Criticism and interpretation subtopic
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Articles
1-190 out of 190 article(s)
| Title |
Author |
Type |
Date |
Words |
| Blood Brothers Bows out of West End after 20-Year Run. |
|
Brief article |
Aug 6, 2012 |
184 |
| Lukacs/Ibsen: tragedy, selfhood, and "real life" in The Master Builder and When We Dead Awaken. |
Storm, William |
|
Mar 22, 2012 |
9186 |
| "I just die for some authority!": barriers to Utopia in Howard Brenton's Greenland. |
Adiseshiah, Sian |
|
Mar 22, 2012 |
5603 |
| "Where's my fool?": Lear motifs in Rigoletto. |
Barry, Barbara |
|
Mar 22, 2012 |
10494 |
| Mickey & Minnie's Magical Journey. |
|
|
Jan 1, 2012 |
452 |
| A dance on contrasting platforms: African tradition and revolutionary aesthetics in Esiaba Irobi's plays. |
Osu, Leon Onyewuchi |
Critical essay |
Sep 2, 2011 |
7370 |
| Medieval Maithili stagecraft in the Nepalamandala: the Bhaktapur school. |
Yadav, Ramawatar |
Report |
Jul 1, 2011 |
7308 |
| Mancunian Rhapsodies Catherine Wood on the manchester international festival. |
Wood, Catherine |
|
Jun 22, 2011 |
884 |
| Jewish ethics and play: the exaltation of the possible. |
Pava, Moses L. |
Essay |
Mar 1, 2011 |
5650 |
| "Every word doth almost tell my name": ambiguity, authority, and authenticity in Shakespeare's dramatic letters. |
Bolton, Matthew |
Critical essay |
Jan 1, 2011 |
6752 |
| Aristophanes and Douglas Young. |
Marshall, C.W. |
|
Dec 22, 2010 |
2773 |
| "The Kingdom of Heaven within us": inner (world) peace in Gilbert Murray's Trojan Women. |
Perris, Simon |
|
Dec 22, 2010 |
6885 |
| Invitation to the dance: Bhagavata Mela, Yakshagana, Kuchipudi, Krishnattam. |
|
Critical essay |
Dec 1, 2010 |
726 |
| Celebrating idleness: Antony and Cleopatra and play theory. |
Scherer, Abigail |
|
Sep 22, 2010 |
8682 |
| The unqueering of As You Like It. |
Tracy, Ryan |
Critical essay |
Jul 1, 2010 |
2459 |
| Pericles, Paul, and Protestantism. |
Finkelstein, Richard |
Report |
Jun 22, 2010 |
12063 |
| "Hilda, harnessed to a purpose": Elizabeth Robins, Ibsen, and the vote. |
Joannou, Maroula |
Report |
Jun 22, 2010 |
8491 |
| Emily Wardill. |
Helfand, Glen |
|
Jun 22, 2010 |
564 |
| A fresh assessment of Italian Baroque literature: poets and dramatists. |
Pallota, Augustus |
Critical essay |
Jun 22, 2010 |
5914 |
| Did Hellenistic kings send letters to Asoka? |
Hinuber, Von Oskar |
Critical essay |
Apr 1, 2010 |
3663 |
| "Death is more heroic on the soccer field ...": the cult of athletics in Melchior Vischer's Soccer Players and Indians. |
Dawson, Rebeccah |
Critical essay |
Mar 22, 2010 |
9690 |
| "Those cold and timid souls who knew neither victory nor defeat": the politics of Jason Miller's That Championship Season. |
Fury, Frank P. |
Critical essay |
Mar 22, 2010 |
3598 |
| "Mi carne, mi sangre, mis ilusiones": the collision of words and worlds in Milcha Sanchez-Scott's The Cuban Swimmer. |
Sanders, Shelly |
Critical essay |
Mar 22, 2010 |
3445 |
| Sport in Artur Azevedo's revues: a reflection of developments in late 19th century Rio de Janeiro Society. |
Knijnik, Jorge; de Melo, Victor Andrade |
