Criticism and interpretation subtopic
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Articles
1-300 out of 329 article(s) next
| Title |
Author |
Type |
Date |
Words |
| Commercializing Crisis: Argo Employs Familiar Hollywood Tropes. |
Barthel, Josh; Guajardo, Eric; Kassahun, Ben |
|
Mar 22, 2013 |
864 |
| 'Rowdy Rathore' Movie Review Roundup: Mixed Reaction From Critics. |
|
|
Jun 2, 2012 |
986 |
| Bleak house: James Quandt on Bela Tarr's the Turin Horse. |
Quandt, James |
Critical essay |
Feb 1, 2012 |
1799 |
| Movies without endings. |
Gehring, Wes D. |
|
Jan 1, 2012 |
898 |
| Rosalind Nashashibi. |
Nicolin, Paola |
|
Dec 1, 2011 |
529 |
| Jack in the box: J. Hoberman on Jack Smith's posthumous career. |
Hoberman, J. |
|
Sep 1, 2011 |
2428 |
| Prince Charles Mourns End of Harry Potter Series. |
|
Brief article |
Jul 11, 2011 |
174 |
| Michael Bay may have recycled clips of old movie in Transformer 3. |
|
Brief article |
Jul 2, 2011 |
335 |
| Raising happy children in a new world: The Economics of Happiness is a balance between how we choose to spend our time and money reports Regina Lane. |
Lane, Regina |
|
Jul 1, 2011 |
633 |
| "Reproductive Labour": the showroom. |
Gilligan, Melanie |
|
Jun 22, 2011 |
565 |
| Until the day dawn. |
Taubin, Amy |
Critical essay |
Jun 22, 2011 |
926 |
| Top Five X-Men 'First Class' Reviews. |
|
|
Jun 1, 2011 |
409 |
| Top Ten X-Men 'First Class' Reviews. |
|
|
Jun 1, 2011 |
651 |
| Trauma and becoming-art in Gregg Araki's Mysterious Skin and Asia Argento's The Heart Is Deceitful above All Things. |
O'Connor, Tom |
Critical essay |
Jan 1, 2011 |
10667 |
| James Whale's Frankensteins: re-animating the Great War. |
Gerblinger, Christiane |
Critical essay |
Jan 1, 2011 |
5507 |
| Postmodern anxieties: Renaissance: Paris 2054 as tech-noir. |
Covey, William B. |
Critical essay |
Jan 1, 2011 |
4925 |
| Special Treatment/Sans queue ni tete. |
Jacobowitz, Florence |
Critical essay |
Jan 1, 2011 |
1963 |
| Cannes Film Festival 2010. |
Lightning, Robert K. |
Critical essay |
Jan 1, 2011 |
3385 |
| A cinematic gourmet feast. |
Pacatte, Rose |
|
Dec 10, 2010 |
1411 |
| Visions of science and technology, Part 2. |
Miller, Cynthia J. |
|
Sep 22, 2010 |
726 |
| Mai Izz el Din shocked by recent allegations. |
|
Brief article |
Jul 17, 2010 |
269 |
| Imposing technologies: DAVID E. JAMES ON PAT O'NEILL. |
James, David E. |
|
May 1, 2010 |
1596 |
| White material: a film by Claire Denis. |
Jacobowitz, Florence |
Critical essay |
Mar 22, 2010 |
2261 |
| Good Germans, humane automobiles: redeeming technological modernity--in those days. |
Dobryden, Paul |
Critical essay |
Mar 22, 2010 |
8592 |
| Vatican calls Avatar a 'sappy' film. |
|
Brief article |
Jan 12, 2010 |
174 |
| Representations of war. |
Higgins, Gareth |
Critical essay |
Dec 1, 2009 |
456 |
| 21st century cinema: death and resurrection in the Desert of the (New) Real. |
Hoberman, J. |
Essay |
Dec 1, 2009 |
3723 |
| Catholicism shapes Moore movies. |
Pacate, Rose |
|
Oct 16, 2009 |
549 |
| Guido van der Werve. |
Weil, Harry J. |
Critical essay |
Sep 22, 2009 |
476 |
| Cinematic traces of participatory democracy in early postwar Italy: Italian neorealism in the light of Greek tragedy. |
Pirro, Robert |
Critical essay |
Sep 22, 2009 |
9795 |
| Insects and automata in Hoffmann, Balzac, Carter, and del Toro. |
White, Eric |
Critical essay |
Sep 22, 2009 |
7054 |
| KEN RUSSELL: MUSICAL MYTHMAKER. |
Adams, Michael |
|
Sep 1, 2009 |
8692 |
| Muna Zaki accomplishes great success despite negative criticism. |
|
Brief article |
Jul 15, 2009 |
184 |
| Art of Fugue: JAMES QUANDT ON LUCRECIA MARTEL'S THE HEADLESS WOMAN. |
Quandt, James |
|
Jun 22, 2009 |
1785 |
| Mungo Thomson: JOHN CONNELLY PRESENTS. |
Hudson, Suzanne |
|
Jun 22, 2009 |
589 |
| Nature vs. civilization: a review article of films by Luhrmann. |
Zubarev, Vera |
|
Jun 1, 2009 |
4102 |
| Steppe family: Amy Taubin on Sergey Dvortsevoy'S Tulpan. |
Taubin, Amy |
|
Apr 1, 2009 |
911 |
| Home movies: Ed Halter on Derek Jarman's super 8 films. |
Halter, Ed |
|
Apr 1, 2009 |
853 |
| Johan Grimonprez: talks about double take, 2009. |
|
|
Apr 1, 2009 |
1977 |
| Child of the long take: Alfonso Cuaron's film aesthetics in the shadow of globalization. |
