Criticism and interpretation subtopic
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Articles
1-255 out of 255 article(s)
| Title |
Author |
Type |
Date |
Words |
| Angelo Beolco: dall'enigma della sopravvivenza all'estetica dei lazzi. |
Pazzaglia, Nicoletta |
|
May 28, 2013 |
9259 |
| Proverbs in Wole Soyinka's construction of paradox in The Lion and The Jewel and Death and The King's Horseman. |
Omigbule, M.B. |
Critical essay |
Mar 1, 2013 |
7375 |
| Falstaff's conscience and protestant thought in Shakespeare's second Henriad. |
Avery, Joshua |
Critical essay |
Jan 1, 2013 |
5671 |
| Homoerotic desire and renaissance lyric verse. |
Yearling, Rebecca |
Critical essay |
Jan 1, 2013 |
8196 |
| Pan Africanism, myth and history in African and Caribbean drama. |
Oloruntoba-Oju, Omotayo |
Critical essay |
Dec 1, 2012 |
8170 |
| Evans's The Turducken and Chekhov's The Seagull. |
Johnson, Brian R. |
Critical essay |
Dec 1, 2012 |
6546 |
| Jobian suffering in Shelley's The Cenci. |
Kim, Jane E. |
Critical essay |
Sep 22, 2012 |
12412 |
| "You ha'done me a charitable office": autolycus and the economics of festivity in The Winter's Tale. |
Ingram, Jill Phillips |
Critical essay |
Sep 22, 2012 |
4999 |
| Zen and the art of self-negation in Samuel Beckett's Not I. |
Gillette, Kyle |
Critical essay |
Sep 22, 2012 |
8179 |
| Fugard, Kani, Ntshona's The Island: Antigone as South African drama. |
Gordon, Robert |
Critical essay |
Sep 22, 2012 |
8157 |
| Hamlet the difference machine. |
Barker, Stephen |
Critical essay |
Sep 22, 2012 |
8843 |
| Othellos, Dickenses, and Dombeys. |
Glavin, John |
Critical essay |
Sep 22, 2012 |
9760 |
| In Hamlet's Shadow: mourning and melancholia in Little Dorrit. |
Lawrence Frank |
Critical essay |
Sep 22, 2012 |
16658 |
| Rumours, gossip and lies: social anxiety and the evil child in Lillian Hellman's The Children's Hour. |
Tunc, Tanfer Emin |
Critical essay |
Sep 1, 2012 |
10214 |
| "Theatre as a Memory Machine": Magrita Prinslo (1896) and Donkerland (1996). |
Keuris, Marisa |
Critical essay |
Sep 1, 2012 |
6843 |
| Traces of Afrocentricity in The Lion and the Jewel and The Road by Wole Soyinka. |
Zargar, Sara |
|
Jun 30, 2012 |
5238 |
| Oedipus crux: reasonable doubt in Oedipus the King. |
Fosso, Kurt |
Critical essay |
Jun 22, 2012 |
15603 |
| Justice is a mirage: failures of religious order in Marlowe's Tamburlaine plays. |
Watkins, Leila |
Critical essay |
Jun 22, 2012 |
9273 |
| Memory's dramas, modernity's ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel's The Long Christmas Ride Home. |
Mansbridge, Joanna |
Critical essay |
Jun 22, 2012 |
10439 |
| History and Politics in Parthasarathy's Play Aurangzeb. |
Sarkar, Shubh Brat |
Critical essay |
Jun 1, 2012 |
4447 |
| Joaquin Pacheco's Alfredo and the father-son conflict in Spanish romantic drama. |
Blackshaw Naberhaus, Christine |
Critical essay |
Jan 1, 2012 |
8583 |
| Sir Giles Goosecap, Knight: George Chapman; Poetaster; and the Children of the Chapel. |
Catheart, Charles |
Critical essay |
Jan 1, 2012 |
9550 |
| Revising jealousy in the Merry Wives of Windsor. |
Olson, Rebecca |
Critical essay |
Jan 1, 2012 |
7842 |
| 'I usually first see a play as a picture': Lady Gregory and the Visual Arts. |
Remport, Eglantina |
Essay |
Sep 22, 2011 |
7980 |
| The traumatic realism of Christopher Marlowe's the massacre at Paris. |
Martin, Mathew R. |
|
Sep 1, 2011 |
6259 |
| Intermedial representations in Asian Macbeth-s. |
Wang, I-Chun |
Critical essay |
Sep 1, 2011 |
5406 |
| The spirit of matter in Buchner. |
Nagel, Barbara Natalie |
Critical essay |
Sep 1, 2011 |
6846 |
| On stage with d'bi.young anitafrika and word! Sound! Powah! |
Simpson, Hyacinth M. |
Critical essay |
Jul 1, 2011 |
5706 |
| A white man in exile: the failure of masculinity in Athol Fugard's Sorrows and Rejoicings. |
Krueger, Anton |
Report |
Jul 1, 2011 |
5157 |
| Richard II and the book of life. |
Estill, Laura |
Critical essay |
Mar 22, 2011 |
9802 |