Essay |
Mar 22, 2010 |
5633 |
| Boys to men or boys to boys? Biff Loman and Brick Pollitt: surviving football in Death of a Salesman and Cat on a Hot Tin Roof. |
Vanderwerken, David |
Critical essay |
Mar 22, 2010 |
4460 |
| J.R.R. Tolkien's "Leaf by Niggle": an allegory in transformation. |
Nelson, Marie |
Critical essay |
Mar 22, 2010 |
7170 |
| Coriolanus: inordinate passions and powers in personal and political governance. |
Langis, Unhae |
Critical essay |
Mar 22, 2010 |
9747 |
| The biblical intertext in Peter Shaffer's Amadeus (or, Saul and David in eighteenth-century Vienna). |
Aschkenasy, Nehama |
Critical essay |
Mar 22, 2010 |
7517 |
| Chinese ethnicity and the American heroic artisan in Henry Grimm's The Chinese Must Go (1879). |
Ou, Hsin-yun |
Critical essay |
Mar 22, 2010 |
8258 |
| Till death do us part: communion, alchemy, and endings in the work of Frank McGuinness. |
Jordan, Eamonn |
Critical essay |
Mar 22, 2010 |
7358 |
| George Peele and the judgment of Elizabeth I. |
Reynolds, Paige Martin |
Critical essay |
Mar 22, 2010 |
7316 |
| Lavinia as coauthor of Shakespeare's Titus Andronicus. |
Packard, Bethany |
Critical essay |
Mar 22, 2010 |
7859 |
| The Roman Actor, metadrama, authority, and the audience. |
Angus, Bill |
Critical essay |
Mar 22, 2010 |
7659 |
| Love and money in the Merchant of Venice. |
Harp, Richard |
Critical essay |
Jan 1, 2010 |
4907 |
| The wound that never heals. |
Crapanzano, Vincent |
Critical essay |
Jan 1, 2010 |
12252 |
| Aristophanes's response to the Peloponnesian war and the defeat of the comic hero. |
Kotini, Vassiliki |
Critical essay |
Jan 1, 2010 |
6828 |
| The "To be, or not to be" speech: evidence, conventional wisdom, and the editing of Hamlet. |
Hirsh, James |
Critical essay |
Jan 1, 2010 |
13655 |
| Declamation and character in the Fletcher-Massinger plays. |
Curran, John E., Jr. |
Essay |
Jan 1, 2010 |
14529 |
| Voices of violence: medieval French farce and the Dover Cliff scene in King Lear. |
Wheatley, Edward |
Critical essay |
Dec 22, 2009 |
6852 |
| Doing the usual things: gender, race, and inwardness in Harley Granville Barker's The Marrying of Ann Leete and The Secret Life. |
Wixson, Christopher |
Critical essay |
Dec 22, 2009 |
10111 |
| Remounting, remembering: gendered memorials and colleen Wagner's: the monument. |
Luger, Moberley |
Critical essay |
Dec 1, 2009 |
9103 |
| Playwriting in three major Nigerian languages. |
Ilo, Isaiah |
Critical essay |
Dec 1, 2009 |
5431 |
| Fletcher, Massinger, and Roman imperial character. |
Curran, John E., Jr. |
Critical essay |
Sep 22, 2009 |
16282 |
| "Another play on Salem witch trials": Lion Feuchtwanger, communists, and Nazis. |
Maierhofer, Waltraud |
Critical essay |
Sep 22, 2009 |
9702 |
| The earliest Middle English interludes. |
Lundeen, Stephanie Thompson |
Critical essay |
Sep 22, 2009 |
8750 |
| Shakespeare's words: quotes, misquotes, and lost contexts. |
Jolliffe, Lee |
|
Jul 1, 2009 |
1244 |
| Writing the Landscape of Memory : Ina Cesaire's Memoires d'Isles. |
Miyasaki, June |
Critical essay |
Jun 22, 2009 |
7675 |
| Contesting constancy in The Merchant of Venice. |