Udden, James |
Report |
Mar 22, 2009 |
7668 |
| Cannes 2009: Andrea Arnold's Fish Tank makes the most waves. |
Badt, Karin Luisa |
|
Mar 22, 2009 |
1353 |
| Fighting for subjectivity: articulations of physicality in Girlfight. |
Lindner, Katharina |
Critical essay |
Mar 1, 2009 |
7792 |
| Monster Mishmash: iconicity and intertextuality in Tobe Hooper's The Texas Chain Saw Massacre. |
Dudenhoeffer, Larrie |
Critical essay |
Jan 1, 2009 |
8038 |
| The people you don't see: representing informal labour in Fortress Europe. |
Dawson, Ashley |
Critical essay |
Jan 1, 2009 |
6179 |
| "I'm a wild success": postmodern Dickens / Victorian Cuaron. |
Moya, Ana; Lopez, Gemma |
Critical essay |
Sep 1, 2008 |
8075 |
| Missions and film. |
Scott, Jamie S. |
Critical essay |
Jul 1, 2008 |
5652 |
| Populism goes multicultural. |
Gehring, Wes D. |
|
Jan 1, 2008 |
959 |
| Razing Cain: excess signification in Blood Simple and The Man who Wasn't There. |
Orr, Stanley |
Critical essay |
Jan 1, 2008 |
7656 |
| Conversations with my Gardener: a hauntingly beautiful and enjoyable film about two school friends who meet again after 40 years--this time as gardener and employer. |
Fisher, Elizabeth |
Brief article |
Nov 1, 2007 |
292 |
| Representing 'goodness': Valerie Krips on the trouble with virtue. |
Krips, Valerie |
|
Oct 1, 2007 |
1988 |
| The migration of forms: bullet time as microgenre. |
Rehak, Bob |
|
Sep 22, 2007 |
7749 |
| Digital frames and visible grain: spatial and material reintegration in Irreversible. |
de los Rios, Riccardo; Davis, Robert |
|
Sep 22, 2007 |
4188 |
| Look homeward: P. Adams Sitney on Robert Beavers. |
Sitney, P. Adams |
|
Sep 1, 2007 |
1583 |
| Disparities film to be screened at APHA Annual Meeting. |
|
|
Sep 1, 2007 |
494 |
| Ticket giveaways for NSWNA members. |
|
|
Aug 1, 2007 |
451 |
| Is Michael Moore right about Cuba? |
|
|
Aug 1, 2007 |
345 |
| Police procedural. |
|
Brief article |
Aug 1, 2007 |
184 |
| Traces of migration and loss in Krzysztof Kleslowski's Three colours trilogy/Spore van migrasie en verlies in Krzysztof Kieslowski se Three colours trilogy (1). |
Nel, Adele |
|
Aug 1, 2007 |
7787 |
| Set piece; Rachel Haidu on decor: A Conquest by Marcel Broodthaers. |
Haidu, Rachel |
|
Jun 22, 2007 |
3883 |
| Sleep therapy: Robin Wood on Tsai Ming-liang's I Don't Want to Sleep Alone. |
Wood, Robin |
|
May 1, 2007 |
1675 |
| Once Upon a Time in America: Sergio Leone and the construction of myth. |
Babiak, Peter |
|
Mar 22, 2007 |
3595 |
| Spring Film Fest: fill your Easter basket with classic movies and great tunes by Irving Berlin and Jerome Kern. |
|
|
Mar 1, 2007 |
748 |
| "In girum imus nocte et consumimur igni": Centraal Museum, Utrecht, the Netherlands. |
Lutticken, Sven |
|
Mar 1, 2007 |
1780 |
| Film stirs up blood diamonds storm: a new Hollywood blockbuster, starring Leonardo DiCaprio, is bringing renewed public attention to the issue of conflict diamonds. Stephen Williams reports. |
Williams, Stephen |
|
Feb 1, 2007 |
685 |
| Private feelings, public conduct: merging worlds? |
Atkinson, Roland |
|
Feb 1, 2007 |
1583 |
| Gogol in Seoul Gary Indiana on the films of Bong Joon-ho. |
Indiana, Gary |
|
Jan 1, 2007 |
4076 |
| Transcending the "dust": African American filmmakers preserving the "glimpse of the eternal". |
Ogunleye, Foluke |
|
Jan 1, 2007 |
7501 |
| "Fast Food Nation's" message. |
Doyle, Mona |
Brief article |
Dec 1, 2006 |
147 |
| Von Trapp Family. |
|
Brief article |
Nov 1, 2006 |
124 |
| Climates and other disasters: Robin Wood on the films of Nuri Bilge Ceylan. |
Wood, Robin |
|
Nov 1, 2006 |
3107 |
| Michel Gondry: Deitch Projects. |
Kastner, Jeffrey |
|
Nov 1, 2006 |
564 |
| Forbidden love? |
Ferber, Lawrence |
Brief article |
Oct 24, 2006 |
281 |
| The return of free love: queer auteur John Cameron Mitchell's new film Shortbus depicts graphic sex, but it's not porn--it's a political manifesto. |
Kennedy, Sean |
Cover story |
Oct 24, 2006 |
2193 |
| More human than Truman: infamous reassembles the gay love story between the lines of Truman Capote's In Cold Blood. |
Cho, Alexander |
|
Oct 24, 2006 |
993 |
| Complex narratives, an introduction. |
Staiger, Janet |
Editorial |
Sep 22, 2006 |
609 |
| A taxonomy of alternative plots in recent films: classifying the "Tarantino effect". |
