Criticism and interpretation subtopic
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Articles
1-51 out of 51 article(s)
| Title |
Author |
Type |
Date |
Words |
| A love supreme: jazzthetic strategies in Toni Morrison's Beloved. |
Eckstein, Lars |
Critical essay |
Jun 22, 2006 |
7570 |
| Lighting the path: brave lesbian writers of an earlier era made a way out of no way for the others who would follow. |
De Veaux, Alexis |
|
Jan 1, 2005 |
1198 |
| "Passing on" death: stealing life in Toni Morrison's Paradise. |
Aguiar, Sarah Appleton |
Critical Essay |
Sep 22, 2004 |
4294 |
| Zane, Inc.: she has much more on her mind than black erotica. Behind the best-selling author's pseudonym is a shrewd businesswoman, astute publishing entrepreneur and--oh, yes--a wife and mother of four. |
Johnson, Kalyn |
Bibliography |
Sep 1, 2004 |
1768 |
| Before Zane was a star ... a veteran journalist and published author admits he told his former cyberpal that she would never make it as a writer. Now he just marvels at how wrong he was. |
Fulwood, Sam, III |
|
Sep 1, 2004 |
768 |
| Conversations with a post modern sister: actress-comedian Aisha Tyler is distinctive among celebrtiy authors: she wrote her own book proposal and her own book! |
Johnson, Pamela K. |
Interview |
Jul 1, 2004 |
1497 |
| A traveling female spirit: Nalo Hopkinson takes her inspiration from the magic of the Caribbean and the strength of women. |
Okorafor-Mbachu, Nnedi |
|
Mar 1, 2004 |
1134 |
| The love scene: women's fiction vs. classic romance. |
Harris, Monica |
|
Mar 1, 2004 |
452 |
| Hybrid embodiment and an ethics of masochism: Nella Larsen's Passing and Sherley Anne Williams's Dessa Rose. |
Basu, Biman |
Critical Essay |
Sep 22, 2002 |
12130 |
| Pauline Hopkins's Of One Blood, Africa, and the "Darwinist trap". |
Japtok, Martin |
Critical Essay |
Sep 22, 2002 |
7834 |
| The feminism of Dorothy West's The Living Is Easy: a critique of the limitations of the female sphere through performative gender roles. |
Sanders, Pamela Peden |
Critical Essay |
Sep 22, 2002 |
7412 |
| Bambara's feisty girls: resistance narratives in Gorilla, My Love. |
Muther, Elizabeth |
Critical Essay |
Sep 22, 2002 |
8040 |
| "From the Seen to the Told": the construction of subjectivity in Toni Morrison's Beloved. |
Fuston-White, Jeanna |
Critical Essay |
Sep 22, 2002 |
8193 |
| Furrowing all the Brows: Interpretation and the transcendent in Toni Morrison's Paradise. |
Page, Philip |
Critical Essay |
Dec 22, 2001 |
7509 |
| Nella Larsen and the Intertextual Geography of Quicksand. |
Brickhouse, Anna |
Critical Essay |
Dec 22, 2001 |
16707 |
| Dwelling in the House of Oppression: The Spatial, Racial, and Textual Dynamics of Harriet Wilson's Our Nig. |
Leveen, Lois |
Critical Essay |
Dec 22, 2001 |
12369 |
| "The porch couldn't talk for looking": Voice and Vision in 'Their Eyes Were Watching God.'(Zora Neale Hurston)(Critical Essay) |
Clarke, Deborah |
Critical Essay |
Dec 22, 2001 |
9579 |
| "So strangely interwoven": The Property of Inheritance, Race, and Sexual Morality in Pauline E. Hopkins's Contending Forces. |
Nerad, Julie Cary |
Critical Essay |
Sep 22, 2001 |
10136 |
| Not Black and/or White: Reading Racial Difference in Heliodorus's Ethiopica and Pauline Hopkins's Of One Blood. |
Harris, Maria |
Critical Essay |
Sep 22, 2001 |
9686 |
| Toni Morrison and the Burden of the Passing Narrative. |
Bennett, Juda |
Critical Essay |
Jun 22, 2001 |
7820 |
| Toni Morrison's Jazz and the City. |
Paquet-Deyris, Anne-Marie |
|
Jun 22, 2001 |
8109 |
| Tough Issues, Tender Minds. |
Bashir, Samiya A. |
Critical Essay |
May 1, 2001 |
1145 |
| Revolutionary Suicide in Toni Morrison's Fiction. |
Ryan, Katy |
Critical Essay |
Sep 22, 2000 |
15337 |
| In Spite of It All: A Reading of Alice Walker's "Everyday Use". |
Whitsitt, Sam |
Critical Essay |
Sep 22, 2000 |
11286 |
