Criticism and interpretation subtopic
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Articles
1-100 out of 100 article(s)
| Title |
Author |
Type |
Date |
Words |
| "Above all ... don't perform!" Playing to the camera of Luis Bunuel. |
Jones, Julie |
|
Jun 22, 2008 |
4747 |
| Comic dread in the modern frontier. |
Sharrett, Christopher |
|
Jun 22, 2008 |
2365 |
| No exit in Texas. |
Brown, Royal |
|
Jun 22, 2008 |
2036 |
| Good moments in a tough world: the films of Charles Burnett: dreams, disorder, and hard-won hope are revealed in the universe of a filmmaker showcased on a new two-disc special-edition DVD from Milestone Film & Video. |
Thompson, Clifford |
|
Mar 22, 2008 |
2376 |
| The scandal of Elizabeth: Valerie Krips on history and meaning in Kapur's two Elizabeths. |
Krips, Valerie |
Critical essay |
Dec 1, 2007 |
2092 |
| Traces of migration and loss in Krzysztof Kleslowski's Three colours trilogy/Spore van migrasie en verlies in Krzysztof Kieslowski se Three colours trilogy (1). |
Nel, Adele |
|
Aug 1, 2007 |
7787 |
| The reality of dreams: a presentation of L'Ange et la femme (1977). |
Harcourt, Peter |
|
Jun 22, 2007 |
2558 |
| From big snow to big sadness: the repatriation of Canadian cultural identity in the films of Guy Maddin. |
Semley, John |
|
Jun 22, 2007 |
3656 |
| Greek film: ever an ethnic crossroads. |
Georgakas, Dan |
|
Jun 22, 2007 |
3035 |
| Twice-told tales: James Quandt on the films of Hong Sang-soo. |
Quandt, James |
|
Jun 22, 2007 |
3130 |
| The oneiric on the cinema of Marco Bellocchio. |
Brook, Clodagh |
Critical essay |
Jun 22, 2007 |
8086 |
| "Touchy subjects": Amir Muhammad's films on race and power in Malaysia. |
Coover, Roderick |
|
Jun 22, 2007 |
2832 |
| Sleep therapy: Robin Wood on Tsai Ming-liang's I Don't Want to Sleep Alone. |
Wood, Robin |
|
May 1, 2007 |
1675 |
| Horse whisperers: Amy Taubin on Zoo. |
Taubin, Amy |
|
May 1, 2007 |
1039 |
| Taking Note: P. Adams Sitney on the films of Saul Levine. |
Sitney, P. Adams |
|
May 1, 2007 |
2945 |
| Triste Arctique: Amy Taubin on the films of Zacharias Kunuk. |
Taubin, Amy |
|
Apr 1, 2007 |
2955 |
| The risk of ambiguity: reconsidering Zavattini's film ethics. |
Balaisis, Nicholas |
|
Mar 22, 2007 |
3618 |
| Through a dark lens: Jackson's Lord of the Rings as abject horror. |
Hall, R.D. |
|
Mar 22, 2007 |
2337 |
| The monstrosity of the gaze: critical problems with a film adaptation of The Lord of the Rings. |
Harl, Allison |
|
Mar 22, 2007 |
4180 |
| Rachel Kushner on Nathalie Djurberg. |
Kushner, Rachel |
|
Mar 1, 2007 |
1337 |
| Dark parable: 'Children of Men'. |
Cooper, Rand Richards |
|
Jan 26, 2007 |
1190 |
| Flat out: Julia Bryan-Wilson on Sadie Benning. |
Bryan-Wilson, Julia |
|
Jan 1, 2007 |
2010 |
| This charming man: Bruce Hainley on William E. Jones. |
Hainley, Bruce |
|
Jan 1, 2007 |
2420 |
| The silent, black centre in the early features of Claire Denis. |
Asals, Katharine |
|
Jan 1, 2007 |
6644 |
| Fellini's forgotten masterpiece: Toby Dammit. |
Porcari, George |
|
Jan 1, 2007 |
4102 |
| The strange pleasure of The Leopard Man: gender, genre and authorship in a Val Lewton thriller. |
Preston, Scott |
|
Jan 1, 2007 |
8120 |
| Under your skin: Gary Indiana on Kiyoshi Kurosawa. |
Indiana, Gary |
|
Oct 1, 2006 |
1960 |
| Bearing witness: the Dardenne brothers' and Michael Haneke's implication of the viewer. |
Gibson, Brian |
Critical essay |
Jun 22, 2006 |
12816 |
| Excesses of millennial capitalism, excesses of violence: several critical fragments regarding the cinema of Michael Haneke. |
Wynter, Kevin |
Critical essay |
Jun 22, 2006 |
5361 |
| Le Temps du loup/time of the wolf. |
Jacobowitz, Florence |
Critical essay |
Jun 22, 2006 |
2988 |
| Intuitions in Africa: personal and political knowledge in the Constant Gardener. |
