; prevent. See Synonyms at prevent.

2.
 an opening paragraph that draws in readers with a story or telling episode.

Another goal for me is to link editorials to questions that matter to Americans, rather than writing abstractly about foreign issues. The 1996 Russian presidential election is important to Russia and its neighbors, but the outcome also will have major consequences in Washington. The budget debate and even the American presidential campaign this year will be influenced by the Russian vote. So while some of our editorials on Russia focus on developments there and contain recommendations for Russian politicians, we try to spell out the potential implications for Americans.

I think our readers expect us to champion the rights of oppressed op·press  
tr.v. op·pressed, op·press·ing, op·press·es
1. To keep down by severe and unjust use of force or authority: a people who were oppressed by tyranny.

2.
 peoples, and I have witnessed many cases where our editorials played a part in nudging or shaming dictators away from repressive re·pres·sive
adj.
Causing or inclined to cause repression.
 policies. Nothing is more satisfying for an editorial writer.

I've found that the more passion one of us brings to an issue, the more persuasive and readable read·a·ble  
adj.
1. Easily read; legible: a readable typeface.

2. Pleasurable or interesting to read: a readable story.
 the editorial is apt to be. Some foreign editorials work best when they are written from the heart.

The impact of American newspaper editorials on foreign subjects can be magnified abroad. The noise level in Washington is so high these days that commanding attention often is difficult, but the voice of an American newspaper can still speak loudly in foreign capitals.

We have had several instances in recent months when an editorial condemning a particular policy by a specific government, including limitations on press freedom in Argentina or Rumania, was followed by an immediate change of direction in that country. I'd like to think our piece played a part.

The day of lead editorials on strategic arms issues and East/West confrontations may be gone, but the discussion of foreign policy still holds a vital place on the editorial page. If anything, readers can use more help to unscramble Same as decrypt. See scramble.  the complexities of a changing world than they did when issues and answers were more familiar.

Philip Taubman is assistant editorial page editor for The New York Times.
COPYRIGHT 1996 National Conference of Editorial Writers
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1996, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:editorial writing
Author:Taubman, Philip
Publication:The Masthead
Date:Mar 22, 1996
Words:624
Previous Article:Ordinary citizens do care.
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