| Adoption and the language of horticulture in All's Well That Ends Well. |
Ellerbeck, Erin |
Critical essay |
Mar 22, 2011 |
9564 |
| Purgation, exorcism, and the civilizing process in Macbeth. |
Hampton, Bryan Adams |
Critical essay |
Mar 22, 2011 |
8661 |
| Henry VIII, Shakespeare, and the Jacobean royal Court. |
Rankin, Mark |
Critical essay |
Mar 22, 2011 |
7204 |
| Jacobean Politics of interpretation in Jonson's Masque of Blacknesse. |
Odom, Glenn A. |
Critical essay |
Mar 22, 2011 |
6806 |
| Ben Jonson's legal imagination in Volpone. |
Klotz, Lisa |
Critical essay |
Mar 22, 2011 |
9824 |
| Citizens, gentry, and the double ending of Rowley and Middleton's a Fair Quarrel. |
Nicol, David |
Critical essay |
Mar 22, 2011 |
8442 |
| Gendering performance in At Her Feet. |
Cloete, Nicola |
Critical essay |
Mar 1, 2011 |
4654 |
| Two traumas one aesthetic in Walsh's operation masacre and Kaufman's the Laramie project. |
Morello, Henry James |
Critical essay |
Mar 1, 2011 |
5908 |
| Echoes of Sophocles's Antigone in Auster's invisible. |
Waller, Kathleen |
Critical essay |
Mar 1, 2011 |
5603 |
| Introduction. |
Yates, Julian; Sullivan, Garrett |
Critical essay |
Jan 1, 2011 |
3399 |
| Economies of nature in Shakespeare. |
Feerick, Jean E. |
Critical essay |
Jan 1, 2011 |
4908 |
| The preternatural ecology of "A Lover's Complaint". |
Floyd-Wilson, Mary |
Critical essay |
Jan 1, 2011 |
3996 |
| Shakespeare's globe and England's woods. |
Nardizzi, Vin |
Critical essay |
Jan 1, 2011 |
3964 |
| Ecosystemic Shakespeare: vegetable memorabilia in the Sonnets. |
Calhoun, Joshua |
Critical essay |
Jan 1, 2011 |
3924 |
| "To fright the animals and to kill them up": Shakespeare and ecology. |
O'Dair, Sharon |
Critical essay |
Jan 1, 2011 |
3885 |
| Shakespeare's beach house, or the green and the blue in Macbeth. |
Mentz, Steve |
Critical essay |
Jan 1, 2011 |
3518 |
| Cognitive ecology as a framework for Shakespearean studies. |
Tribble, Evelyn; Sutton, John |
Critical essay |
Jan 1, 2011 |
3784 |
| Shakespeare @ the limits. |
Smith, Bruce R. |
Critical essay |
Jan 1, 2011 |
3413 |
| The French source of the earliest surviving Arabic Hamlet. |
Litvin, Margaret |
Critical essay |
Jan 1, 2011 |
6940 |
| "To buy, or not to buy": Hamlet and Consumer culture. |
Smith, Emma |
Critical essay |
Jan 1, 2011 |
8493 |
| "A wording poet": Othello among the mountebanks. |
Mirabella, Bella |
Critical essay |
Jan 1, 2011 |
11435 |
| Violence, visual metaphor, and the "true" Lucrece. |
Vasileiou, Margaret Rice |
Critical essay |
Jan 1, 2011 |
6600 |
| "Pyramids of Egypt": Shakespeare's Sonnets and a Victorian turn to obscurity. |
Williams, Rhian |
Critical essay |
Dec 22, 2010 |
8851 |
| "The Kingdom of Heaven within us": inner (world) peace in Gilbert Murray's Trojan Women. |
Perris, Simon |
|
Dec 22, 2010 |
6885 |
| Is Mr. Euripides a Communist? The Federal Theatre Project's 1938 Trojan Incident. |
Davis, Robert |
|
Dec 22, 2010 |
7241 |
| "Now the struggle is for all" (Aeschylus's Persians 405): what a difference a few years make when interpreting a classic. |
Van Steen, Gonda |
|
Dec 22, 2010 |
5318 |
| Oedipus, Suez, and Hungary: T.S. Eliot's tradition and The Elder Statesman. |
Simpson, Michael |
|
Dec 22, 2010 |
7990 |
| Alberto Savinio's Alcesti di Samuele in the aftermath of the Second World War. |
Torello, Giulia |
|
Dec 22, 2010 |
1036 |
| Politics, war, and adaptation: Ewan MacColl's Operation Olive Branch, 1947. |
Warden, Claire |
|
Dec 22, 2010 |
1275 |
| Aristophanes and Douglas Young. |
Marshall, C.W. |
|
Dec 22, 2010 |
2773 |
| Affirming human bonds in a time of crisis--a central action of Euripides' Heracles? |
England, Frank |
Critical essay |
Dec 1, 2010 |
7133 |
| Shakespeare and "the I-word". |
Salkeld, Duncan |
Critical essay |
Sep 22, 2010 |
5594 |
| Intention and editing. |
Drakakis, John |
Critical essay |
Sep 22, 2010 |
5587 |
| Two "mendicants of heaven": Francois Mauriac and Jacques Maritain. |
Beneton, Philippe |
