Criticism and interpretation subtopic
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Articles
1-38 out of 38 article(s)
| Title |
Author |
Type |
Date |
Words |
| Whatever happened to the American short story? |
Shivani, Anis |
Essay |
Jun 22, 2009 |
4516 |
| The dis-closure of Huckleberry Finn. Natura Naturata vs. Lumen Naturale, ligthing out vs. Lichtung (1). |
Semrau, Janusz |
Essay |
Jan 1, 2007 |
24697 |
| "The strangest freaks of despotism": queer sexuality in Antebellum African American slave narratives. |
Abdur-Rahman, Aliyyah I. |
Critical essay |
Jun 22, 2006 |
8830 |
| The conspiracy of masculinity in Ishmael Reed. |
Strombeck, Andrew |
Critical essay |
Jun 22, 2006 |
7278 |
| The art of Tom Dent: notes on early evidence. |
Ward, Jerry W., Jr. |
Critical essay |
Jun 22, 2006 |
3419 |
| "In the glad flesh of my fear": Corporeal Inscriptions in Richard Bruce Nugent's Geisha Man. |
Schmidt, Tyler T. |
|
Mar 22, 2006 |
6654 |
| "A direction of one's own": alienation in Mrs. Dalloway and Sula. |
Fulton, Lorie Watkins |
|
Mar 22, 2006 |
6967 |
| Fading to white, fading away: biracial bodies in Michelle Cliff's Abeng and Danzy Senna's Caucasia. |
Dagbovie, Sika Alaine |
|
Mar 22, 2006 |
10732 |
| Tapping the groundwaters. |
Marsh, Molly |
|
Nov 1, 2005 |
597 |
| The shape of our despair: the fiction of Joyce Carol Oates. |
Schilling, Timothy P. |
Critical Essay |
Jul 15, 2005 |
2128 |
| Pynchon from A to V: Rocket redux; Gerald Howard on Gravity's Rainbow: Remembered, reread, reconsidered. |
Erickson, Steve |
Critical Essay |
Jun 22, 2005 |
15597 |
| Philip Roth's populist Nightmare. |
Schweber, Matthew S. |
Critical Essay |
Jan 1, 2005 |
4616 |
| "Try to refrain from that desire": self-control and violent passion in Oscar Micheaux's African American Western. |
Johnson, Michael K. |
Critical Essay |
Sep 22, 2004 |
11194 |
| National socialism and blood-sacrifice in Zora Neale Hurston's Moses, Man of the Mountain. |
Thompson, Mark Christian |
Critical Essay |
Sep 22, 2004 |
13695 |
| Not entirely strange, but not entirely friendly either: images of Jews in African American passing novels through the Harlem renaissance. |
Meyer, Adam |
Critical Essay |
Sep 22, 2004 |
6353 |
| "Like a violin for the wind to play": lyrical approaches to lynching by Hughes, Du Bois, and Toomer. |
Banks, Kimberly |
Critical Essay |
Sep 22, 2004 |
9182 |
| Inverting history in Octavia Butler's postmodern slave narrative. |
Steinberg, Marc |
Critical Essay |
Sep 22, 2004 |
6044 |
| Hard-boiled black easy: genre conventions in A Red Death. |
Gray, W. Russel |
Critical Essay |
Sep 22, 2004 |
5728 |
| "Passing on" death: stealing life in Toni Morrison's Paradise. |
Aguiar, Sarah Appleton |
Critical Essay |
Sep 22, 2004 |
4294 |
| America--c'est moi! Alfred Kazin on American literature. |
Kramer, Hilton |
|
Apr 1, 2004 |
2043 |
| Domestic violence in the Harlem Renaissance: remaking the record in Nella Larsen's Passing and Toni Morrison's Jazz. |
Knadler, Stephen |
Critical Essay |
Mar 22, 2004 |
12167 |
| Language of assent: republican rhetoric and metaphors of national redemption in American revolutionary drama. |
Detsi-Diamanti, Zoe |
Critical Essay |
Jan 1, 2004 |
8986 |
| Mourning, masculinity and the drama of the American revolution. |
Henderson, Desiree |
Critical Essay |
Jan 1, 2004 |
4889 |
| Tramps and tourists: Europe in Mark Twain's A Tramp Abroad. |
Messent, Peter |
Critical Essay |
Jan 1, 2004 |
8940 |
| 'While I waggled my small feet': Henry James's return to Paris. |
Bradbury, Nicola |
Critical Essay |
Jan 1, 2004 |
4157 |
| Levels of disclosure: voices and people in Henry James's Italian Hours. |
Collister, Peter |
Critical Essay |
Jan 1, 2004 |
9646 |
| The Winning of the West: Washington Irving's A Tour on the Prairies. |
Reynolds, Guy |
Critical Essay |
Jan 1, 2004 |
6340 |
| Dead letter office: conspiracy, trauma, and Song of Solomon's posthumous communication. |
Rothberg, Michael |
Critical Essay |
Dec 22, 2003 |
9819 |
| "I will gladly share with them my richer heritage": schoolteachers in Frances E. W. Harper's Iola Leroy and Charles Chesnutt's Mandy Oxendine. |
Jackson, Cassandra |
Critical Essay |
Dec 22, 2003 |
9825 |
| Rumors of Grace: white masculinity in Pauline Hopkins's contending forces. |
McCoy, Beth |
Critical Essay |
Dec 22, 2003 |
7681 |
| Evan Shipman: friend and foil. |
Risch Robert |
Critical Essay |
Sep 22, 2003 |
6247 |
| It was all a pleasant business: the historical context of "On the Quai at Smyrna". |
Stewart, Matthew |
Critical Essay |
Sep 22, 2003 |
5999 |
| "Hills Like White Elephants": the jilting of Jig. |
Hashmi, Nilofer |
Critical Essay |
Sep 22, 2003 |
5131 |
| Hemingway's masochism, sodomy, and the, dominant woman. |
Fantina, Richard |
Critical Essay |
Sep 22, 2003 |
9046 |
| Mark Twain's perceptual revision: using the structural differential to map change. (Practical Application of GS Formulations). |
Maas, David F. |
|
Mar 22, 2002 |
2126 |
| WE HAVE GOOD BOOKS, TOO : 'Masterpiece Theatre' goes American. |
Wren, Celia |
Brief Article |
Oct 20, 2000 |
859 |
| Midwestern loneliness: the novels of Jon Hassler. |
Hynes, John |
Cover Story |
Nov 3, 1995 |
3345 |
| The civil war and American destiny. |
Fleming, Thomas (American writer) |
|
Nov 6, 1987 |
4048 |
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