Printer Friendly
The Free Library
4,489,757 articles and books
Member login
User name  
Password 
 
Join us Forgot password?

Color trails: natural dyes in historic textiles get a closer look.


Chemists have developed a way to extract natural dyes natural dye
n.
A dye obtained from animals or plants.
 from ancient textiles while preserving the unique chemical characteristics of each dye. The technique enables the researchers to then identify the plant species from which the colorants came.

Determining the source of dyes could open a new window on how ancient people used natural resources, says chemist Richard Laursen of Boston University. What's more, since plants grow within set geographic ranges, characterizing natural dyes could help archaeologists trace the movements of tribes or determine trade relations between distant communities.

Laursen and his colleague Xian Zhang, also of Boston University, used their new chemical method to analyze yellow plant dyes called flavonoids flavonoid /fla·vo·noid/ (fla´vah-noid) any of a group of compounds containing a characteristic aromatic nucleus and widely distributed in higher plants, often as a pigment; a subgroup with biological activity in mammals is the bioflavonoids.

fla·vo·noid 
. Many dye flavonoids have attached sugar molecules that are specific to each plant.

Traditionally, textile manufacturers have used a substance known as a mordant
1. a substance capable of intensifying or deepening the reaction of a specimen to a stain.
2. to subject to the action of a mordant before staining.


mor·dant (môrdnt)
adj.
 to bind dye compounds to fibers. "It's a practice that's been used for thousands of years," says Laursen. First, the textile is soaked in a solution containing the mordant, which, in most cases, is an aluminum salt. Aluminum ions penetrate the fabric's fibers, and then, in a second bath, dye molecules bind to the ions. The result is a colored textile that holds on to its dye.

To extract the natural dyes from historical textiles for analysis, researchers have typically relied on harsh chemicals, such as hydrochloric acid hydrochloric acid /hy·dro·chlo·ric ac·id/ (-klor´ik) hydrogen chloride in aqueous solution, HCl, a highly corrosive mineral acid; it is used as a laboratory reagent and is a constituent of gastric juice, secreted by the gastric parietal cells.

hy·dro·chlo·ric acid 
, to separate the dye from the mordant. However, this process also strips away the flavonoids' plant-identifying sugar molecules. "You lose a lot of the information this way," says Laursen.

As they report in the April 1 Analytical Chemistry, he and Zhang extracted yellow dyes from test fabrics using different, milder reagents: ethyl-enediaminetetraacetic acid (EDTA EDTA - Electric Drive Transportation Association
EDTA - Endocrine Disruptor Testing and Assessment
EDTA - Ethylene Diamine Triacetic Acid
EDTA - Ethylenediamine Tetraacetic Acid (chemistry)
EDTA - European Dialysis and Transplant Association
) and formic acid formic acid /for·mic ac·id/ (for´mik) an acid from the distillation of ants and derivable from oxalic acid and glycerin and from the oxidation of formaldehyde; its actions resemble those of acetic acid but it is much more irritating, pungent, and caustic to the skin. The acid and its sodium and calcium salts are used as food preservatives.. The Boston researchers tested their method on silk fibers that they had dyed with flavonoids from different natural sources, such as pagoda-tree buds from a local arboretum and onions from a supermarket.

Laursen and Zhang soaked their dyed silk samples in hydrochloric acid, EDTA, or formic acid, extracted the flavonoids, and chemically characterized the compounds. They found that the treatment in strong acid stripped away the distinguishing sugars of the flavonoid dyes, making all of the dyes appear chemically the same. The milder reagents, however, preserved the sugar signatures of the flavonoids' sources.

The researchers also tested their method on textile fibers from a 1,000-year-old mummy in Peru. They found a new type of yellow dye, a flavonoid sulfate, that was previously unknown to archaeologists. "You wouldn't see it using the traditional methods," says Laursen. It turns out, he adds, that a certain group of plants in Peru and Argentina are rich in flavonoid sulfates and that there's a long tradition of using these plants for dyeing textiles.

Irene Good, a specialist in ancient textiles at Harvard University, says the new dye-identifying technique "is extremely important and very promising." In addition to pegging the specific plants used to make dyes, the method could reveal how natural dyes were processed by ancient people--for example, whether they dried plants or used them fresh, she says.
COPYRIGHT 2005 Science Service, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2005, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

 Reader Opinion

Title:

Comment:



 

Article Details
Printer friendly Cite/link Email Feedback
Title Annotation:This Week
Author:Goho, A.
Publication:Science News
Date:Apr 9, 2005
Words:503
Previous Article:Fish din: reef clamor attracts young fish settlers.(This Week)
Next Article:Manuscripts as fossils: population-biology equations estimate medieval texts' likelihood of survival.
Topics:



Related Articles
Medieval tapestries. (Looking/Learning)
Textile maker Lorber Industries thrives even during gloomy times. (Lorber Industries of California)
Prints and Patterns: Vibrant Ikats.(textiles exhibit at the Museum of Fine Arts, Boston)(Brief Article)
Hair to dye for: natural alternatives to toxic coloring agents. (Consumer News).
Plicopurpura pansa (Gould, 1853) from the Pacific Coast of Mexico and Central America: a traditional source of Tyrian Purple.
Bluejeans.(LIFE-CYCLE STUDIES)(Levi Strauss)
Dye sublimation printing: durable color decoration for 3D parts.(Close-Up: DECORATING)
True colors: some dyeing operations thrive, others fail.(American Apparel Dyeing and Finishing Inc.)
Amazigh textiles and dress in Morocco: metaphors of motherhood.

Terms of use | Copyright © 2008 Farlex, Inc. | Feedback | For webmasters | Submit articles