Gallafent, Edward |
Critical essay |
Jun 22, 2006 |
6801 |
| Sympathy for the devil: Jonathan Romney on the films of park Chan-wook. |
Romney, Jonathan |
Critical essay |
May 1, 2006 |
2706 |
| Anxieties of fundamentalism and the dynamics of modernist resistance: Youssef Chahine's Al Maseer (The Destiny). |
Khouri, Malek |
Critical essay |
Mar 22, 2006 |
9281 |
| On William D. MacGillivray. |
Wood, Robin |
|
Mar 22, 2006 |
5305 |
| Sexual Dependency: the split image of globalisation. |
Sofair, Michael |
Critical essay |
Mar 22, 2006 |
6003 |
| Two films by Amnon Buchbinder: some questions about the future of Canadian cinema. |
Wood, Robin |
|
Mar 22, 2006 |
1556 |
| Barry Schwabsky on Daria Martin. |
Schwabsky, Barry |
|
Mar 1, 2006 |
1280 |
| Keith Sanborn and Greil Marcus on the films of Guy Debord: return of the supressed. |
Sanborn, Keith |
|
Feb 1, 2006 |
5395 |
| "I am a wild beast": Patricia Rozema's forward Fanny. |
Shea, Alison |
|
Jan 1, 2006 |
2877 |
| In defense of Patricia Rozema's Mansfield Park. |
Monaghan, David |
|
Jan 1, 2006 |
2452 |
| History channel: the films of Mathias Poledna. |
Lee, Pamela M. |
|
Nov 1, 2005 |
2547 |
| A gesture and a pose: the cinema of Mikio Naruse. |
Bock, Audie |
Critical Essay |
Nov 1, 2005 |
2292 |
| John Cassavetes: a filmmaker under the influence. |
Sterritt, David |
|
Sep 22, 2005 |
3264 |
| Stunning simplicity. |
Tay, Sharon Lin |
|
Sep 1, 2005 |
1130 |
| Exquisite corpus: when Apichatpong Weerasethakul's fourth feature shared the Grand Jury Prize at Cannes last year, it made official his standing as the preeminent Thai filmmaker--and one of the freshest voices in cinema anywhere. In anticipation of Tropical Malady's arrival in American theaters this summer, James Quandt spoke with the director about his films. |
Quandt, James |
Interview |
May 1, 2005 |
3694 |
| A.I. or, the Agony of Steven Spielberg. |
Beard, William |
Critical Essay |
Mar 22, 2005 |
7889 |
| Image, affect and memory: relations of looking in Tracey Moffatt's beDevil! |
Olubas, Brigitta |
|
Mar 22, 2005 |
4056 |
| Writing place: Helen Garner's The Last Days of Chez Nous. |
Holcombe, Vanessa |
|
Mar 22, 2005 |
5021 |
| In the web with David Cronenberg: Spider and the new auteurism. |
Celeste, Reni |
Cover Story |
Jan 1, 2005 |
3076 |
| Thoroughly modern Maddin. |
Pike, David |
Critical Essay |
Jan 1, 2005 |
7851 |
| Message from the president. |
Ray, Joan Klingel |
Editorial |
Jan 1, 2005 |
367 |
| Queering history: Alexander. |
Jasper, William F. |
|
Dec 27, 2004 |
1173 |
| Being a clown: curious coupling in The Pirate. |
Pye, Douglas |
|
Jan 1, 2004 |
8377 |
| The Cobweb. |
Bruzzi, Stella |
|
Jan 1, 2004 |
5994 |
| Home from the Hill: Vincente Minnelli, 1959. |
Walker, Michael |
|
Jan 1, 2004 |
10309 |
| The far side of Paradise: the style and substance of Yolanda and the Thief. |
Jacoby, Alexander |
|
Jan 1, 2004 |
5456 |
| The spaces in-between: the Cinema of Yasujiro Ozu. |
Bingham, Adam |
|
Jan 1, 2004 |
9300 |
| Notes toward a reading of Tokyo Twilight (Tokyo boshoku). |
Wood, Robert Paul |
|
Jan 1, 2004 |
1450 |
| The films of Yasujiro Ozu: true to form. |
|
|
Oct 1, 2003 |
3740 |
| Filming Sokurov's Russian ark: an interview with Tilman Buttner. |
Menashe, Louis |
Interview |
Jun 22, 2003 |
3706 |
| How the West was spun: McCabe and Mrs. Miller and Genre revisionism. |
Arthur, Paul |
Critical Essay |
Jun 22, 2003 |
2893 |
| The films of Johnnie to: Louder than words. |
Bordwell, David |
Critical Essay |
May 1, 2003 |
2669 |
| Blood in the maple syrup: canon, popular genre and the Canuxploitation of Julian Roffman. |
Taylor, Aaron |
Critical Essay |
Mar 22, 2003 |
7510 |
| Making and remaking class in Ken Loach's recent films. |
Forsyth, Scott |
|
Mar 22, 2003 |
1129 |