| Raising Voices, Lifting Shadows: Competing Voice-Paradigms in Frances E. W. Harper's Iola Leroy. |
Christmann, James |
Critical Essay |
Mar 22, 2000 |
7927 |
| The Story Must Go On and On: The Fantastic, Narration, and Intertextuality in Toni Morrison's Beloved and Jazz. |
Cutter, Martha J. |
Critical Essay |
Mar 22, 2000 |
9327 |
| The Worm Against the Word: The Hermeneutical Challenge in Hurston's Jonah's Gourd Vine. |
Ciuba, Gary |
Critical Essay |
Mar 22, 2000 |
8910 |
| Reading the Scars: Rita Dove's The Darker Face of the Earth. |
Carlisle, Theodora |
Critical Essay |
Mar 22, 2000 |
9719 |
| Migrant Labor, Folklore, and Resistance in Hurston's Polk County: Reframing Mules and Men. |
Nicholls, David G |
Critical Essay |
Sep 22, 1999 |
7962 |
| Violence, home, and community in Toni Morrison's 'Beloved.'. |
Jesser, Nancy |
|
Jun 22, 1999 |
13445 |
| Representation, race, and the "language" of the ineffable in Toni Morrison's narrative. |
Khayati, Abdellatif |
|
Jun 22, 1999 |
7103 |
| Fantastical & true. |
Bartelme, Elizabeth |
|
Oct 9, 1998 |
906 |
| Nella Larsen's 'Passing' and the fading subject. |
Sullivan, Neil |
|
Sep 22, 1998 |
8985 |
| Zora Neale Hurston and the post-modern self in 'Dust Tracks on a Road.' |
Walker, Pierre A. |
|
Sep 22, 1998 |
8593 |
| "The world in a jug and the stopper in (her) hand": 'Their Eyes' as blues performance. |
Johnson, Maria V. |
|
Sep 22, 1998 |
8693 |
| Looking into the self that is no self: an examination of subjectivity in 'Beloved.' |
Holden-Kirwan, Jennifer L. |
|
Sep 22, 1998 |
7452 |
| "Kin' o'rough jestice fer a parson": Pauline Hopkins's 'Winona' and the politics of reconstructing history. |
Patterson, Martha H. |
|
Sep 22, 1998 |
9866 |
| "In the land of cotton": economics and violence in Jean Toomer's 'Cane.' (African-American woman author) |
Foley, Barbara |
|
Jun 22, 1998 |
11715 |
| "Love me like I like to be": the sexual politics of Hurston's 'Their Eyes Were Watching God,' the classic blues and the Black Women's Club movement. |
Batker, Carol |
|
Jun 22, 1998 |
8710 |
| "The laws were laid down to me anew": Harriet Jacobs and the reframing of legal fictions. |
Accomando, Christina |
|
Jun 22, 1998 |
10495 |
| History, myth, and revolt in Lorraine Hansberry's 'Les Blancs.' (drama by African American woman author) |
Effiong, Philip Uko |
|
Jun 22, 1998 |
6410 |
| The fourth face: the image of God in Toni Morrison's 'The Bluest Eye.' |
Alexander, Allen |
|
Jun 22, 1998 |
6806 |
| Paule Marshall's 'Brown Girl, Brownstones': reconciling ethnicity and individualism. |
Japtok, Martin |
|
Jun 22, 1998 |
6463 |
| Retelling our selves: collective memory and the body in Charlotte Watson Sherman's 'One Dark Body.' (African American woman author) |
Sloboda, Nicholas |
|
Jun 22, 1998 |
7447 |
| Reading rigor mortis: offstage violence and excluded middles 'in' Johnson's 'Middle Passage' and Morrison's 'Beloved.' (authors Charles Johnson and Toni Morrison) |
O'Keefe, Vincent A. |
|
Dec 22, 1996 |
7241 |
| Authority, multivocality, and the new world order in Gloria Naylor's 'Bailey's Cafe.' |
Montgomery, Maxine Lavon |
|
Mar 22, 1995 |
3883 |
| "The only voice is your own": Gloria Naylor's revision of 'The Tempest.' |
Storhoff, Gary |
|
Mar 22, 1995 |
6519 |
| Early black women playwrights and the dual liberation motif. |
Harris, Will |
|
Jun 22, 1994 |
9650 |
| "These are the facts of the darky's history": thinking history and reading names in four African American texts. |
McKible, Adam |
|
Jun 22, 1994 |
7462 |
| "Would you really rather die than bear my young?": the construction of gender, race, and species in Octavia E. Butler's "Bloodchild." (Black Women's Culture Issue) |
Helford, Elyce Rae |
|
Jun 22, 1994 |
7474 |
| Orpheus ascending: music,race, and gender in Adrienne Kennedy's 'She Talks to Beethoven.' (Black Women's Culture Issue) |
Kolin, Philip C. |
|
Jun 22, 1994 |
6364 |
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