Blanchard, Jane |
Critical essay |
Jun 22, 2009 |
4966 |
| Actors' names as textual evidence. |
Kathman, David |
Critical essay |
Jun 1, 2009 |
5218 |
| Theatre reviewing: performance versus criticism. |
Wilkinson, Kate |
Essay |
Mar 22, 2009 |
6678 |
| Roman world, Egyptian earth: cognitive difference and empire in Shakespeare's Antony and Cleopatra. |
Thomas Crane, Mary |
|
Mar 22, 2009 |
6847 |
| Dumb reading: the noise of the mute in Jonson's Epicene. |
Curtin, Adrian |
Essay |
Mar 22, 2009 |
7196 |
| The Scriblerian stage and page: Three Hours After Marriage, Pope's "minor" poems, and the problem of genre-history. |
Mannheimer, Katherine |
|
Mar 22, 2009 |
10448 |
| "Whom seek ye, sirs?": the logic of searching in the York Herod and the Magi. |
Rice, Nicole R. |
Essay |
Mar 22, 2009 |
10458 |
| Alexandra Bachzetsis: Kunsthalle Basel. |
Scharrer, Eva |
|
Feb 1, 2009 |
581 |
| Dux Moraud: criminality and salvation in an East Anglian play. |
Davidson, Clifford |
Critical essay |
Jan 1, 2009 |
7634 |
| Old Plays and the General Reader: an Essay in Praise of the Regents Renaissance Drama Series. |
|
Essay |
Jan 1, 2009 |
10602 |
| Where Iago Lies: Home, honesty and the Turk in Othello. |
|
Critical essay |
Jan 1, 2009 |
7866 |
| Cambridge Shakespeare, Spring 2009. |
|
|
Jan 1, 2009 |
837 |
| "A Carrion Death": the theme of the gold casket in The Merchant of Venice. |
Stone, James W. |
Critical essay |
Jan 1, 2009 |
8259 |
| Domestic economies in The Taming of the Shrew: amassing cultural credit. |
Chamberlain, Stephanie |
Critical essay |
Jan 1, 2009 |
9774 |
| "I woo'd thee with my sword, / and won thy love doing thee injuries": the erotic economies of A Midsummer Night's Dream. |
Rieger, Gabriel |
Critical essay |
Jan 1, 2009 |
5679 |
| "What in me is dark/illumine" (PL 1:22-23): the "other" body of Samson Agonistes. |
Fernandez, Jane Lilly |
Critical essay |
Jun 22, 2008 |
9301 |
| Zimmerman's Metamorphoses: mythic revision as a ritual for grief. |
Chirico, Miriam M. |
|
Jun 22, 2008 |
10670 |
| Gimcracks legacy: sex, wealth, and the theater of experimental philosophy. |
Chico, Tita |
|
Mar 22, 2008 |
8183 |
| The paradoxes of slavery in Thomas Southerne's Oroonoko. |
Jaher, Diana |
|
Mar 22, 2008 |
8089 |
| Sheridan, The School for Scandal, and aggression. |
Thompson, James |
|
Mar 22, 2008 |
3891 |
| Recent studies in Tudor and Stuart drama. |
Platt, Peter G. |
Critical essay |
Mar 22, 2008 |
26795 |
| The Merchant Formerly Known as Jew[1]: Redefining the Rhetoric of Merchantry in Shakespeare's Merchant of Venice. |
Rich, Jennifer |
|
Jan 1, 2008 |
10219 |
| Las visitas en Dona Rosita la soltera: ?ambientales o reflejos? |
Brakel, Arthur |
Report |
Jan 1, 2008 |
3553 |
| A linguagem obscena do parvo no Auto da Barca do Inferno de Gil Vicente: uma luta de palavras pelos espacos divinos. |
Martinez, Monserrat Bores |
Report |
Jan 1, 2008 |
3928 |
| "To think these trifles some-thing": Shakespearean playbooks and the claims of authorship. |
Kastan, David Scott |
Critical essay |
Jan 1, 2008 |
5101 |