| Men with swords and men with suits: the cinema of Akira Kurosawa. |
Russell, Catherine |
|
Dec 22, 2002 |
9688 |
| Hidden history, modern hedonism: The films of Hou Hsiao-hsien. |
Sklar, Robert |
Critical Essay |
Sep 22, 2002 |
2346 |
| Max Ophuls centenary. |
Jacobowitz, Florence; Lippe, Richard |
|
Mar 22, 2002 |
1184 |
| Circles of delight and despair: the cinema of Max Ophuls. |
Harcourt, Peter |
Critical Essay |
Mar 22, 2002 |
5842 |
| Falling women and fallible narrators. |
Pye, Douglas |
Critical Essay |
Mar 22, 2002 |
7537 |
| Werther. |
Walker, Michael |
Critical Essay |
Mar 22, 2002 |
8528 |
| Yoshiwara: Max Ophuls in the empire of passion. |
Jacoby, Alexander |
Critical Essay |
Mar 22, 2002 |
4323 |
| Captivated by Garbo: Max Ophuls' Roman interlude with the 'Duchess of Langeais'. |
Bacher, Lutz |
Critical Essay |
Mar 22, 2002 |
5541 |
| "Do I disgust you?" or, tirez pas sur La Pianiste. |
Wood, Robin |
Critical Essay |
Mar 22, 2002 |
6191 |
| Icons and subversion in the Westerns of Clint Eastwood. |
Babiak, Peter E.S. |
Critical Essay |
Mar 22, 2002 |
5375 |
| The modernist and the misanthrope: The cinema of Stanley Kubrick. |
Pipolo, Tony |
Critical Essay |
Mar 22, 2002 |
8874 |
| The Stories he could tell: Rhonda Lieberman on Todd Solondz. (Film). |
|
|
Feb 1, 2002 |
1854 |
| Are you with me? Unemployed negativity in Mike Leigh's Naked. |
Watson, Garry |
Critical Essay |
Jan 1, 2002 |
11002 |
| The import/export business: the road to Abbas Kiarostami's Taste of Cherry. |
Orgeron, Devin |
|
Jan 1, 2002 |
4677 |
| The most dangerous game: failed male friendship in De Palma's Snake Eyes. |
Greven, David |
|
Jan 1, 2002 |
5638 |
| Flowing desire, floating souls: modern cultural landscape in Tsai Ming-Liang's Taipei trilogy. |
Wu, I-Fen |
|
Jan 1, 2002 |
6349 |
| Chop Suey: photographs to remember you by. |
Lippe, Richard |
|
Jan 1, 2002 |
2579 |
| Beautiful People: in praise of the liberal state. |
Lightning, Robert |
|
Jan 1, 2002 |
4485 |
| Escape from freedom: The films of Dusan Makavejev. |
Arthur, Paul |
Critical Essay |
Dec 22, 2001 |
4153 |
| REALLY BIG IDEAS : 'Waking Life'. |
Cooper, Rand Richards |
|
Dec 21, 2001 |
1320 |
| Andre Turpin & Things that Come From the Deep. |
Alioff, Maurie |
|
Dec 1, 2001 |
2329 |
| Screen studies and Lantana. (Film). |
Mc Donald, Neil |
|
Dec 1, 2001 |
3947 |
| Stet. |
Cartmell, Mike |
Critical Essay |
Sep 22, 2001 |
3277 |
| Toward the Quebec Auteur: From Perrault to Arcand. |
Melnyk, George |
|
Sep 22, 2001 |
8254 |
| The party's over: Rollercoaster. |
Wood, Robin |
Critical Essay |
Sep 22, 2001 |
3411 |
| "In the Sun it all looks so nice": A note on Paul Almond's Isabel. |
French, Tony |
Critical Essay |
Sep 22, 2001 |
5558 |
| Persistence of Vision: The wonderful World of John Paizs. |
Cagle, Robert L. |
Critical Essay |
Sep 22, 2001 |
6453 |
| Distance Hirokazu Kore-eda. (Toronto International Film Festival). |
Morrison, Susan |
Critical Essay |
Sep 22, 2001 |
1515 |
| DETAILS ARE ACOUSTICAL. |
CULLEN, CATHERINE |
|
Jul 1, 2001 |
4529 |
| SEEING ISN'T BELIEVING: THE FILM WORLD OF PAUL DRIESSEN. |
GLASSMAN, MARC |
|
Jul 1, 2001 |
2449 |
| PIERRE HEBERT: Animation without Borders. |
GEHMAN, CHRIS |
|
Jul 1, 2001 |
2325 |
| WHERE MEMORIES BREATHE DARKNESS: UNDERNEATH LE CHAPEAU OF MICHELE COURNOYER. |
ROBINSON, CHRIS |
|
Jul 1, 2001 |
2068 |
| Which Way to the Promised Land?: Spike Lee's Clockers and the Legacy of the African American City. |
Massood, Paula J. |
Critical Essay |
Jun 22, 2001 |
9531 |
| FLOWERS OF SHANGHAI. |
Wood, Robin |
Critical Essay |
Jun 22, 2001 |
6692 |
| Customs man. |
Withers, Rachel |
Critical Essay |
Jun 22, 2001 |
2587 |
| Cameron Jamie. (Openings). |
Indiana, Gary |
Critical Essay |
Jun 22, 2001 |
1582 |
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