Critical essay |
Sep 22, 2010 |
5005 |
| Between languages: Athol Fugard and/in Afrikaans. |
Keuris, Marisa |
Essay |
Sep 1, 2010 |
6656 |
| Marguerite Ida-Helena Annabel in Gertrude Stein's Doctor Faustus Lights the Lights. |
Cardullo, Bert |
|
Sep 1, 2010 |
808 |
| Keeping it in the family: incest, repression and the fear of the hybrid in Reza de Wet's English plays/Binne die familie: repressie, bloedskande en die vrees vir hibriditeit in Reza de Wet se Engelse dramas. |
Krueger, A. |
Critical essay |
Aug 1, 2010 |
6385 |
| The unqueering of As You Like It. |
Tracy, Ryan |
Critical essay |
Jul 1, 2010 |
2459 |
| Toward a prison poetics. |
Larson, Doran |
Critical essay |
Jun 22, 2010 |
11566 |
| Pericles, Paul, and Protestantism. |
Finkelstein, Richard |
Report |
Jun 22, 2010 |
12063 |
| The spirit of the chorus in D'Annunzio's La citta morta. |
Nikopoulos, James |
Report |
Jun 22, 2010 |
9882 |
| "Hilda, harnessed to a purpose": Elizabeth Robins, Ibsen, and the vote. |
Joannou, Maroula |
Report |
Jun 22, 2010 |
8491 |
| Tragedy after Darwin: Timberlake Wertenbaker remakes "Modern" tragedy. |
Freeman, Sara |
Report |
Jun 22, 2010 |
10684 |
| Tolstoy's presence in Fugard's "Master Harold" ... and the boys: Sam's pacifist Christian perseverance and "a case of illness. |
Urban, David V. |
Critical essay |
Jun 22, 2010 |
7105 |
| Eve's Nature, Eve's Nurture in Dryden's Edenic Opera. |
Airey, Jennifer L. |
Critical essay |
Jun 22, 2010 |
6636 |
| Manufacturing spectacle: the Georgian playhouse and urban trade and manufacturing. |
Brown, Susan E. |
Critical essay |
Jun 1, 2010 |
11195 |
| Coming out: McGuinness's dramaturgy and queer resistance. |
Cregan, David |
Critical essay |
Mar 22, 2010 |
5372 |
| The tyranny of memory: remembering the great war in Frank McGuinness's Observe the Sons of Ulster Marching Towards the Somme. |
Pine, Emilie |
Critical essay |
Mar 22, 2010 |
4527 |
| Mutabilitie: in search of Shakespeare. |
Grene, Nicholas |
Critical essay |
Mar 22, 2010 |
4112 |
| Brushing history against the grain: the renaissance plays of Frank McGuinness. |
Fogarty, Anne |
Critical essay |
Mar 22, 2010 |
6039 |
| Till death do us part: communion, alchemy, and endings in the work of Frank McGuinness. |
Jordan, Eamonn |
Critical essay |
Mar 22, 2010 |
7358 |
| Sport in Artur Azevedo's revues: a reflection of developments in late 19th century Rio de Janeiro Society. |
Knijnik, Jorge; de Melo, Victor Andrade |
Essay |
Mar 22, 2010 |
5633 |
| Reversed heroines in Neil Simon's Biloxi Blues. |
Andreach, Robert J. |
Critical essay |
Mar 1, 2010 |
748 |
| Parallels and poetry: Shakespeare, Kyd, and Arden of Faversham. |
Jackson, MacDonald P. |
Critical essay |
Jan 1, 2010 |
7387 |
| Reading Orlando historically: vagrancy, forest, and vestry values in Shakespeare's As You Like It. |
Fitter, Chris |
Critical essay |
Jan 1, 2010 |
12217 |
| Doing it slant: reconceiving Shakespeare in the Shakespeare aftermath. |
Cartelli, Thomas |
Essay |
Jan 1, 2010 |
4400 |
| King Lear or Bolt: the entertainment unconscious from CalArts to Disney. |
Hedrick, Donald |
Essay |
Jan 1, 2010 |
3998 |
| Certain tendencies in criticism of Shakespeare on film. |
Burt, Richard; Newstok, Scott L. |
|
Jan 1, 2010 |
6777 |
| Shakespeare and the Gothic Strain. |
Charnes, Linda |
Essay |
Jan 1, 2010 |
8513 |
| Love and money in the Merchant of Venice. |
Harp, Richard |
Critical essay |
Jan 1, 2010 |
4907 |
| Editors' introduction to "Shakespearean hearing". |
Dunn, Leslie; Folkerth, Wes |
Editorial |
Jan 1, 2010 |
2647 |
| "A verse to this note": Shakespeare's haunted songs. |
Mincar, Erin K. |
Critical essay |
Jan 1, 2010 |
7272 |
| "Here's a knocking indeed!": Macbeth and the Harrowing of Hell. |
Schreyer, Kurt |
Critical essay |
Jan 1, 2010 |
8598 |
| Shakespeare and the Numbering Clock. |
Berggren, Paula S. |
Critical essay |
Jan 1, 2010 |
6347 |
| "Dining on two dishes": Shakespeare, adaptation, and auditory reception of Purcell's the fairy-queen. |
