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Color blind.


I danced in three revivals of the musical Showboat showboat. In the early 19th cent. entertainment was brought by boat to the pioneers that settled along the western rivers (especially the Mississippi and Ohio) of the United States. At first companies only traveled by boat, performing on land.  at Jones Beach Marine Theater, 1956-57. The summer of the first revival there was a black cast and a white cast of singers and dancers. I still lived with my parents, who were staunch Southerners living on Long Island.

Transportation for the cast was by train to Freeport, Long Island. Upon arrival a bus took us to the theater. One night I was late boarding the bus and had to take the only seat left, which was next to a male dancer. I was honored and thrilled to be seated next to Alvin Ailey Noun 1. Alvin Ailey - United States choreographer noted for his use of African elements (born in 1931)
Ailey
. Other occupants of that bus included Geoffrey Holder Geoffrey Holder (born August 20, 1930 in Port of Spain), is a Trinidadian character actor, choreographer, dancer, painter, costume designer, singer and voice-over artist. , Donald McKayle Donald McKayle (born July 6, 1930, New York City) is a modern dance and Broadway choreographer, director, and performer who has worked with many choreographers such as Martha Graham, Alvin Ailey, Anna Sokolow, and Merce Cunningham. , and Charles Moore Charles Moore may refer to any of the following people:
  • Charles Moore (athlete) (born 1929), America Olympic hurdler
  • Charles Moore (botanist), director of the Royal Botanic Gardens, Sydney 1848-96
  • Charles Moore (journalist) (born 1956), a former editor of the
.

When I got off the bus, as usual, my father was waiting for me. My parents were always supportive of my dance life, but that evening I was greeted with, "If I ever catch you sitting next to a colored person again, that will be the end of your dance career!" That night I cried myself to sleep, never understanding what I had done wrong. I did not see color. I saw human beings.

Years later, while I was with the American Festival Ballet in Europe, Alvin Ailey saw me perform. He came backstage and invited me to join his newly formed company. Alvin did not see color either.

MONA TRITSCH WILLIAMS

FT. MITCHELL, KY
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Title Annotation:Letters
Author:Williams, Mona Tritsch
Publication:Dance Magazine
Article Type:Letter to the Editor
Date:Jun 1, 2005
Words:231
Previous Article:Patient pedagogue.(Letters)(Letter to the Editor)
Next Article:Corrections.(Correction Notice)



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