Berg, Charles Ramirez |
|
Sep 22, 2006 |
17904 |
| Racial privacy, the L.A. ensemble film, and Paul Haggis's Crash. |
Hsu, Hsuan L. |
Viewpoint essay |
Sep 22, 2006 |
9104 |
| From Hollywood to Tokyo: resolving a tension in contemporary narrative cinema. |
Davis, Robert; de los Rios, Riccardo |
|
Sep 22, 2006 |
5535 |
| A semiotics of Judaism: representations of Judaism and the Jewish experience in Italian cinema, 1992-2004. |
Picchietti, Virginia |
Critical essay |
Sep 22, 2006 |
9974 |
| Running from stardom: Joseph Fiennes's star is on the rise again, thanks to a role as the real-life lover of author Augusten Burroughs in this fall's Running With Scissors. |
Rebello, Stephen |
|
Sep 12, 2006 |
1061 |
| Matias Faldbakken. |
|
|
Sep 1, 2006 |
914 |
| Absorbed in the action. |
Fried, Michael; Griffin, Tim |
|
Sep 1, 2006 |
3389 |
| Still lives: James Quandt on the films of Pedro Costa. |
Quandt, James |
|
Sep 1, 2006 |
3111 |
| Even hindsight isn't 20/20; Reflections on Jonestown: the Life and Death of Peoples Temple. |
Starr, Susan |
|
Sep 1, 2006 |
1229 |
| Don't put away childish things: Jesus had a good reason for telling his followers to be like the little ones. |
Camille, Alice |
|
Sep 1, 2006 |
1448 |
| Multi Mia: Mia Riverton had a great time producing the acclaimed Asian-American romantic comedy Red Doors--and playing a sexy lesbian celebrity on-screen. |
Bolonik, Kera |
|
Aug 29, 2006 |
709 |
| Verbatim. |
Cones, Bryan |
Brief article |
Aug 1, 2006 |
192 |
| Dick heads: Gary Indiana on Richard Linklater's A Scanner Darkly. |
Indiana, Gary |
|
Jun 22, 2006 |
1946 |
| "What you see is happening right now." Thermageddon and a search for tomorrow. |
Miller, Blair |
|
Jun 22, 2006 |
3117 |
| The Da Vinci Code reflects the strength of Christianity. |
Royal, Robert |
|
Jun 2, 2006 |
906 |
| Line in the sky: United 93 presents an incisive parable of citizen heroism in the face of foreign terror--and the federal government's failure to protect us from it. |
Grigg, William Norman |
|
May 29, 2006 |
1249 |
| The trouble with V: compelling and affecting in its depiction of life under totalitarianism, V for Vendetta ultimately endorses the lawlessness on which totalitarianism depends. |
Grigg, William Norman |
|
May 1, 2006 |
1337 |
| Backdoor man: Amy Taubin on Larry Clark and Destricted. |
Taubin, Amy |
|
May 1, 2006 |
913 |
| The sound of silence: Linda Yablonsky on Laurie Simmons's The Music of Regret. |
Yablonsky, Linda |
|
May 1, 2006 |
1146 |
| Life on earth: the films of Jean-Pierre and Luc Dardenne. |
Wood, Robin |
|
Apr 1, 2006 |
2734 |
| Munich of fact and fiction. |
Yacowar, Maurice |
|
Mar 22, 2006 |
2530 |
| Punch-Drunk masculinity. |
Stanley, Timothy |
|
Mar 22, 2006 |
3853 |
| Brokeback Mountain and the geography of desire. |
Tuss, Alex J. |
|
Mar 22, 2006 |
1603 |
| On William D. MacGillivray. |
Wood, Robin |
|
Mar 22, 2006 |
5305 |
| Marching with nature's best: March of the Penguins is a family-friendly movie that instills a sense of awe at the resilience shown by emperor penguins as they procreate despite mother nature's harshest whims. |
Jasper, William F. |
|
Mar 6, 2006 |
824 |
| Barry Schwabsky on Daria Martin. |
Schwabsky, Barry |
|
Mar 1, 2006 |
1280 |
| Lookin' for love in R-rated places. |
Ulrich, Mariette |
Column |
Mar 1, 2006 |
711 |
| The real American Cowboy: the real men and women of the Old West were truly as legendary as classic Hollywood cinema and traditional Western fiction have led us to believe. |
Kirkwood, R. Cort |
Cover Story |
Feb 20, 2006 |
2969 |
| Homos on the range: a look at how liberal cultural elites gave "blockbuster" stature to a perverse movie--Brokeback Mountain--and what they hoped to accomplish. |
Kirkwood, R. Cort |
|
Feb 20, 2006 |
1678 |
| Peter Shalit. |
Steele, Bruce C. |
Interview |
Feb 14, 2006 |
591 |
| After Brokeback. |
Kaiser, Charles |
|
Feb 14, 2006 |
540 |
| My own 'Brokeback Mountain'. |
Colbert, Chuck |
|
Feb 3, 2006 |
817 |
| Mexican standoff: J. Hoberman on Carlos Reygadas's Battle in Heaven. |
Hoberman, J. |
|
Feb 1, 2006 |
1745 |
| Cameron Jamie: 37th International Theatre Festival of the Venice Biennale. |
Janus, Elizabeth |
|
Feb 1, 2006 |
546 |
| Only the lonely. |