| The Merchant of Venice, the Arab-Israeli conflict, and the perils of Shakespearean appropriation. |
Bayer, Mark |
|
Dec 22, 2007 |
11359 |
| Sacerdotal vestiges in The Tempest. |
Reid, Robert L. |
|
Dec 22, 2007 |
8594 |
| Beyond Caliban's curses: the decolonial feminist literacy of Sycorax. |
Lara, Irene |
Critical essay |
Nov 1, 2007 |
9824 |
| May-June 2007: "dramatic moments". |
Schneider, Richard, Jr. |
|
May 1, 2007 |
603 |
| The failure of the modern Aesop (1) in anglophone Cameroonian drama: the example of Hansel Ndumbe Eyoh's The Inheritance (2). |
Besong, Bate |
|
Mar 22, 2007 |
8071 |
| Anti-Semitism, surrogacy, and the invocation of Mohammed in the Play of the Sacrament. |
Chemers, Michael Mark |
|
Mar 22, 2007 |
13067 |
| Shakespeare's Julius Caesar, Erasmus's De Copia, and sentential ambiguity. |
Yu, Jeffrey J. |
|
Mar 22, 2007 |
10806 |
| A playwright's spiritual coming out: 'Matthew Passion' looks at redemption through the prism of homosexuality. |
Blaney, Retta |
|
Mar 16, 2007 |
809 |
| McNally after the 'gay Jesus' play. |
Frontain, Raymond-Jean |
|
Mar 1, 2007 |
3588 |
| 'Lane, you're a perfect pessimist': pessimism and the English Fin de siecle. |
Shrimpton, Nicholas |
Critical essay |
Jan 1, 2007 |
8254 |
| Morose's turban. |
Sebek, Barbara |
|
Jan 1, 2007 |
2497 |
| "I care not, let naturals love nations": cosmopolitan clowning. |
Brown, Pamela Allen |
|
Jan 1, 2007 |
3025 |
| Lives and letters in Antony and Cleopatra. |
Stewart, Alan |
|
Jan 1, 2007 |
11476 |
| Room for doubts in a nutshell: (in)finite spaces vs. spatial (in)definition in Hamlet. |
Gellert, Marcell |
Essay |
Jan 1, 2007 |
5251 |
| Performing aboriginalities: a cross-cultural perspective. |
Achitei, Simona |
Critical essay |
Jan 1, 2007 |
5311 |
| Edwin Forrest's redding up: elocution, theater, and the performance of the frontier. |
Rebhorn, Matthew |
|
Dec 22, 2006 |
9654 |
| Opposing forces: (re)playing Pocahontas and the politics of Indian removal on the antebellum stage. |
Jaroff, Rebecca |
|
Dec 22, 2006 |
8416 |
| The bride wielded a razor: images of women on the blackface stage of James McIntyre and Thomas Heath. |
Pasternack, Leslie |
|
Dec 22, 2006 |
7035 |
| Verbal and visual rhetorics of cancer: defying silence in Margaret Edson, Audre Lorde and Jo Spence's works. |
Florescu, Catalina Florina |
Critical essay |
Nov 1, 2006 |
10145 |
| The first Edinburgh and London editions of John Home's Douglas and the play's early stage history. |
McGinley, Kevin J. |
Critical essay |
Oct 1, 2006 |
6420 |
| Realms beyond the mountains: notes on Kenneth Rexroth. |
Woodcock, George |
Critical essay |
Sep 22, 2006 |
3547 |
| The three faces of Dick Cheney. |
Schroth, Raymond A. |
|
Jun 30, 2006 |
1101 |
| Edmund Eyre's The Maid of Normandy; or, Charlotte Corday in Anglo-Irish docudrama. |
Nielsen, Wendy C. |
|
Jun 22, 2006 |
9029 |
| From the ridiculous to the sublime: Ovidian and Neoplatonic registers in A Midsummer Night's Dream. |
|
|
May 1, 2006 |
8295 |
| Review of Cambridge Shakespeare, Spring 2006. |
|
|
May 1, 2006 |
562 |
| "With Honour Quit the Fort": Ambivalent Colonialism in Dryden's Amboyna. |
|
|
May 1, 2006 |
8370 |
