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DRIVE FAST PAST THEATER ON THIS ONE.


Byline: Glenn Whipp Film Critic

Not far into the terminally dull ``The Fast and the Furious: Tokyo Drift,'' the movie's hayseed hero, Sean (Lucas Black), is sent packing to Japan, having run afoul of a·foul of  
prep.
1. In or into collision, entanglement, or conflict with.

2. Up against; in trouble with: ran afoul of the law. 
 the law yet again after crashing another car in a high-speed race. His dad (Brian Goodman) greets him and sternly lays down the law: Go to school. Come home. ``And I don't want to see or hear about you coming near a car.''

Of course, Sean spends the rest of the movie blazing through the streets of Tokyo, wrecking cars (Railway) a car fitted up with apparatus and implements for removing the wreck occasioned by an accident, as by a collision.

See also: Wrecking
, destroying property, endangering lives and ignoring every emissions warning Al Gore Noun 1. Al Gore - Vice President of the United States under Bill Clinton (born in 1948)
Albert Gore Jr., Gore
 detailed in ``An Inconvenient Truth.'' We don't really hear from Dad again until late in the movie when he suddenly appears, gun drawn, backing up his boy, telling him, ``At least you're not redoing my mistakes.''

At least now we understand why Sean was living with his mother at the start of the movie.

Say what you will about Neil Moritz's ``Fast and Furious'' franchise, but the first entry nailed the youth-culture genre, and John Singleton's 2003 follow-up provided solid B-movie entertainment.

``Tokyo Drift'' has no story and no stars. That just leaves the rides, which are shiny and loud and fast and sometimes just as computer-generated as their counterparts in Pixar's ``Cars.''

Director Justin Lin (``Better Luck Tomorrow,'' ``Annapolis'') maintains the series' commitment to keeping the camera at butt level whenever it comes near a young woman. Writer Chris Morgan Chris Morgan is the name of:
  • Chris Morgan, alias of professional wrestler Chris Kanyon
  • Chris Morgan (footballer), English football player
  • Chris Morgan (journalist), journalist working for The Sunday Times (UK)
 (``Cellular'') follows suit, making all the movie's girls either models, prostitutes or daughters of prostitutes and/or models. Given the women's wardrobe of miniskirts, thigh-high boots and midriff-baring tops, this could be seen as a nod toward naturalism naturalism, in art
naturalism, in art, a tendency toward strict adherence to the physical appearance of nature and rejection of ideal forms. Artists as diverse as Velázquez, J. F. Millet, and Monet, have followed naturalistic principles.
 rather than pandering to the movie's young male demographic. (Could be.)

Where the filmmakers utterly fail is coming up with any kind of interesting conflict. Sean bumps heads with D.K (Brian Tee Brian Tee (born March 15, 1977 in Okinawa, Japan) is an Asian American actor of half Korean and half Japanese descent. At the age of two, he moved to Hacienda Heights, CA and was raised there ever since. He attended Glen A. ), aka ``Drift King,'' but their rivalry 7/8 presumably pre·sum·a·ble  
adj.
That can be presumed or taken for granted; reasonable as a supposition: presumable causes of the disaster.
 over a ``mysterious'' girl (Nathalie Kelley Nathalie Kelley (born in Lima, Peru 1985) is a Peruvian actress, most notable for playing Neela in .

Born in Lima, Peru, to a Peruvian mother and Argentine father, Kelley moved to Sydney, Australia at the age of 2.
) 7/8 is factory-issued. The Japan locales are largely wasted, save for one beautifully shot nighttime sequence of cars drifting down a long and winding mountain road. Tellingly, it's the one moment in the movie that doesn't needily call attention to itself.

Glenn Whipp, (818) 713-3672.

glenn.whipp@dailynews.com

THE FAST AND THE FURIOUS: TOKYO DRIFT - One star

(PG-13: reckless and illegal behavior involving teens, violence, language, sexual content)

Starring: Lucas Black, Nathalie Kelley, Brian Tee.

Director: Justin Lin.

Running time: 1 hr. 44 min.

Playing: In wide release.

In a nutshell: No stars, no story - just shiny cars, often as computer-generated as their counterparts in Pixar's ``Cars.'' Terminally dull.
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Publication:Daily News (Los Angeles, CA)
Date:Jun 16, 2006
Words:443
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