Atkinson, Roland |
|
Feb 1, 2006 |
1657 |
| Something is rotten in Blue Velvet ... an exploration of David Lynch's Blue Velvet via Shakespeare's Hamlet. |
Haig, Francesca |
|
Jan 1, 2006 |
5179 |
| Stranger than fiction: genre and hybridity in the "refugee film". |
Prime, Rebecca |
|
Jan 1, 2006 |
5848 |
| Hidden in plain sight: Robin Wood on Michael Haneke's Cache. |
Wood, Robin |
|
Jan 1, 2006 |
2152 |
| Cinematic affects: the art of Runa Islam; Martin Herbert surveys the artist's films, in which coolly hypnotic, oblique narratives--haunted by the afterimages of '60s avant-garde auteurs--straddle the borders between cinema and sculpture, art house and art gallery. |
Herbert, Martin |
|
Jan 1, 2006 |
2431 |
| A fascinating farmer. |
Howard, Brian C. |
Brief Article |
Jan 1, 2006 |
193 |
| Convergence and divergence in the movie review: Bonnie and Clyde. |
Leggett, B.J. |
|
Dec 22, 2005 |
9172 |
| Good night, good luck, good movie. |
Townsend, William D. |
|
Nov 1, 2005 |
727 |
| A certain slant of light: James Quandt on the films of Hou Hsiao-hsien. |
Quandt, James |
Critical Essay |
Oct 1, 2005 |
2923 |
| The Dardenne brothers at Cannes: "we want to make it live". |
Badt, Karin |
Interview |
Sep 22, 2005 |
2949 |
| Spinoza's stone: the logic of Donnie Darko. |
Mathews, Peter |
Critical essay |
Sep 22, 2005 |
6012 |
| L.A. environmental: Hollywood's Best and Worst "Green" Movies. |
Chadwick, Benjamin |
|
Sep 1, 2005 |
1356 |
| Sleeper hit 'Habana Blues' featured at French film festival. |
Echevarria, Vito |
|
Jul 1, 2005 |
472 |
| An olympic omnibus: international competition, cooperation, and politics in Visions of Eight. |
Diffrient, David Scott |
|
Jul 1, 2005 |
8530 |
| The 'Loneliness' of the Angry Young Sportsman. |
Hughson, John |
|
Jul 1, 2005 |
6418 |
| "Just some bum from the neighborhood": the resolution of post-civil rights tension and heavyweight public sphere discourse in Rocky (1976). |
Elmwood, Victoria A. |
|
Jul 1, 2005 |
10005 |
| Fighting for manhood: Rocky and turn-of-the-century antimodernism. |
Motley, Clay |
|
Jul 1, 2005 |
4981 |
| Bobby Jones, golf, and his instructional reels. |
Schoenecke, Michael |
|
Jul 1, 2005 |
2888 |
| "What's Natural about it?": A baseball movie as introduction to key concepts in cultural studies. |
Hunter, Latham |
|
Jul 1, 2005 |
6287 |
| Hoops: escape or illusion? A review essay. |
Cipriano, Katherine |
|
Jul 1, 2005 |
2163 |
| Oliver Stone's Alexander Warner Bros. And Intermedia Films (2004). |
Carver, Terrell |
|
Jul 1, 2005 |
1337 |
| The industry of trauma: can films about tragedy politicize audiences? |
Nayak, Meghana V. |
Critical Essay |
Jun 22, 2005 |
1457 |
| Tom Cruise and the seven dwarves: cinematic postmodernisms in Abre los ojos and Vanilla Sky. |
Weimer, Christopher |
|
Jun 22, 2005 |
4980 |
| Notorious. |
Spring, Lori |
|
Jun 22, 2005 |
677 |
| Seeing Elephant. |
Tubrett, Dion |
|
Jun 22, 2005 |
6517 |
| Humanitarian? Ask Cliff. |
Peate, Les |
Brief Article |
May 1, 2005 |
128 |
| Reading a "closet screenplay": Hollywood, James Baldwin's Malcolms and the threat of historical irrelevance. |
Norman, Brian |
|
Mar 22, 2005 |
9336 |
| Echoes of Africa in To Sleep With Anger and Eve's Bayou. |
Ellison, Mary |
|
Mar 22, 2005 |
10908 |
| A.I. or, the Agony of Steven Spielberg. |
Beard, William |
Critical Essay |
Mar 22, 2005 |
7889 |
| The centre cannot hold: betrayals in Alfred Hitchcock's Topaz. |
Busch, Justin E.A. |
Critical Essay |
Mar 22, 2005 |
10722 |
| This is not a game: Alan J. Pakula's Rollover. |
Hughes, Jack |
Critical Essay |
Mar 22, 2005 |
6394 |
| "But it's good": finding value in Twentynine Palms. |
Wilcox, Jason |
Critical Essay |
Mar 22, 2005 |
9291 |
| Trying to parody the classics. |
Gehring, Wes D. |
|
Jan 1, 2005 |
889 |
| 1000 words: Yinka Shonibare; Talks about Un Ballo in Maschera, 2004. |
Larsen, Lars Bang |
Critical Essay |
Jan 1, 2005 |
1083 |
| Tedium and torture: Fight Club, globalization and professionals in crisis. |
McCullough, John |
Critical Essay |
Jan 1, 2005 |
6920 |
| Hou Hsiao-hsien's Cafe Lumiere. |
Jacobowitz, Florence |
Critical Essay |
Jan 1, 2005 |
1955 |
| Godzilla and postwar Japan lunch keynote address 2004 National Meeting Asian Studies Development Program. |
