Dancers benefit from one-on-one approach. (Readers' Forum).The article by Iris Fanger, "One-on-One one-on-one adj. 1. Consisting of or being direct communication or exchange between two people: one-on-one instruction. 2. Sports Playing directly or exclusively against a single opponent. Attention: Boston Boston, town, England Boston, town (1991 pop. 26,495), E central England, on the Witham River. Boston's fame as a port dates from the 13th cent., when it was a Hanseatic port trading wool and wine. Having recovered from a decline in the 18th and 19th cent. Ballet's Dance Lab stresses mentoring, not competition" [Summer Study Guide, Dance Magazine, January January: see month. 2002, page 116], piqued my interest. I wish I had had an opportunity to attend an institute such as the one in the article. To have a studio concentrate solely on the dancers themselves, instead of only on the outcome of their performances, would have been a delight to me. When I was in dance class, the main focus was on our movements looking graceful grace·ful adj. Showing grace of movement, form, or proportion: "Capoeira is a graceful ballet of power and control, artists kicking and jumping in synchronized movement" Alisa Valdes. ; our technique didn't matter. When you were onstage on·stage adj. Situated or taking place in the area of a stage that is visible to the audience. adv. In or into the area of a stage that is visible to the audience. Adj. 1. you had to look perfect. I would have been more enthusiastic and more willing to continue my career if there had been that one-on-one attention in the teaching process. Congratulations for publishing a magazine with such well-composed layout and interesting articles. This article in particular made me more interested in the entire magazine. Kristian Johannesen Bristol, Rhode Island |
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