Deutermann, Allison Kay |
Critical essay |
Jan 1, 2010 |
7561 |
| Shakespeare's inner music. |
Witmore, Michael |
Critical essay |
Jan 1, 2010 |
4852 |
| G.H. Franz's Modjadji: archetypes of time and the transcendence of history/G.H. Franz se Modjadji: die transendensie van geskiedenis deur argetipes van tyd. |
Boshego, L.P.; Lloyd, D.W. |
Critical essay |
Dec 1, 2009 |
8558 |
| Literary allusions in Sam Shepard's Buried Child. |
Cadullo, Bert |
|
Nov 1, 2009 |
835 |
| Sport in Artur Azevedo's revues: a reflection of developments in late 19th century Rio de Janeiro society. |
Knijnik, Jorge; de Melo, Victor Andrade |
Critical essay |
Sep 22, 2009 |
5637 |
| Contesting constancy in The Merchant of Venice. |
Blanchard, Jane |
Critical essay |
Jun 22, 2009 |
4966 |
| Shakespeare, Faulkner, and the expression of the tragic. |
Chesney, Duncan McColl |
Critical essay |
Jun 22, 2009 |
12739 |
| Cultural memory and circular time in Suzan-Lori Parks's betting on the dust commander. |
Kolin, Philip C. |
Critical essay |
May 1, 2009 |
1265 |
| The failure of representation in Jack B. Yeats's The Green Wave and In Sand. |
Walsh, Ian R. |
Critical essay |
Mar 22, 2009 |
4343 |
| "She make you right with yourself": Aunt Ester, masculine loss and cultural redemption in August Wilson's cycle plays. |
Caywood, Cynthia L.; Floy, Carlton |
Critical essay |
Mar 22, 2009 |
10704 |
| "Their baggage a long line of separation and dispersement": haunting and trans-generational trauma in Joe Turner's come and gone. |
Grant, Sinikka |
Critical essay |
Mar 22, 2009 |
10030 |
| The shattered mirror: what August Wilson means and willed to mean. |
Burbank, Sergei |
Critical essay |
Mar 22, 2009 |
5748 |
| Introduction; special issue on August Wilson. |
Caywood, Cynthia L.; Elkins, Marilyn; Floyd, Carlton |
|
Mar 22, 2009 |
2853 |
| On the trail of the prodigal son. |
Leroux, Georges |
Critical essay |
Mar 22, 2009 |
2968 |
| Allusion and sacrifice in Titus Andronicus. |
Hilaire, Danielle A. St. |
Critical essay |
Mar 22, 2009 |
9435 |
| Music and the crisis of meaning in Othello. |
Minear, Erin |
Critical essay |
Mar 22, 2009 |
6682 |
| Thomas Heywood in the house of the Wise-woman. |
Gibbons, Daniel R. |
Critical essay |
Mar 22, 2009 |
11203 |
| Dramatic nostalgia and spectacular conversion in Dekker and Massinger's: the virgin Martyr. |
Pickett, Holly Crawford |
Critical essay |
Mar 22, 2009 |
11257 |
| Staging the Jesuitess in A Game at Chess. |
Bicks, Caroline |
Critical essay |
Mar 22, 2009 |
9234 |
| Bigamy in Miller's The Ride Down Mt. Morgan. |
Meyers, Jeffrey |
Critical essay |
Mar 1, 2009 |
873 |
| Spaces, doors and places in early modern English staging. |
Fitzpatrick, Tim; Johnston, Daniel |
Critical essay |
Feb 1, 2009 |
7561 |
| Again, poets and Julius Caesar. |
Maurer, Margaret |
Critical essay |
Jan 1, 2009 |
6097 |
| "A Carrion Death": the theme of the gold casket in The Merchant of Venice. |
Stone, James W. |
Critical essay |
Jan 1, 2009 |
8259 |
| Domestic economies in The Taming of the Shrew: amassing cultural credit. |
Chamberlain, Stephanie |
Critical essay |
Jan 1, 2009 |
9774 |
| "I woo'd thee with my sword, / and won thy love doing thee injuries": the erotic economies of A Midsummer Night's Dream. |
Rieger, Gabriel |
Critical essay |
Jan 1, 2009 |
5679 |
| "Duble Vantage": Tennis and Sonnet 88. |
Blick, Fred |
Critical essay |
Jan 1, 2009 |
3582 |
| After the revolution: Jerusalema and the entrepreneurial present. |
de Villiers, Dawid W. |
Critical essay |
Jan 1, 2009 |
6680 |
| Frederick B. Philander--maverick playwright of Namibia. |
Schauffer, Dennis |
Critical essay |
Jan 1, 2009 |
4319 |
| "Goodlie anticke apparrell"?: Sophocles' Ajax at early modern Oxford and Cambridge. |
Knight, Sarah |
Critical essay |
Jan 1, 2009 |
6880 |
| The cook and the cannibal: Titus Andronicus and the new world. |
Goldstein, David B. |
Critical essay |
Jan 1, 2009 |
13479 |
| Speaking process. |
Orkin, Martin |
Critical essay |