Tsutsui, William |
|
Jan 1, 2005 |
6126 |
| King Lear and Ran: identity translated and transformed. |
Melchior, Bonnie |
|
Jan 1, 2005 |
5430 |
| The Prisoner of Azkaban: A New Direction for Harry Potter. |
Lane, Cara |
Critical essay |
Jan 1, 2005 |
2127 |
| National Treasure (dir. Jon Turteltaub, 2004). |
Caldwell, Anne |
|
Jan 1, 2005 |
1217 |
| The construction of masculinity in The Matrix. |
Koller, Nora |
Critical essay |
Jan 1, 2005 |
10706 |
| Historical narrative and the East-West Leitmotif in Milcho Manchevski's Before the Rain and dust. |
Filipcevic, Vojislava |
Critical Essay |
Dec 22, 2004 |
11254 |
| Spectacular optics: the deployment of special effects in David Cronenberg's films. |
Hantke, Steffen |
Critical Essay |
Dec 22, 2004 |
7303 |
| Peter Greenaway holds court: an interview at the Venice film festival. |
Badt, Karin |
Interview |
Dec 22, 2004 |
5658 |
| Progress denied: movies of the moment. |
Yacowar, Maurice |
Critical Essay |
Dec 22, 2004 |
3026 |
| The joy of sexology: does it matter that Alfred Kinsey enjoyed his work more than he let on? |
Larson, Christina |
|
Dec 1, 2004 |
3933 |
| The indelible signature of Orson Welles's films. |
Heptonstall, Geoffrey |
Critical Essay |
Nov 1, 2004 |
2788 |
| Corporations and free trade. |
Lawler, Louise |
Brief Article |
Sep 22, 2004 |
309 |
| Fashioning the body [as] politic in Julie Dash's Daughters of the Dust. |
Gourdine, Angeletta K.M. |
Critical Essay |
Sep 22, 2004 |
8191 |
| The real eXistenZ transCendz the irreal (1). |
Calvin, Ritch |
Critical Essay |
Sep 22, 2004 |
8317 |
| Shrinking the beast: commenting on The Corporation. |
Mark, Jason; Danaher, Kevin |
|
Jul 1, 2004 |
1712 |
| Divine skepticism: the films of Robert Bresson. |
Vaux, Sara Anson |
Critical Essay |
Jun 22, 2004 |
7434 |
| Summer movie preview: our annual guide to the gayest films of the season--and the ones that ought to be gayer. |
Andreoli, Richard |
|
May 25, 2004 |
1262 |
| The Jesus of journalism. |
Schroth, Raymond A. |
|
May 7, 2004 |
1332 |
| The face of the bandit: racism and the slave trade in Herzog's Cobra Verde. |
Prager, Brad |
Critical Essay |
Mar 22, 2004 |
7360 |
| The society for the prevention of cruelty to narrative. |
Blackwell, Bonnie |
Critical Essay |
Jan 1, 2004 |
11768 |
| Focusing the familiar in Ang Lee's Eat, Drink, Man, Woman. |
Awalt, H. Mike |
|
Jan 1, 2004 |
4399 |
| Together and The Wooden Man's Bride. |
Qingjun, Li |
|
Jan 1, 2004 |
2006 |
| Sex, class, and Mexico in Alfonso Cuaron's y tu mama tambien. |
Acevedo-Munoz, Ernesto R. |
|
Jan 1, 2004 |
9207 |
| Coming attractions: Lamia and cinematic sensation. |
Wang, Orrin N.C. |
Critical Essay |
Dec 22, 2003 |
17781 |
| Running on empty: Daniel Birnbaum on the art of Dominique Gonzalez-Foerster. |
Birnbaum, Daniel |
|
Nov 1, 2003 |
2033 |
| Stanley Kubrick's Eyes Wide Shut: a masque in disguise. |
Alison, Jane |
Critical Essay |
Sep 22, 2003 |
5235 |
| Roberto Benigni's Life is Beautiful and the protection of innocence: fable, fairy tale or just excuses? |
Bullaro, Grace Russo |
Critical Essay |
Sep 22, 2003 |
7944 |
| Factualizing the tattoo: actualizing personal history through memory in Christopher Nolan's Memento. |
Williams, G. Christopher |
Critical Essay |
Sep 22, 2003 |
5425 |
| Wings of Desire and the value of mortality. |
Conlon, James |
Critical Essay |
Sep 22, 2003 |
7018 |
| Bowling for Columbine: critically interrogating the industry of fear. |
Ordonez-Jasis, Rosario; Jasis, Pablo |
|
Sep 22, 2003 |
2777 |
| Stagnering en transformering: die rol van die nar in Paljas. |
Nel, Adele |
Critical Essay |
Aug 1, 2003 |
6968 |
| From page to screen: J.R.R. Tolkien and Peters Jackson. |
Shippey, Tom |
|
Jul 1, 2003 |
2303 |
| Singling out the double: objectivity, subjectivity and alterity in Kieslowski's The Double Life of Veronique. |
Nagler, Lihi |
Critical Essay |
Jun 22, 2003 |
7196 |
| Doubled lives, dissimulated history: Hou Hsiao-Hsien's Good Men, Good Women. |
Ma, Jean Y. |
Critical Essay |
Jun 22, 2003 |
7628 |
| American Psycho: a double portrait of serial yuppie Patrick Bateman. |
Kooijman, Jaap; Laine, Tarja |
Critical Essay |
Jun 22, 2003 |
6310 |
| The double in Bunuel's That Obscure Object of Desire. |
Ghillebaert, Francoise |
|