| Marriage in late-medieval German Easter and Shrovetide plays. |
Classen, Albrecht |
|
Mar 22, 2006 |
10916 |
| Remembering Nagasaki. |
|
Brief Article |
Feb 1, 2006 |
134 |
| The Protestant context of George Peele's "pleasant conceited" Old Wives Tale. |
Ardolino, Frank |
|
Jan 1, 2006 |
9213 |
| Syntactically honest: Iago's character as reflected in Janos Acs's 1989 play-text. |
Tabi, Katalin |
Critical essay |
Jan 1, 2006 |
5122 |
| Language and ritual in T. S. Eliot's sweeney agonistes. |
Szele, Balint |
Critical essay |
Jan 1, 2006 |
6406 |
| Voices from the Irish margin: Sean O'Casey's The Shadow of a Gunman and Christina Reid's Joyriders. |
Kao, Wei H. |
Critical essay |
Jan 1, 2006 |
7100 |
| Early Asian drama: conversations and convergences. |
Salisbury, Eve |
Critical essay |
Sep 22, 2005 |
1950 |
| When chaos is come again: narrative and narrative analysis in Othello. |
Macaulay, Marcia |
Critical essay |
Sep 22, 2005 |
8829 |
| The trappings of All's Well That Ends Well. |
Clark, Ira |
Critical essay |
Sep 22, 2005 |
10728 |
| Shakespeare's "still-vexed" Tempest. |
Hunt, Maurice |
Critical essay |
Sep 22, 2005 |
7439 |
| Female Spectacle as Liberation in Margaret Cavendish's Plays. |
|
|
May 1, 2005 |
4550 |
| Space, violence, and bodies in Middleton and Cary. |
Heller, Jennifer L. |
|
Mar 22, 2005 |
7486 |
| Staging passion in Ford's The Lover's Melancholy. |
Hopkins, Lisa |
|
Mar 22, 2005 |
6289 |
| "Bodied Forth": spectator, stage, and actor in the early modern theater. |
Low, Jennifer A. |
|
Mar 22, 2005 |
12033 |
| Thomas Heywood's The Royall King, and the Loyall Subject and the fall of Robert Devereux, second earl of Essex. |
Lindberg, Kevin |
|
Mar 22, 2005 |
9099 |
| "In better places": space, identity, and alienation in Sarah Kane's Blasted. |
Wixson, Christopher |
|
Mar 22, 2005 |
6751 |
| Frank McGuinness and the Sons of Ulster. |
Kiberd, Declan |
|
Jan 1, 2005 |
9404 |
| Melodrama, convention, and rape. |
Branca, R. Rene |
|
Jan 1, 2005 |
4720 |
| A Dying Gaul: the signifying phallus and Tennessee Williams's "Three Players of a Summer Game". |
Bak, John |
|
Dec 22, 2004 |
13545 |
| Exorcizing blue devils: The Night of the Iguana as Tennessee Williams's ultimate confessional. |
Haake, C. Allen |
|
Dec 22, 2004 |
5557 |
| "Renouncing change": salvation and the sacred in Brian Friel's Faith Healer. |
Strain, Margaret M. |
Critical Essay |
Sep 22, 2004 |
9061 |
| 'To fly by those nets': violence and identity in Tom Murphy's A Whistle in the Dark. |
Arrowsmith, Aidan |
Critical Essay |
Sep 22, 2004 |
7145 |
| Pastoral exhibits: narrating authenticities in Conor McPherson's The Weir. |
Jordan, Eamonn |
|
Sep 22, 2004 |
8896 |
| Joanna Baillie's reflections on the passions: the "Introductory Discourse" and the properties of authorship. |
Brigham, Linda |
|
Sep 22, 2004 |
9541 |
| Introduction: whither Shakespop? Taking stock of Shakespeare in popular culture. |
Abele, Elizabeth |
Critical Essay |
Sep 22, 2004 |
4054 |
| Hamlet, synecdoche and history: teaching the tropes of "new remembrance". |
Acheson, Katherine O. |
Critical Essay |
Sep 22, 2004 |