Jan 1, 2009 |
10106 |
| Where Iago Lies: Home, honesty and the Turk in Othello. |
|
Critical essay |
Jan 1, 2009 |
7866 |
| Beckett's other revelation: The Capital of the Ruins. |
Gribben, Darren |
Critical essay |
Sep 22, 2008 |
4270 |
| The banning of George Bernard Shaw's The Adventures of the Black Girl in Her Search for God and the decline of the Irish Academy of Letters. |
Kent, Brad |
Critical essay |
Sep 22, 2008 |
9021 |
| 'Put to silence': murder, madness, and 'moral neutrality' in Shakespeare's Titus Andronicus and Martin McDonagh's the Lieutenant of Inishmore. |
Wilcock, Mike |
Critical essay |
Sep 22, 2008 |
20348 |
| Dialectics of social class in the Gilbert and Sullivan collaboration. |
Fischler, Alan |
Critical essay |
Sep 22, 2008 |
3733 |
| Tennessee Williams' women in a man's world. |
DiSchiavi, Michael |
Critical essay |
Jul 1, 2008 |
1301 |
| Rethinking Shakespeare. |
Posner, Michael |
Cover story |
Jun 22, 2008 |
3166 |
| The secular morality of Middleton's city comedies. |
Alwes, Derek B. |
|
Jun 22, 2008 |
7737 |
| Zimmerman's Metamorphoses: mythic revision as a ritual for grief. |
Chirico, Miriam M. |
|
Jun 22, 2008 |
10670 |
| Staging a new literary history: Suzan-Lori Parks's Venus, In the Blood, and Fucking A. |
Schafer, Carol |
|
Jun 22, 2008 |
9948 |
| "The end of Nigerian history": Wole Soyinka and Yoruba historiography. |
Odom, Glenn A. |
|
Jun 22, 2008 |
10218 |
| "Somewhat like war": the aesthetics of segregation, black liberation, and A Raisin in the Sun. |
Gordon, Michelle |
Critical essay |
Mar 22, 2008 |
7526 |
| Human malevolence and providence in King Lear. |
Beauregard, David N. |
|
Mar 22, 2008 |
10333 |
| The paradoxes of slavery in Thomas Southerne's Oroonoko. |
Jaher, Diana |
|
Mar 22, 2008 |
8089 |
| Performing the West Indies: comedy, feeling, and British identity. |
Marsden, Jean |
|
Mar 22, 2008 |
6087 |
| Sheridan, The School for Scandal, and aggression. |
Thompson, James |
|
Mar 22, 2008 |
3891 |
| Doctor Faustus and the printer's devil. |
Wall-Randell, Sarah |
Critical essay |
Mar 22, 2008 |
9401 |
| Patient Grissil and Jonsonian satire. |
Rutter, Tom |
Critical essay |
Mar 22, 2008 |
8418 |
| Siring the grandchild in the Winter's Tale and The Fawn. |
Reeder, Robert W. |
Critical essay |
Mar 22, 2008 |
9123 |
| Single parenting, homeschooling: Prospero, Caliban, Miranda. |
Shin, Hiewon |
Critical essay |
Mar 22, 2008 |
8419 |
| The end of the English history play in Perkin Warbeck. |
Taylor, Miles |
Critical essay |
Mar 22, 2008 |
9209 |
| Performance, performativity, and identity in Margaret Cavendish's The Convent of Pleasure. |
Kellett, Katherine R. |
Critical essay |
Mar 22, 2008 |
9845 |
| The Marlowe in Edward II. |
Ellenzweig, Allen |
Critical essay |
Mar 1, 2008 |
2553 |
| Brian Vickers, Approaching Shakespeare's late style. |
Vickers, Brian |
|
Jan 1, 2008 |
8462 |
| The Merchant Formerly Known as Jew[1]: Redefining the Rhetoric of Merchantry in Shakespeare's Merchant of Venice. |
Rich, Jennifer |
|
Jan 1, 2008 |
10219 |
| Commodity Fetishism in Richard Brome's A Mad Couple Well Matched and its Sources. |
Ryner, Bradley D. |
|
Jan 1, 2008 |
8420 |
| The Theatricality of Transformation: cross-dressing, sexual misdemeanourand gender/sexuality spectra on the Elizabethan stage, Bridewell Hospital CourtRecords, and the Repertories of the Court of the Aldermen, 1574-1607. |
Gorman, Sara |
|
Jan 1, 2008 |
13265 |
| Christopher Marlowe and the succession to the English crown. |
Hopkins, Lisa |
Critical essay |
Jan 1, 2008 |
7755 |
| Foul papers, promptbooks, and Thomas Heywood's The Captives. |
Purkis, James |
Critical essay |
Jan 1, 2008 |
13844 |
| Las visitas en Dona Rosita la soltera: ?ambientales o reflejos? |
Brakel, Arthur |
Report |
Jan 1, 2008 |
3553 |
| A linguagem obscena do parvo no Auto da Barca do Inferno de Gil Vicente: uma luta de palavras pelos espacos divinos. |
Martinez, Monserrat Bores |
Report |
Jan 1, 2008 |
3928 |