Jun 22, 2003 |
7081 |
| "In his own image": genre, memory and doubling in Schwarzenegger's films. |
Sears, John |
|
Jun 22, 2003 |
5818 |
| Applying film theory in teaching fiction. |
Ostrander, Tammy |
|
Jun 22, 2003 |
2859 |
| Dal "pedinamento" all'affabulazione cinematografica in Stanno tutti bene. |
Vitti, Antonio |
Critical Essay |
Mar 22, 2003 |
7175 |
| Mastering the real: Trinity as the "real" hero of the Matrix. |
Williams, G. Christopher |
Critical Essay |
Mar 22, 2003 |
6135 |
| In praise of Godard's in praise of love. |
Dixon, Wheeler Winston |
Critical Essay |
Mar 22, 2003 |
6949 |
| Atomic warfare and the nuclear family: domestic resistance in Hollywood films about the A-bomb. |
Pressler, Michael |
|
Mar 22, 2003 |
4887 |
| Border crossings: representations of North American culture in Bruce McDonald's Highway 61. |
Simmons, Rochelle |
Critical Essay |
Mar 22, 2003 |
3854 |
| My big fat gay scorecard. (final cut). |
Barclay, Paris |
Illustration |
Mar 4, 2003 |
415 |
| Michael Cunningham after Hours. (Artist's Profile). |
|
Interview |
Mar 1, 2003 |
1567 |
| A Tale of two emperors: mimicry and mimesis in two "new year's" films from China and Hong Kong. |
Rojas, Carlos |
|
Jan 1, 2003 |
7127 |
| Hollywood and post-Sept. 11 "change". (Reel World). |
Sharrett, Christopher |
Column |
Nov 1, 2002 |
1069 |
| Scary movie. (Short Stuff). |
|
Brief Article |
Oct 1, 2002 |
129 |
| Interpreting the Risorgimento: Blasetti's 1860 and the legacy of motherly love. |
Romani, Gabriella |
|
Sep 22, 2002 |
6463 |
| Faludi, Fight Club, and phallic masculinity: exploring the emasculating economics of patriarchy. |
Clark, J. Michael |
|
Sep 22, 2002 |
5540 |
| Choice films about the Holocaust. |
Yacowar, Maurice |
|
Sep 22, 2002 |
3573 |
| Faraway, so close: Atom Egoyan returns home with Ararat. |
McSorley, Tom |
Interview |
Sep 1, 2002 |
2341 |
| Citizen Kane. (McCormick's Quick Takes). |
|
Brief Article |
Sep 1, 2002 |
107 |
| From reel to real: to make their vision of the future a reality, Hollywood entertainment providers have long used science fiction to shape the public mindset. (Cover Story: At a Glance). |
Grigg, William Norman |
Brief Article |
Aug 12, 2002 |
354 |
| The Crying Game. (Reel Life). |
Stone, Alan A. |
Critical Essay |
Aug 1, 2002 |
1562 |
| Dancing queens. (BFF Giveaway). |
|
Brief Article |
Aug 1, 2002 |
90 |
| Pulp fiction. (Reel Life). |
Stone, Dr. Alan A. |
Critical Essay |
Jul 1, 2002 |
1280 |
| Fringe elements. |
Burnett, Michael |
|
Jul 1, 2002 |
1524 |
| In Kissing Jessica Stein, a new film directed by Charles Herman-Wurmfeld. (Briefs). |
Haas, Michael |
Brief Article |
Jul 1, 2002 |
346 |
| Can context trump content? Gary Delgado watches the siege to see if a racist movie can be prophetic. (To the Point). |
Delgado, Gary |
|
Jun 22, 2002 |
1914 |
| Reply to Gelder. |
Kerekes, David |
|
Jun 22, 2002 |
360 |
| June 9, 1998: a gray movie's big crossover break. (From the Advocate Archives). |
Romesburg, Don |
Brief Article |
Jun 11, 2002 |
163 |
| Love and kisses, and your mama too! How Y Tu Mama Tambien, a Mexican coming-of-age movie released in the spring, is winning a big gay following that will make it the most talked-about movie of the summer. (Summer Movie Special). |
Meers, Erik |
|
Jun 11, 2002 |
1951 |
| Editor's note. |
Gillespie, Nick |
Brief Article |
Jun 1, 2002 |
588 |
| Francesco Vezzoli: New museum of Contemporary art, New York. (Reviews). |
Rimanelli, David |
Brief Article |
May 1, 2002 |
896 |
| The National Screen Institute's Film Exchange. (Festival Wraps). |
Wise, Wyndham |
Brief Article |
May 1, 2002 |
798 |
| Images Festival of Independent Film and Video. (Festival Wraps). |
Lan, Stephen |
Critical Essay |
May 1, 2002 |
1040 |
| A beautiful minefield: the makers of A Beautiful Mind chose to ignore John Nash's love of men. What were they thinking? (The Hollywood Issue). |
Giltz, Michael |
Critical Essay |
Apr 2, 2002 |
3900 |
| The "Jesus" film: A contribution to World evangelism. |
Eshleman, Paul A. |
|
Apr 1, 2002 |
4460 |
| The Best Years of Our Lives (1946) and Reintegrating Post-War Vets. (Cinema Studies). |
|
Brief Article |
Mar 22, 2002 |
237 |
| Alfred Hitchcock's The Birds and Neopagan Feminist Spirituality. (Cinema Studies). |
|