10823 |
| "Hamlet, Part Eight, The Revenge" or, sampling Shakespeare in a postmodern world. |
Smith, Kay H. |
Critical Essay |
Sep 22, 2004 |
6781 |
| Communicating social inclusiveness (1): Paul Slabolepszy's Fordsburg's Finest (2) (1997). |
van Deventer, M.A. |
Critical Essay |
Aug 1, 2004 |
6770 |
| The alienated moralist in An Enemy of the People. |
Roshwald, Mordecai |
Critical Essay |
Jun 22, 2004 |
3972 |
| Does Beatrice Joanna Have a Subtext. |
|
|
May 1, 2004 |
10014 |
| 'A young man's ghost': Lady Gregory and J. M. Synge. |
Pethica, James |
Critical Essay |
Mar 22, 2004 |
9718 |
| Finding a voice: Augusta Gregory, Raftery, and cultural nationalism, 1899-1900. |
Hill, Judith |
Critical Essay |
Mar 22, 2004 |
7431 |
| Lady Gregory and the feminine journey: The Gaol Gate, Grania, and The Story Brought by Brigit. |
Duncan, Dawn |
Critical Essay |
Mar 22, 2004 |
4873 |
| Lady Gregory's 'humour of character': a Commedia approach to Spreading the News. |
Weitz, Eric |
Critical Essay |
Mar 22, 2004 |
5041 |
| The uses of interpretation in Hamlet. |
Croxford, Leslie |
Critical Essay |
Jan 1, 2004 |
10646 |
| Telling it like it isn't: the importance of the non-dit in Green's Sud. |
Armbrecht, Thomas J.D. |
Critical Essay |
Jan 1, 2004 |
6990 |
| Haunted and haunting O'Neill. |
Lynch, Vivian Valvano |
Critical Essay |
Sep 22, 2003 |
1269 |
| A memorable production of classic O'Casey. |
Krause, David |
|
Sep 22, 2003 |
1156 |
| 'They raigne ouer change, and doe their states maintaine': change, stasis, and postcoloniality in Frank McGuinness's Mutabilitie. |
Bertha, Csilla |
Critical Essay |
Sep 22, 2003 |
6738 |
| The lost playing places of Lincolnshire. |
Stokes, James |
|
Sep 22, 2003 |
8476 |
| Nonverbal theatrical elements in Ntozake Shange's for colored girls ... and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow). |
Shayal, Dalia El- |
|
Sep 22, 2003 |
6345 |
| The Tyrone anthology: authority in the last act of Long Day's Journey into Night. |
Dugan, Lawrence |
|
Sep 22, 2003 |
6243 |
| Colonial drama revealed, or plays submitted for approval. |
Pelosi, Janette |
|
Jul 1, 2003 |
4919 |
| Review of Lent Term: Cambridge Drama, 2003. |
|
Critical Essay |
May 1, 2003 |
955 |
| The Maltese Janus: Frances Ebejer and his drama. |
Crow, Brian; Galea, Marco |
|
Apr 1, 2003 |
4889 |
| The classical context of Ben Jonson's "other youth". |
Boehrer, Bruce |
|
Mar 22, 2003 |
8047 |
| "Ears prejudicate" in Mariam and Duchess of Malfi. |
Green, Reina |
|
Mar 22, 2003 |
7347 |
| Colonialism, Politics, and Romanization in John Fletcher's Bonduca. |
Jowitt, Claire |
|
Mar 22, 2003 |
8361 |
| All right an assessment of Tom Stoppard's plays. |
Karwowski, Michael |
Critical Essay |
Mar 1, 2003 |
3039 |
| On Shylock: a reassessment of Shakespeare's tragic Jew. (Arts and Letters). |
Lang, Allen A. |
Critical Essay |
Feb 1, 2003 |
2864 |
| Hrotsvit's Sapientia: rhetorical power and women of wisdom. |
Richmond, Colleen D. |
|
Jan 1, 2003 |
5508 |
| Cloud 9, metadrama, and the post-semiotics of the subject. |
Kiss, Attila |
Critical essay |
Jan 1, 2003 |
3951 |