| Re-imagining the female hysteric: Helene Cixous' Portrait of Dora. |
French, Sarah |
Critical essay |
Jan 1, 2008 |
5906 |
| Community plays by Robert J. Pearce: expressions of consciousness (an initial examination)/Gemeenskapstoneel deur Robert J. Pearce: aspekte van bewussyn ('n eerste verkenning). |
Coetser, J.L. |
Critical essay |
Jan 1, 2008 |
9835 |
| "I desyre to be paid": interpreting the language of remuneration in early modern dramatic archives. |
Northway, Kara |
Critical essay |
Dec 22, 2007 |
6605 |
| Wherefore Verona in The Two Gentlemen of Verona? |
Bergeron, David M. |
|
Dec 22, 2007 |
6540 |
| The Merchant of Venice, the Arab-Israeli conflict, and the perils of Shakespearean appropriation. |
Bayer, Mark |
|
Dec 22, 2007 |
11359 |
| Sacerdotal vestiges in The Tempest. |
Reid, Robert L. |
|
Dec 22, 2007 |
8594 |
| A hermaphrodite? Lope de Vega and the controversy of tragicomedy. |
Kluge, Sofie |
Critical essay |
Sep 22, 2007 |
16936 |
| G. B. Shaw's Heartbreak House and Harold Pinter's The Homecoming: comedies of implosion. |
Roy, Emil |
Critical essay |
Sep 22, 2007 |
4999 |
| Incest disguised: Ottonian influence at Gandersheim and Hrotsvit's Abraham. |
Evitt, Regula Meyer |
Critical essay |
Sep 22, 2007 |
7720 |
| Brave new world: Tom Stoppard on the Coast of Utopia. |
Neufeld, James |
|
Sep 22, 2007 |
3821 |
| Sam Cree: sex, sects, and comedy. |
York, Richard |
|
Sep 22, 2007 |
6523 |
| Playing and singing toward devolution: Stewart Parker's ethical aesthetics in Kingdom Come and Northern star. |
Russell, Richard Rankin |
|
Sep 22, 2007 |
13144 |
| Brian Friel's rituals of memory. |
Tracy, Robert |
|
Sep 22, 2007 |
7644 |
| 'The claim of eternity': language and death in Marina Carr's Portia Coughlan. |
Maxwell, Margaret |
|
Sep 22, 2007 |
7007 |
| Encountering Plautus in the Renaissance: a humanist debate on comedy. |
Hardin, Richard F. |
|
Sep 22, 2007 |
13249 |
| Money and merit in French Renaissance comedy. |
Parsons, Jotham |
|
Sep 22, 2007 |
14502 |
| Guare's "The Talking Dog": an adaptation that only partially adapts. |
Andreach, Robert J. |
Critical essay |
Sep 1, 2007 |
987 |
| Aphra Behn's The City Heiress: feminism and the Dynamics of Popular Success on the Late Seventeenth-Century Stage. |
Markley, Robert |
Critical essay |
Jun 22, 2007 |
9765 |
| "To kindle an industrious desire": the poetry of work in Lord Mayors' shows. |
Northway, Kara |
Critical essay |
Jun 22, 2007 |
9363 |
| Comparing poverty: fictions of a "poor theater" in Ruzante and Shakespeare. |
Henke, Robert |
Critical essay |
Jun 22, 2007 |
9747 |
| Transplanting the work of "that rooted man": the reception of John Millington Synge's drama in Hungary. |
Kurdi, Maria |
Critical essay |
Jun 22, 2007 |
8900 |
| Shakespeare, Marlowe and Blair. |
Berry, Ralph |
|
Jun 22, 2007 |
2360 |
| Wager's drama of conscience, convention, and state constitution. |
Murakami, Ineke |
Critical essay |
Mar 22, 2007 |
10923 |
| My fair Sadie: Allan Sherman and a paradox of American Jewish culture. |
Cohen, Mark |
|
Mar 1, 2007 |
8812 |
| Racial impersonation on the Elizabethan stage: the case of Shakespeare playing Aaron. |
Habib, Imtiaz |
|
Jan 1, 2007 |
13222 |
| Moorish dancing in the Two Noble Kinsmen. |
Iyengar, Sujata |
|
Jan 1, 2007 |
9969 |
| Oscar Wilde: a celebrity in the making. |
Frigo, Nick |
Essay |
Jan 1, 2007 |
6550 |
| The time of Shakespeare's Jewry. |
Harris, Jonathan Gil |
|
Jan 1, 2007 |
2997 |
| Utopian cosmopolitanism. |
Bartolovich, Crystal |
|
Jan 1, 2007 |
4112 |
| THWS, CWWS, WSAF, and WSCI in the Shakespeare book biz. |
Smith, Bruce R. |
|
Jan 1, 2007 |
10920 |
| The threat of rape in Leonor de la Cueva's La firmeza en la ausencia. |
Aronson, Stacey L. Parker |
Critical essay |
Jan 1, 2007 |
4490 |
| The politics of folklore in Abdou Anta Ka's La Fille des Dieux. |
Walker, Martha |
Critical essay |
Jan 1, 2007 |
3528 |
| Opposing forces: (re)playing Pocahontas and the politics of Indian removal on the antebellum stage. |