Brief Article |
Mar 22, 2002 |
215 |
| Minding the gap: visual perception and cinematic gap filling. |
Naaman, Dorit |
Critical Essay |
Mar 22, 2002 |
7754 |
| Is there an "implied" author in every film? |
Booth, Wayne |
Critical Essay |
Mar 22, 2002 |
3134 |
| Telefilm's hidden agenda: no more roughing up the suspects. (Point of View). |
Lamont, Dougald |
Brief Article |
Mar 1, 2002 |
904 |
| The Deputy to be released as a film. (Vatican). |
|
Brief Article |
Mar 1, 2002 |
136 |
| Video valentines: tired of snuggling up to Desert Hearts and Beautiful Thing? Comedian Suzanne Westenhoefer suggests some fresh romantic videos for your February 14 needs. (video). |
Westenhoefer, Suzanne |
|
Feb 19, 2002 |
561 |
| Two degrees of separation. (the Buzz). |
|
Brief Article |
Feb 5, 2002 |
156 |
| Cocktails with Dame Judi: bringing Iris to the screen involved deciding how to portray writer Iris Murdoch's bisexuality. Here's the inside story from the film's director and stars. (film). |
Ferber, Lawrence |
Brief Article |
Feb 5, 2002 |
793 |
| Cremaster I. (Consumption: Matthew Barney GalleryCard). |
|
Brief Article |
Feb 1, 2002 |
386 |
| The Bidayuh films of professor William R. Geddes. |
Appell, G.N. |
|
Jan 2, 2002 |
450 |
| Are you with me? Unemployed negativity in Mike Leigh's Naked. |
Watson, Garry |
Critical Essay |
Jan 1, 2002 |
11002 |
| Beautiful People: in praise of the liberal state. |
Lightning, Robert |
|
Jan 1, 2002 |
4485 |
| The knight's crusade: playing the wizard Gandalf in The Lord of the Rings may make Sir Ian McKellen the world's best-known gay man. And he's armed and ready to carry the fight for equality along with him. (Cover Story). |
Steele, Bruce C. |
Biography |
Dec 25, 2001 |
4256 |
| Brakhage meets Tarkovsky. |
Brakhage, Stan; Dorn, Jennifer |
|
Dec 22, 2001 |
2076 |
| Stan Brakhage: Four silent nights. |
Dorsky, Nathaniel |
Brief Article |
Dec 22, 2001 |
380 |
| Psychoanalysis, film theory, and the case of Being John Malkovich. |
Dragunoiu, Dana |
|
Dec 22, 2001 |
6939 |
| Lubitsch's To Be or Not to Be: the question of simulation in cinema. |
Melehy, Hassan |
|
Dec 22, 2001 |
8356 |
| The subaltern speaks: Assia Djebar's La Nouba. |
Khannous, Touria |
|
Dec 22, 2001 |
7792 |
| Time travelers: famed for bringing the gay past alive in their art, partners David MacDermott and Peter MacGough tackle 20th-century territory as well as the homoerotic imagery of Hitler. (art). |
Habib, John Philip |
Brief Article |
Dec 4, 2001 |
419 |
| Teenagers encountering their first gay experiences are destined to be frustrated, or so we learn from Come Undone. (Briefs). |
Haas, Michael |
Brief Article |
Nov 1, 2001 |
305 |
| Beefcake behind bars. |
|
Brief Article |
Oct 23, 2001 |
124 |
| Stet. |
Cartmell, Mike |
Critical Essay |
Sep 22, 2001 |
3277 |
| Violent Femmes. |
MENCIMER, STEPHANIE |
|
Sep 1, 2001 |
2473 |
| Gender on celluloid. |
WILCHINS, RIKI |
Brief Article |
Aug 14, 2001 |
939 |
| "SO WHERE ARE YOU?". |
Tubrett, Dion |
Critical Essay |
Jun 22, 2001 |
6645 |
| FLOWERS OF SHANGHAI. |
Wood, Robin |
Critical Essay |
Jun 22, 2001 |
6692 |
| Narrative and Spectacle in Gladiator. |
Rushton, Richard |
Critical Essay |
Jun 22, 2001 |
5778 |
| THEY KILL FOR LOVE. |
Keesey, Douglas |
Critical Essay |
Jun 22, 2001 |
6899 |
| His story next to hers: masochism and (inter)subjectivity in Letter From An Unknown Woman. |
Kinnan, Glynis |
|
Jun 22, 2001 |
5763 |
| Flick picks. |
|
Brief Article |
May 14, 2001 |
140 |
| VOICES IN THE WILDERNESS. |
Markiewicz, David A. |
|
May 1, 2001 |
3340 |
| The King's Ghost Haunts the Movies. |
SHARRETT, CHRISTOPHER |
|
May 1, 2001 |
1097 |
| Fall-out From The Patriot. |
Johnson, Peter W. |
Brief Article |
Mar 22, 2001 |
301 |
| HAWKE ASCENDING. |
Wood, Robin |
|
Mar 22, 2001 |
7942 |
| FRANK AND FEARLESS. |
Jacobowitz, Florence; Lippe, Richard |
Critical Essay |
Mar 22, 2001 |
5084 |
| THE CLASSICAL APPEAL OF ANTHONY HOPKINS. |
Johnson, Rachael |
Critical Essay |
Mar 22, 2001 |
4242 |
| JIM CARREY. |
Laine, Tarja |
Critical Essay |
Mar 22, 2001 |
4733 |
| THE MAN IN THE PINK SHIRT. |
Sweeney, Gael |
Critical Essay |
Mar 22, 2001 |
8707 |
| JOAN FONTAINE'S HEIRESS. |
Lightning, Robert K. |
Critical Essay |
Mar 22, 2001 |
3596 |
