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DYLAN, HAGGARD ARRIVE FULL OF COUNTRY SWAGGER.


Byline: Glenn Whipp Staff Writer

HEARING MERLE merle

a pattern of coat color pigmentation with dark, irregular blotches on a lighter background. Seen in some Collies and Welsh corgis. In shorthaired dogs, e.g. Great Danes and Dachshunds, the similar pattern is called dapple.
 Haggard's combative, love-it-or-leave-it anthem ``Fightin' Side of Me'' and Bob Dylan's primal, prophetic call-to-action ``The Times They Are a Changin' `` on the same bill was one of many up-is-down, down-is-up moments Monday night as the two music legends opened a five-night run at Hollywood's Pantages Theatre There are multiple venues named the Pantages Theatre: Canada
  • There is a Pantages Playhouse Theatre in the historic Exchange District of Winnipeg, Manitoba.
.

Dylan put a fiddle player front and center. Haggard emphasized his own, rock 'n' roll rock 'n' roll: see rock music.  guitar work. Tie-dyed baby boomers See generation X.  ecstatically applauded when Haggard began playing his biggest hit, ``Okie From Muskogee.'' Haggard didn't actually ``Okie'' all the way through, disowning dis·own  
tr.v. dis·owned, dis·own·ing, dis·owns
To refuse to acknowledge or accept as one's own; repudiate.

Noun 1.
 the flag-waving, Silent Majority anthem by asking, ``Did I write that?'' But then he launched right into ``Fightin' Side,'' which was one of Richard Nixon's favorite songs. The sold-out crowd went nuts.

The Dylan-Haggard bill (which also includes promising singer-songwriter Amos Lee, who opened for Norah Jones Norah Jones (born Geethali Norah Jones Shankar on March 30 1979 in Brooklyn, New York) is an American singer-songwriter, musician and occasional actress of American and Indian descent.  last year) was initiated by Dylan, who has been wearing a cowboy hat and dressing like a country gentleman on his Never Ending Tour for the past few years. Dylan did tour minor league ballparks with Willie Nelson last summer, but his sets were still dominated by crunching rock and swampy blues. Now he seems determined to give Haggard's Strangers a run for the title of world's best beer-joint band.

To that effect, Dylan has revamped his band, adding violin player Elena Fremerman from the Hot Club of Cowtown, and transformed several of his songs with western swing arrangements. Fremerman's frequent solos, along with the pedal steel and banjo banjo, stringed musical instrument, with a body resembling a tambourine. The banjo consists of a hoop over which a skin membrane is stretched; it has a long, often fretted neck and four to nine strings, which are plucked with a pick or the fingers.  playing of Donnie Herron, provided some of the evening's most enjoyable moments. Think of an electrified ``Nashville Skyline'' and you get a hint of the game plan.

Dylan also did something Monday that he hasn't done in decades, focusing his set list on selections from his most recent studio album. That the studio album - ``Love and Theft'' - is nearly four years old is beside the point. These ``new'' songs (five of the evening's 14 numbers) clearly energize en·er·gize  
v. en·er·gized, en·er·giz·ing, en·er·giz·es

v.tr.
1. To give energy to; activate or invigorate: "His childhood
 him. Crouching behind the keyboards, losing himself in the music's bluesy grooves, the 63-year-old Dylan was having the time of his life.

Dipping into his back pages, Dylan also trotted out war horses like ``Just Like a Woman'' (about as close to a sing-a-long as the night would produce), ``Highway 61 Revisited'' and the encore-closing ``All Along the Watchtower.''

That it took most people a stanza or two to recognize the songs in their new tempos and arrangements illustrates the man's perverse genius. He'll give you what you want, but only in a way that satisfies him artistically.

This approach produces a fair amount of head scratching and some complaints, although nothing on the level of, say, Dylan's '66 tour with the Hawks. No one shouted ``Judas'' because, quite frankly, few in attendance possess that kind of musical passion these days. Most people come to Dylan looking for Looking for

In the context of general equities, this describing a buy interest in which a dealer is asked to offer stock, often involving a capital commitment. Antithesis of in touch with.
 nostalgia, not meaning, hence the audience's ability to embrace the wildly juxtaposed jux·ta·pose  
tr.v. jux·ta·posed, jux·ta·pos·ing, jux·ta·pos·es
To place side by side, especially for comparison or contrast.
 messages contained in ``The Times They Are a Changin' '' and Haggard's populist foot-stompers.

Not that Haggard hasn't changed, too. Like Dylan, Hag's politics have shifted over the years. More accurately, they were never as simplistic sim·plism  
n.
The tendency to oversimplify an issue or a problem by ignoring complexities or complications.



[French simplisme, from simple, simple, from Old French; see simple
 as you might think from reading some of his lyrics. Along with songs dedicated to boozers (``I Think I'll Just Stay Here and Drink''), blue-collar types (``Workin' Man Blues,'' which doubles as a drinking song, too), mothers (``Mama Tried'') and - did I mention boozers? - (``Bottle Let Me Down''), Haggard made numerous references to his love for marijuana in his 55-minute set and received his most appreciative ovation for a song about growing old (``Thirty Again'').

``I wish I could be 30 again,'' the 67-year-old Haggard sang, comically lifting his fedora to show off his bald head. The boomer-dominated audience roared its approval. And while watching Dylan and Haggard isn't akin to jumping into the Fountain of Youth Fountain of Youth

legendary fountain of eternal youth. [World Legend: Brewer Dictionary, 432]

See : Unattainability
, the two icons are a case study in growing old with grace and gumption. These old dogs still have plenty of bark.

Glenn Whipp, (818) 713-3672

glenn.whipp(at)dailynews.com

BOB DYLAN, MERLE HAGGARD AND AMOS LEE - Three and one half stars

Where: Pantages Theatre, 6233 Hollywood Blvd.

When: 7 p.m. Wednesday, 7:30 p.m. Friday and Saturday.

Tickets: Sold out.

In a nutshell: Strange as it is to hear Haggard's ``The Fightin' Side of Me'' and Dylan's ``The Times They Are a Changin' `` performed on the same night, this is a must-see show. These old dogs still have plenty of bark.
COPYRIGHT 2005 Daily News
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2005, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Publication:Daily News (Los Angeles, CA)
Date:Mar 23, 2005
Words:744
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