Jaroff, Rebecca |
|
Dec 22, 2006 |
8416 |
| 'A word by which you will be revealed': the problem of language in Will Eno's monologues. |
Silverstein, Marc |
Critical essay |
Jun 22, 2006 |
10717 |
| 'Greene's Baboone': Thomas Greene, ape impersonator? |
Steggle, Matthew |
Critical essay |
Jun 1, 2006 |
1508 |
| Boyle's Guzman at Lincoln's Inn Fields 1669. |
Keenan, Tim |
Critical essay |
Jun 1, 2006 |
7436 |
| Wilde, Synge & Orpen. |
Tillinghast, Richard |
Critical essay |
Feb 1, 2006 |
3278 |
| David Auburn's Proof: Taming Cinderella. |
Schafer, Carol |
|
Jan 1, 2006 |
5434 |
| Tennessee Williams's Sweet Bird of Youth and William Inge's Bus Riley's Back in Town: coincidences from a friendship. |
Voss, Ralph F. |
|
Jan 1, 2006 |
4138 |
| A. R. Ammons and Arthur Miller: unexpected metaphysical connections. |
Castellitto, George P. |
|
Jan 1, 2006 |
3435 |
| Beckett reviewing MacGreevy: a reconsideration. |
Kennedy, Sean |
Critical essay |
Sep 22, 2005 |
6483 |
| Is it politics or art that sustains some literary reputations? |
Goodden, Herman |
Column |
Apr 1, 2005 |
869 |
| Thomas Heywood's The Royall King, and the Loyall Subject and the fall of Robert Devereux, second earl of Essex. |
Lindberg, Kevin |
|
Mar 22, 2005 |
9099 |
| Ireland in two minds: Martin McDonagh and Conor McPherson. |
Grene, Nicholas |
Critical Essay |
Jan 1, 2005 |
6610 |
| Discordia concors: characterization problems of two Shakespearean gentlewomen. |
Yu, Sheng-yen |
Critical essay |
Jan 1, 2005 |
9358 |
| Magic mirrors in Richard II. |
Schuler, Robert M. |
|
Jun 22, 2004 |
12723 |
| Meanings of All for Love, 1677-1813. |
Caldwell, Tanya |
|
Jun 22, 2004 |
11702 |
| Anti-colonist discourse, tragicomedy, and the "American" Behn. |
Beach, Adam R. |
|
Jun 22, 2004 |
8705 |
| Politesse and the woman at risk: the social comedies of Marie-Therese De Camp. |
Scullion, Adrienne |
|
Jun 22, 2004 |
10146 |
| An American in Ireland: the representation of the American in Brian Friel's plays. |
Germanou, Maria |
|
Jun 22, 2004 |
7187 |
| Serious Money becomes "business by other means": Caryl Churchill's metatheatrical subject. |
Jernigan, Daniel |
|
Jun 22, 2004 |
8703 |
| Harold Pinter--a political playwright? |
Karwowski, Michael |
Critical Essay |
Nov 1, 2003 |
3253 |
| The Maltese Janus: Frances Ebejer and his drama. |
Crow, Brian; Galea, Marco |
|
Apr 1, 2003 |
4889 |
| Catholic author, musician, philosopher: Gabriel Marcel in postmodern dialogue. |
Bourgeois, Patrick |
Critical Essay |
Mar 22, 2003 |
8049 |
| Gabriel Marcel's Catholic dramaturgy. |
Michaud, Thomas A. |
Critical Essay |
Mar 22, 2003 |
4846 |
| Marcel: the playwright philosopher. |
Hanley, Katharine Rose |
Critical Essay |
Mar 22, 2003 |
7686 |
| 'The outpouring of a morbid, unhealthy mind': the critical condition of Synge and McDonagh. |
Richards, Shaun |
Critical Essay |
Mar 22, 2003 |
6560 |
| Living at the turning point of the world: Stoppard and Wilde. |
Emilsson, Wilhelm |
Critical essay |
Mar 1, 2003 |
7592 |
| Brian Friel: staging the struggle with nationalism. |
Boltwood, Scott |
|
Sep 22, 2002 |
6996 |
| Kilroy's theatre of the conflicted self. |
Dubost, Thierry |
Critical Essay |
Mar 22, 2002 |
3634 |
| The romance of history: Renegotiating the past in Thomas Kilroy's O'Neil and Brian Friel's Making History. |
Fogarty, Anne |
Critical Essay |
Mar 22, 2002 |
6970 |
| Staging the self: person and persona in Kilroy's plays. |
Grene, Nicholas |
Critical Essay |
Mar 22, 2002 |
5917 |
| Thomas Kilroy: The Artist and the Critic. |
Murray, Christopher |
Critical Essay |
Mar 22, 2002 |
5620 |
| Masculinity and masquerade in Thomas Kilroy's Double Cross and The Secret Fall of Constance Wilde. |
McMullan, Anna |
Critical Essay |
Mar 22, 2002 |
4529 |
| Ben Jonson, Revisited. (Review Essay). |
Brady, Jennifer |
Critical Essay |
Mar 22, 2002 |
6514 |
| The Re-Gendering of Mythic Figures in Three Shakespearean Dramas. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
217 |
