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DANCE GALAXY.


DANCE GALAXY

JOYCE THEATER The Joyce Theater is a 472-seat dance performance venue located in the Chelsea area of the borough of Manhattan in New York City. The Joyce Theater Foundation, the organization founded in 1982 that operates the theater, also owns the Joyce SoHo dance center located in a  MARCH 9-14, 1999

DanceGalaxy has some unexpected stars in addition to its strong, experienced dancers. It is the thoughtful programming and stylistically wide-ranging repertory that make this company shine. Founded in 1997 by dancers Judith Fugate and Medhi Bahiri, the company boasts a roster of dancers who have performed with major international ballet companies. The dancers, most of whom are now in their late twenties and thirties, offer emotional sophistication so·phis·ti·cate  
v. so·phis·ti·cat·ed, so·phis·ti·cat·ing, so·phis·ti·cates

v.tr.
1. To cause to become less natural, especially to make less naive and more worldly.

2.
 as well as technical precision. For the company's New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
 debut, Fugate and Bahiri's programming seemed designed to provide moments palatable to all tastes, juxtaposing works of different moods and styles.

Michael Smuin's Quattro a Verdi, a challenging exercise in classical technique, was made interesting through an attentiveness to detail. From the curvature of her wrists to the coyly sweet tilt of her head, Christina Fagundes was evocative of retiring ballerina Evelyn Cisneros, who staged the work.

If the white-tutu ballet seemed disarmingly close and almost aggressively charming in the small theater, William Forsythe's Artifact II fit the Joyce Theater's contemporary ambience like a glove. Instead of prettiness, the mood was darkly elegant, complex, and occasionally almost violent, with dancers throwing partners to the floor in splits, pushing each other away then coming back together, and firmly grasping hands in off-vertical counterbalances. The curtain rose and fell at several intervals during the piece; while the music played continuously and (presumably pre·sum·a·ble  
adj.
That can be presumed or taken for granted; reasonable as a supposition: presumable causes of the disaster.
) the dancers continued the work.

The second half of the program provided more contrasts. The beautiful lines formed by the intertwining of Suzanne Goldman and Nils-Bertil Wallin's bodies created a lyrically sensual beauty in Dennis Wayne's Andante an·dan·te   Music
adv. & adj. Abbr. and.
In a moderately slow tempo, usually considered to be slower than allegretto but faster than adagio. Used chiefly as a direction.

n.
An andante passage or movement.
.

The company's expressiveness was showcased in Saturday Night, a world premiere by Ginger Thatcher Thatch·er   , Margaret Hilda. Baroness. Born 1925.

British Conservative politician who served as prime minister (1979-1990). Her administration was marked by anti-inflationary measures, a brief war in the Falkland Islands (1982), and the passage of a
, set in a blues bar. Although the formality of the ballet was somewhat at odds with the desperation of the music (by Etta James), some of the dancers created distinct characters. In "Has Anyone Seen My Girl?" Donald Williams, of Dance Theatre of Harlem Dance Theatre of Harlem, the first black classical ballet company. The group was founded in Harlem, New York City, by Arthur Mitchell, then of the New York City Ballet, the first black principal dancer of a classical company of international standing. , made the solo his own, using his expansive jump, solid balance, and an interesting combination of stillness and acceleration. Deborah Dawn, formerly of the Joffrey Ballet, conveyed a sense of humor Noun 1. sense of humor - the trait of appreciating (and being able to express) the humorous; "she didn't appreciate my humor"; "you can't survive in the army without a sense of humor"
sense of humour, humor, humour
 and pathos while chasing Williams in "Steal Away."
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Title Annotation:Joyce Theater, New York, New York
Author:SIMS, CAITLIN
Publication:Dance Magazine
Article Type:Dance Review
Date:Jul 1, 1999
Words:368
Previous Article:BAVARIAN NATIONAL BALLET.
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