| The Re-Gendering of Mythic Figures in Three Shakespearean Dramas. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
217 |
| Ophelia's Distorted Marriage Rites in Shakespeare's Hamlet. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
212 |
| Weaving the Web of Gossip: Player Kings in Shakespeare's Much Ado About Nothing. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
234 |
| Shakespeare's Distracted Globe and Hamlet's Theory of Theatre. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
232 |
| Shakespeare's Others as Witnesses: The Role of Thersites in Troilus and Cressida. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
213 |
| Reclaiming McCullers: with her new play on author Carson McCullers, Sarah Schulman brings her empathetic outsider's eye to New York's mainstream theater scene. (theater). |
Shewey, Don |
Brief Article |
Feb 5, 2002 |
567 |
| Unwitting redemption in Margaret Edson's Wit. |
Eads, Martha Greene |
Critical Essay |
Jan 1, 2002 |
5934 |
| Um Auto de Gil Vicente and the tradition of comedy. |
Earle, T.F. |
|
Jan 1, 2002 |
4258 |
| "Written on my tainted brow": woman and the exegetical tradition in The Tragedy of Mariam. |
Bennett, Lyn |
|
Sep 22, 2001 |
10802 |
| Theatricality and cosmopolitanism in Hannah Cowley's The Belle's Stratagem. |
Wallace, Elizabeth Kowaleski |
|
Sep 22, 2001 |
7076 |
| Hedda and Bailu: portraits of two "bored" women. |
He, Chengzhou |
|
Sep 22, 2001 |
7021 |
| The Merchant of Venice and Shylock's "Christian Problem". |
Spiro, Jack D. |
Critical Essay |
Jul 1, 2001 |
2925 |
| Flattery in Shakespeare's Othello: the relevance of Plutarch and Sir Thomas Elyot. |
Evans, Robert C. |
|
Mar 22, 2001 |
17964 |
| Intercession, detraction, and just judgment in Othello. |
Hassel, R. Chris, Jr. |
|
Mar 22, 2001 |
10288 |
| Emblems of folly in the first Othello: renaissance blackface, moor's coat, and "muckender". |
Hornback, Robert |
|
Mar 22, 2001 |
11821 |
| "Othello/me": racial drag and the pleasures of boundary-crossing with Othello. |
Marks, Elise |
|
Mar 22, 2001 |
9914 |
| As You Like It, Rosalynde, and Mutuality. |
STROUT, NATHANIEL |
Critical Essay |
Mar 22, 2001 |
8235 |
| Questioning History in Cymbeline. |
CRUMLEY, J. CLINTON |
Critical Essay |
Mar 22, 2001 |
7452 |
| Knowledge and Belief in The Winter's Tale. |
LIM, WALTER S. H. |
Critical Essay |
Mar 22, 2001 |
7539 |
| Giving Voice to Women: Teaching Feminist Approaches to the Mystery Plays. |
Normington, Katie |
Critical Essay |
Mar 22, 2001 |
10435 |
| James Kelman (3). |
Bernstein, Stephen |
|
Sep 22, 2000 |
4723 |
| `Life Is a Dream'. |
CAIN, BILL |
|
Jul 28, 2000 |
1668 |
| The Urner Tellenspiel of 1512: Strategies of Early Political Drama. |
WALSH, MARTIN W. |
|
Jun 22, 2000 |
6818 |
| CAESAR TALKS, CROWD WALKS. |
FRITH, KELLEE |
|
Jun 1, 2000 |
1392 |
| Dialectica historica. |
Valdivieso, L. Teresa |
|
Jan 1, 2000 |
2988 |
| Aspects of Africanness in August Wilson's drama: reading 'The Piano Lesson' through Wole Soyinka's drama. |
Bissiri, Amadou |
|
Mar 22, 1996 |
9457 |
| Recent studies in Tudor and Stuart drama. |
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