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The Ballets Russes Ballets Russes: see Diaghilev, Sergei Pavlovich.
Ballets Russes

Ballet company founded in Paris in 1909 by Sergey Diaghilev. Considered the source of modern ballet, the company employed the most outstanding creative talent of the period.
 Celebration, held June 1-4 in New Orleans New Orleans (ôr`lēənz –lənz, ôrlēnz`), city (2006 pop. 187,525), coextensive with Orleans parish, SE La., between the Mississippi River and Lake Pontchartrain, 107 mi (172 km) by water from the river mouth; founded , Louisiana, fetes the legendary company founded by Russian impresario Serge Diaghilev with events, performances and an exhibition of ballet memorabilia from the Verdak Collection at Butler University North Western Christian University was the name when the school opened on November 1, 1855, at what is now 13th and College, with no president, 2 professors, and 20 students. In 1875, the university moved to a 25-acre campus in Irvington.  in Indianapolis, Indiana “Indianapolis” redirects here. For other uses, see Indianapolis (disambiguation).
Indianapolis (IPA: [ˌɪndiəˈnæpəlɪs]) is the capital city of the U.S.
. In honor of the occasion, Dance Magazine presents photos from the Verdak collection and our own archives. All these photos come from the Ballets Russes de Monte Carlo, founded in 1932 as a successor to Ballets Russes de Diaghilev.

Nina Novak, far right, captured during a Ballets Russes rehearsal, will share her memories of the company when she speaks at a panel discussion.

Frederic Franklin shadows Nathalie Krassovska in George Balanchine's Night Shadows, also known as La Sonnambula. A poet and sleepwalker meet at a masked ball in the piece, set to a Bellini score and first produced at New York's City Center in 1946. Both dancers will be panelists at the Ballets Russes Celebration.

Tulsa Civic Ballet and Tulsa Ballet co-founder Moscelyne Larkin, one of the reunion panelists, in Fokine's Scheherazade.

Leonide Massine choreographed Rouge et Noir in 1939 for Serge Denham's Ballet Russe de Monte Carlo Ballet Russe de Monte Carlo

Ballet company formed in Monte Carlo in 1932. The name derived from Sergey Diaghilev's Ballets Russes, which dissolved after his death in 1929. Under René Blum and Col. W.
. The ballet (later known as L'Etrange farandole far·an·dole  
n.
1. A spirited circle dance of Provençal derivation.

2. The music for this circle dance.



[French, from Provençal farandoulo; akin to Spanish farándula
) featured music by Shostakovich and sets by Henri Matisse; it was divided into four movements: Aggression, City and Country, Loneliness, and Fate. Frederic Franklin (upper center) and George Zoritch (center) will discuss the company's early years at the Ballets Russes Celebration.

National Ballet of Cuba grande dame Alicia Alonso, in a studio portrait for the Ballets Russes production of Don Quixote, is expected to attend the reunion.

The company in La Dame a la Licorne (The Lady and the Unicor), with decor and libretto libretto (ləbrĕt`ō) [Ital.,=little book], the text of an opera or an oratorio. Although a play usually emphasizes an integrated plot, a libretto is most often a loose plot connecting a series of episodes.  by Jean Cocteau. Inspired by fifteenth-century tapestries from the Musee de Cluny in Paris, the 1953 ballet tells of a unicorn that only eats from the hand of a virgin, and perishes once the lady succumbs to the overtures of a knight.
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Author:Wisner, Heather
Publication:Dance Magazine
Article Type:Brief Article
Geographic Code:1USA
Date:Jun 1, 2000
Words:321
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