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Creativity and healing.


I have just spent a week in Oxford: a city full of old colleges. In their mediaeval me·di·ae·val  
adj.
Variant of medieval.


mediaeval
Adjective

same as medieval

Adj. 1.
 chapels I listen to the choristers sing motets which seem to match the architecture of the buildings. I hear the voices of the Renaissance polyphony polyphony (pəlĭf`ənē), music whose texture is formed by the interweaving of several melodic lines. The lines are independent but sound together harmonically.  meet and cross each other so that their different rhythms create a complex pattern and, while I listen, my eye follows the intricate criss-crossing lines of the fan vaulting fan vault
n.
A vault in which curving ribs radiate upward like the ribs of a fan to form concave half cones that meet or nearly meet at the apex.
 of the ceiling--an example of architectural structure An architectural structure is a free-standing, immobile outdoor construction.

The structure may be permanent. Typical examples include buildings and nonbuilding structures such as bridges, dams, electricity pylons, and radio masts.
 being turned into something decorative and beautiful.

These chapels, the music, their paintings and sculptures, were all built, written, created to the praise of God--and this motivation has continued down the centuries. Of course there was money involved: the Church and the colleges were rich. But there was also a basic belief in a creator God who was in charge of all things, including our destinies.

This God not only created the Earth, and the good things on it--the woods, the animals, us--but he also created the quality in each of us that makes us create. Where some make artistically beautiful things, others are drawn to build, to invent, to do old things in new ways, or perhaps to strive towards some vision of perfection Perfection
Giotto’s O

perfect circle drawn effortlessly by Giotto. [Ital. Hist.: Brewer Dictionary, 463]

golden mean

or section
.

In my own small way, I sing and I paint. To adapt a phrase from the Olympic runner, Eric Liddell Eric Henry Liddell (January 16, 1902 – February 21, 1945, Chinese name 李爱锐, Li Airui) was a Scottish athlete and Rugby Union international and the winner of the Men's 400 metres at the Olympic Games of 1924 held in Paris. , `When I sing I feel God's pleasure'--well sometimes I do. When it is going well, I feel in tune both with myself and with God's bigger creation. It seems that we are most creative when we are truly open at many levels of our being--and this is particularly true of the voice because the body needs to resonate res·o·nate  
v. res·o·nat·ed, res·o·nat·ing, res·o·nates

v.intr.
1. To exhibit or produce resonance or resonant effects.

2.
 freely to sing well.

But being open means that at other times when I sing or paint, I feel dark moods of despair, anger, fear--sides of myself I do not like. And here I have a choice, because I know I can offer not just my lack of talent to the creator God, but also my blackness and my vulnerability to this God who also heals.

Just as it is here in Oxford. As I listen to the strands of the music, and absorb the atmosphere of the chapel, I am able to stop, to be still and pray. I can step outside my life with its busyness, its joys and frustrations, and hold it up to this God who represents the very best that I know. Then as I step out into the street an hour later, I find I am given new faith, new inspiration, and maybe a way forward.
COPYRIGHT 2001 For A Change
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Publication:For A Change
Date:Jun 1, 2001
Words:433
Previous Article:No room for shyness (in journalism).
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