Correction.In our November issue, citations attributing several of the quotations in Gwen Allen's article "In on the Ground Floor: Avalanche avalanche, rapidly descending large mass of snow, ice, soil, rock, or mixtures of these materials, sliding or falling in response to the force of gravity. Avalanches, which are natural forms of erosion and often seasonal, are usually classified by their content such as a debris or snow avalanche. Speeds can reach over 200 mi per hr (300 km per hr). and the SoHo Art Scene, 1970-1976" were omitted. On page 217, the Jackie Winsor quote is excerpted from an interview by Liza Bear for "The Early History of Avalanche," originally published in the catalogue L'Art au Corps (Marseilles Marseilles (märsā`), Fr. Marseille, city (1990 pop. 807,726), capital of Bouches-du-Rhône dept., SE France, on the Gulf of Lions, an arm of the Mediterranean Sea. It is the second largest city of France and one of its most important seaports; an underground canal (see Rove Tunnel) links it with the Rhône River.: Editiones du MAC, 1996) and reprinted in pamphlet form by Chelsea Space, London, in 2005. On page 218, Robert Pincus-Witten Witten (vĭt`ən), city (1994 pop. 105,807), North Rhine–Westphalia, W Germany, on the Ruhr River. It is an industrial city whose manufactures include chemicals, iron and steel, glass, and machinery. Witten was first mentioned in the 13th cent. and was chartered in 1825.'s words were taken from Amy Newman, Challenging Art; Artforum 1962-1974 (New York: SoHo Press, 2000). On pages 218, 219, and 221, all quotations of Bear were taken from "The Early History of Avalanche." Finally, we neglected to explicitly acknowledge that Bear was not only the cofounder but the sole editor of the magazine throughout its lifespan. We regret these omissions. We also regret that Robert Bordo's name was misspelled in Matthew Higgs's Top Ten, on page 258 of our December issue. |
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