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Dan Graham Retrospective.


MUSEU DE ARTE CONTEMPORANEA DE SERRALVES

Although best known for his glass pavilions, Dan Graham's work in media from performance and photography to designs for exhibitions, stage sets, and magazines seems as prescient pre·scient  
adj.
1. Of or relating to prescience.

2. Possessing prescience.



[French, from Old French, from Latin praesci
 today as ever. This large survey, organized by guest curators Corinne Co`rinne´   

n. 1. (Zool.) The common gazelle (Gazella dorcas). See Gazelle.
 Diserens and Marianne Brouwer, will cover thirty-five years of Graham's career. The catalogue brings together essays by Thierry de Duve and Brian Hatton among others, an interview conducted by Benjamin Buchloh, and a chronology chronology,
n the arrangement of events in a time sequence, usually from the beginning to the end of an event.
 documenting the artist's work from the mid-'60s to the present. Jan. 12-Mar. 25; Musee d'Art Moderne mo·derne  
adj.
Striving to be modern in appearance or style but lacking taste or refinement; pretentious.



[French, modern, from Old French; see modern.]

Adj. 1.
 de Ia Ville, Paris, June-Sept.; Kroller-Muller Museum, Otterlo, Holland, Nov. 2001-Feb. 2002; KIASMA, Helsinki, May 2002-Aug. 2002.
COPYRIGHT 2001 Artforum International Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Birnbaum, Daniel
Publication:Artforum International
Article Type:Brief Article
Geographic Code:4EUFR
Date:Jan 1, 2001
Words:111
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