| Post-and Re-Colonizing Aotearoa Screen: Violence and Identity in "Once Were Warriors" and "What Becomes of the Broken Hearted"? |
Adah, Anthony |
|
Mar 22, 2001 |
5051 |
| The Boys in the Band, 30 years later. |
RICKARD, JOHN |
Critical Essay |
Mar 1, 2001 |
2774 |
| Films with one inescapable theme: politics. |
HAAS, MICHAEL |
Critical Essay |
Mar 1, 2001 |
1131 |
| The Same, But Different. |
Glitre, Kathrina |
|
Jan 1, 2001 |
6942 |
| Screwball and the Masquerade. |
Wood, Robin |
Correction Notice |
Jan 1, 2001 |
5365 |
| Handy-Dandy. |
French, Tony |
Critical Essay |
Jan 1, 2001 |
5119 |
| Eden and Beyond. |
Wilcox, Jason |
Critical Essay |
Jan 1, 2001 |
5225 |
| Asian Fusion. |
Morrison, Susan |
Correction Notice |
Jan 1, 2001 |
2513 |
| Trapped in the Present: Time in the Films of Wong Kar-Wai. |
Mazierska, Ewa; Rascaroli, Laura |
Critical Essay |
Dec 22, 2000 |
7717 |
| Andre Bazin on Film Technique: Two Seminal Essays. |
Cardullo, Robert James |
|
Dec 22, 2000 |
9330 |
| CAMP HUMOUR OR SUBLIME HORROR? |
COOPER, SIMON |
|
Dec 1, 2000 |
1278 |
| ROBERT BRESSON: 1901-1999. |
|
Brief Article |
Apr 1, 2000 |
3920 |
| ADAM CHODZKO. |
Carboni, Massimo |
Brief Article |
Apr 1, 2000 |
501 |
| Duel or Duet? Gendered Nationalism in The Piano. |
Thornley, Davinia |
Critical Essay |
Mar 22, 2000 |
6115 |
| The Subversive Ms. Highsmith. |
BRONSKI, MICHAEL |
Critical Essay |
Mar 22, 2000 |
3349 |
| Two by two they came to Sundance. |
|
Brief Article |
Mar 14, 2000 |
290 |
| Filmmaker's realism suggested the spiritual. |
CUNNEEN, JOSEPH |
Brief Article |
Feb 25, 2000 |
687 |
| Love and Laughter: A Cinematic Valentine's Day Bouquet. |
GEHRING, WES |
|
Jan 1, 2000 |
3114 |
| Tomorrow is my birthday: placing apocalypse in millennial cinema. |
Sippl, Diane |
|
Jan 1, 2000 |
13977 |
| Postmodern cinema and the death of the hero. |
Pollard, Tom |
|
Jan 1, 2000 |
8020 |
| Some arbitrary forays into the Toronto Film Festival. |
Wood, Robert Paul |
|
Jan 1, 2000 |
5386 |
| Merry Christmas FROM HOLLYWOOD. |
GEHRING, WES |
|
Nov 1, 1999 |
2922 |
| History falsified. |
|
Brief Article |
Sep 1, 1999 |
186 |
| Cruising for a bruising. |
Vilanch, Bruce |
Brief Article |
Aug 17, 1999 |
713 |
| MCCORMICK'S QUICK TAKES. |
|
Brief Article |
Jun 1, 1999 |
547 |
| French toast. |
Seligman, Craig |
|
May 1, 1999 |
1268 |
| War is a hell of a movie. |
MCCORMICK, PATRICK |
|
May 1, 1999 |
1354 |
| EXPLAINING THE APPEAL OF TITANIC. |
Pence, Mike |
Brief Article |
May 1, 1999 |
766 |
| Haunted by 20th-Century Monsters. |
Sharrett, Christopher |
Brief Article |
Mar 1, 1999 |
973 |
| The next gay wave. |
Stuart, Jan |
Brief Article |
Feb 2, 1999 |
697 |
| From Detlef Sierck to Douglas Sirk. |
Gertrud Koch |
|
Jan 1, 1999 |
7227 |
| The Rene Clair Moment and the Overlap Films of the Early 1930s: Detlef Sierck's April, April! |
Trumpener, Katie |
|
Jan 1, 1999 |
4546 |
| A Sierckian Double Image: The Narration of Zarah Leander as a National Socialist Star. |
Ascheid, Antje |
|
Jan 1, 1999 |
9217 |
| Zarah Leander and Transgender Specularity. |
Kuzniar, Alice A. |
|
Jan 1, 1999 |
7754 |
| Sirk and the Figure of the Actress: All I Desire. |
Fischer, Lucy |
|
Jan 1, 1999 |
5291 |
| Salvation at the cineplex. |
McCormick, Patrick |
|
Dec 1, 1998 |
1962 |
| Saving the Good War. |
Sharrett, Christopher |
Brief Article |
Nov 1, 1998 |
1004 |
| Politics and the Movies: Art Anticipating Life. |
Strada, Michael J. |
|
Nov 1, 1998 |
3265 |
| Introduction. |
Bordwell, David |
|
Sep 22, 1998 |
1533 |
| Film form: an argument for a functional theory of style in the individual film. |
Carroll, Noel |
|
Sep 22, 1998 |
9165 |
| Performative Transformation of the Public Queer in Paris is Burning. |
Gregory, Christian A. |
|
Sep 22, 1998 |
7338 |
| "I Thought You Knew!": Performing the Penis, the Phallus, and Otherness in Neil Jordan's The Crying Game. |
DuttaAhmed, Shantanu |
|
Sep 22, 1998 |
5082 |
| The Performance of Queer Masculinity in Derek Jarman's Sebastiane. |
Pinfold, Michael John |
|
Sep 22, 1998 |
3680 |
| Top ten. |
Kilimnik, Karen |
|
Sep 1, 1998 |
651 |
| Forget the popcorn: these 10 movies comes with a sense of heritage. |
Schroth, Raymond A. |
|
Jul 17, 1998 |
1612 |
| Mulan. |
Ortega, Teresa |
Movie Review |
Jul 7, 1998 |
577 |
|