| Ophelia's Distorted Marriage Rites in Shakespeare's Hamlet. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
212 |
| The "Old Lad of the Castle": Character Nomenclature, Censorship, and their Effects on Contemporary Shakespeare Studies. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
235 |
| Weaving the Web of Gossip: Player Kings in Shakespeare's Much Ado About Nothing. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
234 |
| Shakespeare's Distracted Globe and Hamlet's Theory of Theatre. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
232 |
| Shakespeare's Others as Witnesses: The Role of Thersites in Troilus and Cressida. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
213 |
| The Image of Peter the Great in the Works of Nestor Vasil'evich Kukol'nik. (Slavic & East European Studies). |
|
Brief Article |
Mar 22, 2002 |
188 |
| Reclaiming McCullers: with her new play on author Carson McCullers, Sarah Schulman brings her empathetic outsider's eye to New York's mainstream theater scene. (theater). |
Shewey, Don |
Brief Article |
Feb 5, 2002 |
567 |
| The Arab in Hanoch Levin's works--from the Queen of the Bathtub to Murder. |
Urian, Dan |
Critical essay |
Jan 1, 2002 |
7072 |
| Passed Over: The Tragic Mulatta and (Dis)Integration of Identity in Adrienne Kennedy's Plays. |
Brown, E. Barnsley |
Critical Essay |
Jun 22, 2001 |
9174 |
| THE ARCHER-SHEE CASE: THE ROOT OF TERENCE RATTIGAN'S 'THE WINSLOW BOY'. |
Rossi, John |
|
Apr 1, 2001 |
2570 |
| Casting Doubt in Marlowe's Doctor Faustus. |
HAMLIN, WILLIAM M. |
Critical Essay |
Mar 22, 2001 |
8090 |
| Questioning History in Cymbeline. |
CRUMLEY, J. CLINTON |
Critical Essay |
Mar 22, 2001 |
7452 |
| Knowledge and Belief in The Winter's Tale. |
LIM, WALTER S. H. |
Critical Essay |
Mar 22, 2001 |
7539 |
| Rape and the Romanticization of Shakespeare's Miranda. |
SLIGHTS, JESSICA |
Critical Essay |
Mar 22, 2001 |
8827 |
| The Performing Heir in Jonson's Jacobean Masques. |
GRAHAM, JEAN E. |
Critical Essay |
Mar 22, 2001 |
7002 |
| Reticence or insincerity Rattigan or Pinter. |
Dalrymple, Theodore |
|
Nov 1, 2000 |
5499 |
| Ariel Dorfman (2). |
McClennen, Sophia A. |
|
Sep 22, 2000 |
4399 |
| Microhistory and Cultural Geography: Ben Jonson's "To Sir Robert Wroth" and the Absorption of Local Community in the Commonwealth [*]. |
ELSKY, MARTIN |
|
Jun 22, 2000 |
13377 |
| GEORGE ORWELL'S FIRST PLAY. |
Zaluski, Iwo |
|
Jun 1, 2000 |
1167 |
| Marlowe's Travesty of Virgil: Dido and Elizabethan Dreams of Empire. |
STUMP, DONALD |
Critical Essay |
Mar 22, 2000 |
11230 |
| Race and the Yankee: Woodworth's The Forest Rose. |
RICHARDS, JEFFREY H. |
Critical Essay |
Mar 22, 2000 |
7288 |
| How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher. |
HENZE, CATHERINE A. |
Critical Essay |
Mar 22, 2000 |
12185 |
| Dialectica historica. |
Valdivieso, L. Teresa |
|
Jan 1, 2000 |
2988 |
| Lost in a Sea of Words: Tennessee William's Lifeboat Drill(*). |
KOLIN, PHILIP C. |
Critical Essay |
Dec 22, 1999 |
3326 |
| Brian Friel's Imaginary Journeys to Nowhere. |
PRATT, WILLIAM |
|
Jun 22, 1999 |
5253 |
| Apolitical Shakespeare; or, the Restoration 'Coriolanus.' (Shakespearean adaptations) |
Olsen, Thomas G. |
|
Jun 22, 1998 |
6310 |
| Identity in Dryden's 'Amphitryon': cuckolds of order. |
Gelineau, David |
|
Jun 22, 1998 |
7898 |
| Widows speak. |
Diederichsen, Diedrich |
|
Apr 1, 1997 |
822 |
| The adaptation of a Shakespearean genre: 'Othello' and Ford's 'Tis Pity She's a Whore.' |
Powell, Raymond |
|
Sep 22, 1995 |
4697 |
| Orpheus ascending: music,race, and gender in Adrienne Kennedy's 'She Talks to Beethoven.' (Black Women's Culture Issue) |
Kolin, Philip C. |
|
Jun 22, 1994 |
6364 |
| Theatre in 1990. |
Warrington, Lisa |
Critical essay |
Jan 1, 1994 |
15155 |
| On alienation in Hanoch Levin's theatre of protest. |
Milman, Yoseph |
Critical essay |
Jan 1, 1994 |
14515 |
| Blues, history and the dramaturgy of August Wilson. |
Plum, Jay |
|
Dec 22, 1993 |
3624 |
|
